THE JOYFUL SIDE OF THE SEASON: TRADING HALLOWEEN FOR THE DAY OF THE DEAD

For more than a month, people have been bombarded with ads, displays, and commercials about things to buy for Halloween: costumes, candy, house decorations, yard displays, etc., etc., etc. Indeed, more money is spent on Halloween than any other holiday except Christmas—which I find pretty horrifying in and of itself. 

This insanity is what inspired Tim Burton to write Nightmare Before Christmas.

But that’s just the tip of the horror: evil witches, vampire bats, the walking dead, haunted houses, werewolves, and not-nearly-as-friendly-as-Casper ghosts. The scary side of the season is why the previous four blogs on this website have been about evil twins, being buried alive, satanism, and vampires.

Hard on the heels of Halloween comes Dia de Muertos, The Day of the Dead (though it seems to me it ought to be Days, plural). It begins at midnight on October 31 and continues through November 1 and 2.

  • Writers please note:although November 1 and 2 coincide with the Catholic holidays of All Saint’s Day and All Soul’s Day, respectively, the Day of the Dead is not now tied to any particular religion. It is more of a cultural holiday than a religious one. 

Scholars have traced the modern holiday back hundreds of years, particularly to an Aztec festival dedicated to the goddess Mictecacihuatl. People can, and have, personalized it, integrating elements into their own cultural and/or religious practices. It is nearly opposite of all that Halloween stands for.

A representation of Mictlantecuhtli, also known as the Divine Mother or Santa Muerte Narco

In Aztec mythology, Mictlan was the underworld and after-death destination for the majority of people. The ruler of Mictlan was
Mictlantecuhtli, who held the bones used to create all of humanity.
Mictlancíhuatl was his wife, who watches over the souls of the dead.

A popular costume is La Catrina, a character that was created by Mexican lithographer and illustrator Jose Guadalupe Posada (1852–1913). La Catrina is a female skeleton who is dressed in the style of upper-class women of the period.

Dio de Muertos is celebrated throughout Mexico, especially the central and southern regions. It is also celebrated by people of Mexican heritage worldwide. Although the details of the celebration vary by location, the central elements are the same: celebrating the lives of those who have died with feasting, parties, costumes, and activities the dead enjoyed in life.

October 31 is usually devoted to preparing to welcome the souls of loved ones. A home altar is created, decorated with candles and lots of food and drink: fruits, peanuts, turkey mole, tortillas, and Day of the Dead breads (pan de muerto) ; sodas, cocoa, and water. These offerings are called ofrenda, though that can also refer to the altar itself. The breads often have icing that resembles and bones across the top. Buckets of flowers, especially wild marigolds (cempasúchitl), are used as well.


Copal incense was burned in Mesoamerica in ancient times.
The word copal is derived from the Nahuatl word copalli, which means “incense.”

Traditional altars include very specific elements, each with a distinct purpose.

  • A candle for each relative remembers, so that the light will guide them.
  • Flowers to represent the fleetingness of life.
  • Salt and water to purify and refresh the souls tired from the journey.
  • Copal incense to raise prayers to God.
  • A photo or drawing of each relative, often with a favorite piece of clothing or toy.
An ofrenda for a young child

The holiday begins when the souls of dead children and miscarried babies are allowed to return to their families for twenty-four hours, on Día de los Inocentes. Toys, candies, and miniature skulls are added to the home altars for these angelitos.  On November 2, the spirits of adults arrive. The miniature skulls are replaced by full-sized ones. For adults, the altar includes cigarettes, shots of mezcal, and/or the favorite drink of the dead person(s).

A small
calavera de azucar (sugar skull) for a small child’s ofrenda

Sugar art was learned from Italian missionaries in the 17th century, who made sugar lambs and angels to adorn altars in Catholic Churches at Easter. Clay molded sugar skulls, angels, and sheep date back to the 18th century. As described on mexicansugarskull.com, “Sugar skulls represented a departed soul, had the name written on the forehead and was placed on the home Ofrenda [altar] or gravestone to honor the return of a particular spirit.”  According to the same source, “Sugar skull art reflects the folk art style of big happy smiles, colorful icing and sparkly tin and glittery adornments.”

Now they are represented by jewelry and masks.

Typically, the holiday activities includes a trip to the cemetery/graveyard where loved ones are buried. Besides clean-up and maintenance of the gravesite, these visits include a party, often with local music, games, card playing, feasting, and decorating the graves.

Families at a cemetery in Oaxaca

Although a Mexican holiday, the Day of the Dead is celebrated worldwide. In the United States, Texas, New Mexico, and Arizona feature pretty traditional celebrations.

These Catrinas dressed like Adelitas, women who fought in the Mexican Revolution.

California, too, has strong historical ties to Mexico and Dia de Muertos is celebrated widely across the state—though the celebrations sometimes add a political element, such as an altar to honor the victims of the Iraq War.

The parade in Mexico City this year honored migrants who have died.

Virtually every big city has a festival and events. For example, the historic Forest Hills Cemetery in Boston’s Jamaica Plain neighborhood hosts an annual festival celebrating the cycle of life and death. People bring food, flowers, pictures, and mementos to add to a huge decorated altar. It includes traditional music and dance.

Jamaica Plain, Boston

Bottom line for writers: consider a scene involving Day of the Dead celebrations. Perhaps it is a tradition for one or more characters, or perhaps the protagonist just happens to be in a city where the celebration is taking place. Think broadly!


Language Blogs Round-Up

Canadian science fiction reviewer James Nicoll said, “The problem with defending the purity of the English language is that English is about as pure as a cribhouse whore. We don’t just borrow words; on occasion, English has pursued other languages down alleyways to beat them unconscious and rifle their pockets for new vocabulary.”

Among the many reasons I love writing is the way it allows me to explore the wonders of the English language. Here are some of the posts I’ve written on this blog that directly concern how language can enhance or destroy writing.

 

Commonly Confused Words

  • Mind Your A’s and The’s
    • Pay attention to what you mean to be saying when you use a or the to designate something. In general, a indicates one of many possibles while the is restrictive to one specific person, place, event, item, etc.
  • The Limits of Spellcheck
    • Spellcheck programs will not generally recognize incorrect word usage if those words are spelled correctly.  Eliminating word confusion is up to you.  This is a writing prompt to practice correct usage of some of the most commonly confused words.
  • Choosing the Pronoun for Your Purpose
    • Know the rules of grammar so you can use them or abuse them to suit your purposes!  Pronouns can be subject (I/ you/ he/ she/ it), object (me/ you/ him/ her/ it), or show possession (my/ your/ his/ her/ its).
  • I’m Not Alone Here
    • The right word vs. the almost right word is the difference between sounding articulate vs. sounding pretentious—and uneducated. Bottom line: only use words you know for sure.

 

Cutting the Flab from Writing

  • Practicing Similes
    • Similes add color and tone to your writing. Don’t overdo. And avoid the worn and weary ones–such as hard as a rock, soft as a cotton ball, etc.
  • Cut the Flab
    • Flabby writing is writing that includes unnecessary words or phrases. I’ll talk about four common types of flab: stating something for which there is no alternative, saying the same thing twice, naming characters or relationships already known, and stating an action that is inherent in another action.
  • Writing that Irritates Readers
    • Here are a few examples of the worst habits of flabby writing
      • Going off-key on tone: This is when something just doesn’t feel right, such period inappropriate slang.
      • Close but no cigar: Using the wrong word, such that for who or imply for infer
      • Redundant verbiage: Using extra words to modify ideas that need no modification
  • Let Your Punctuation Speak for You
    • This is a variation on two themes: show, don’t tell and trust your reader. The point is that the reader will get your meaning without both the punctuation and the accompanying explanation.
  • Bitch Blog
    • A USA Today best-selling author who shall remain nameless has written a series of books that are filled with egregious examples of the flabbiest of flabby writing.
  • Clichés—True But Tired!
    • This is an extensive but not exhaustive list of some of the worst, most over-used, most obnoxious cliches.

 

Close Attention to Detail

  • Getting Up Close With Nature
    • Be specific.   Perhaps the foremost is be specific. Don’t say “a tree,” say, “a willow oak.”
  • Be Specific
    • To avoid wimpy writing, attend to the details. I already talked about avoiding weasel words like some, few, or many in favor of specific numbers or quantities. The same applies to vague nouns: flower, tree, shrub, car. Tell the reader it’s a rose, an elm, an English boxwood, a Ford.
  • The Five Ws
    • You have a vague recollection that sometime in the past–perhaps in high school–someone told you that when writing a newspaper article, you need to cover all five Ws: Who, What, When, Where, and Why. That is good advice in general, including fiction–and even memoir.
  • Observe More Closely
    • Nature writing can be add depth, precision, and detailed setting in any genre of writing.  This post provides examples of various genres in which nature writing has been used effectively and some tools to develop your own nature writing skills.

 

Careful Use of Modifiers

  • Choose Modifiers Carefully
    • The same advice on adverbs applies to other modifiers. Make sure they add something to the story. “Very” should be on your hit list, along with all sorts of weasel words and phrases, such as a little, a lot, big, small, somewhat, sort of. . . You get the idea.
  • Use Strong Verbs
    • How do you recognize a weak verb? Look for adverbs! When you find a sentence in which you give the reader a tag telling how an action was performed, chances are you have a lazy verb–one you didn’t really think about as you plugged it in.

 

Period Appropriate Writing for Genre or Setting

  • A Little Dialect Goes a Long Way
    • A touch of dialect helps establish voice, and may lend authenticity to the writing. But for the beginning writer, knowing how much is enough is often difficult. A story studded with apostrophes and phonetically spelled words draws attention to the writing, detracting from the story.
  • Kids Say the Darndest Things!
    • Children’s language development is a very interesting study for psychologists and linguists.  It is important that child characters behave and speak appropriately for their age to be believable.  However, every child is different; outliers on either end of the development scale can add interest but must have believable groundwork laid.
  • Use Slang and Clichés Effectively
    • In my opinion, the best use of slang is setting the time of the story.  Used effectively, it lends authenticity to dialogue. But if writing about any time other than the present, tread carefully. Inappropriate slang can ruin the tone and undermine the credibility of the entire story.
  • Horror Week is Here
    • The blog Now Novel provides excellent advice for techniques that are most effective in various genres, including horror.
  • Historical Fiction
    • Writing historical fiction requires extensive knowledge of the period in which the story takes place, including the slang and speech styles common at the time.  This blog provides several resources and suggestions for writing effectively about the chosen time period.

 

History of the English Language

  • Shades of Professor Henry Higgins!
    • The development of the English language into the distinct dialects used in various English-speaking nations around the world can be mined for examples of characterizations by word choice and syntax.  It is also a fascinating story on its own.
  • Loving Language
    • Our everyday language is full of phrases we use without thinking of how they came to mean what they mean. Delve into the origins of words and phrases. You will find amusement as well as information!
  • Is the Quality of Writing Declining? And if So, Why?
    • Research suggests that writing ability in American students has fallen, combined with (or caused by) a decline in concrete guidelines and principles for those teaching writing.  Reading for pleasure has also been declining over the last few decades.
  • Emojis: Yea or Nay?
    • I approached this blog with the opinion that relying on emoticons—i.e., emojis—is dulling out ability to express emotions with rich language and subtlety. Some have asserted that the emoji is the fastest-growing language in history—for good or ill.  How do you feel about emojis?

 

Editing or Proofreading Yourself

  • Talk to Yourself
    • Longer, more complex sentences are much smoother and more graceful on the page than in the mouth. If you want dialogue to sound real, listen to it–literally. Reading silently, your brain fills in and evens out. So, when you feel your work is in pretty good shape, read it aloud.
  • Curb Your Enthusiasm
    • Be selective–and restrained–in using exclamation points and italics. More than one of these every few pages probably means you are using these visual markers to shore up weak word choices.
  • When, While, Then
    • Search your work for these words and closely examine each usage. They often contribute to run-on sentences that would be stronger and clearer if they were revised into two or more shorter sentences.  Be especially wary if one sentence contains two or all three of these words.
  • Skip The First Word That Comes To Mind
    • When you are trying to get something on the page, moving quickly and just getting it done is the way to go. But know that isn’t the finished product. Go over your draft and mark commonplace words–particularly forms of the to-be verbs and vague adjectives. Consider at least three alternatives–and consider the value of the least expected.
  • Didn’t Get it Right the First Time?
    • Noah Lukeman is my favorite guru on self-editing. He’s highly readable, clear, and interesting. But if you need some quick-and-dirty guidelines right now, here are a baker’s dozen.
  • Attributing Words to Characters
    • We are often in need of indicating who is speaking and/or how. In doing so, beware of distracting—or irritating—your reader. Here are my personal guidelines for making attributions.
  • Treasure Trash
    • I’d bet nearly everyone who’s written a book has edited out not just words, but paragraphs, scenes, or entire chapters. Don’t delete chunks of text.  Save them in a separate file.
      • It makes it easier to cut the flab (anything that doesn’t fit this piece of work), sometimes known as killing your darlings.
      • Those chunks may come in handy in the future, either as additions to as sparks for something totally new.
  • Verbal Tics— Use and Abuse
    • Everyone has verbal habits, including tics. As a writer, be aware of your favorite words and use them sparingly! In the right context, they can convey education level, social class, and even age.
  • Across Years and Miles
    • This post includes a list of common errors in grammar and syntax, each humorously illustrated by use of the error it advises against.
  • When Less is More
    • “Very” is a word we all should do searches for in our documents—finding and replacing with something stronger. These are not exhaustive lists. The point is examine your writing to make sure every word is necessary, and then trust your words to mean what they mean!

 

Structural Tips for Writing

  • Beware Long Descriptions
    • Whether describing a person, a place, a thing, or a process, long detailed descriptions–unrelieved by action–are likely to be deadly. If very well done, readers will get so involved in the description, in visualizing exactly what the author had in mind, that they are taken out of the story itself. If not well done, those passages are likely to be skipped altogether.
  • Writing Tip for Avoiding Redundancy
    • Redundancy takes many forms and it makes for clunky, dull writing.  This post demonstrates some common examples of punctuation, description, and incorrect word use that often lead to redundancy and can be removed.
  • Matching Tone & Structure
    • Sentence length and structure should be used to echo the tone of the action: short, simple sentences for quick or abrupt action; longer, more complex sentences for slower scenes or poetic description.
  • The Distancing Effect of I
    • Whenever the narrative Point of View is first person, the story is, by definition, about the narrator. In this case, as in any writing, your goal is to draw the reader in. Therefore, if you choose to use “I” as the narrator, you need to present a quest that many readers would care about.
  • Use and Abuse of Passive Voice
    • If you want your words to seem impersonal, indirect, and noncommittal, passive is the choice.  Bryan A. Garner identifies six ways in which the passive voice is acceptable or even preferred.
  • Dialogue Dos and Don’ts
    • Dialogue is essential to every genre of fiction; however, sometimes it’s hard to get it just right. Bad dialogue can trip up a reader, and sometimes doing so will make them want to stop reading altogether. That being said, here are a few dialogue dos and don’ts that can help you with writing speech.
  • How Do You Read Now?
    • Research (and book sales) suggest that modern readers are more interested in story than in style. Many writers appear to focus more on technique and self-awareness, according to an article by Adam Kirsch.  Consider whether you think plot or style is more important.

 

Words and Dictionaries

  • Homonyms
    • This post provides a writing exercise to familiarize writers with the pitfalls and opportunities of words that sound the same but are spelled differently and mean different thing.
  • WHY CONSIDER THE F WORD?
    • Here is a discussion of when to use profanity directly and when to use a euphemism instead, with a brief description of the history and current usage of this particular bit of profanity.
  • Conglomeration
    • This is writing prompt derived from one of the author’s favorite words.  Conglomeration is another of those words I love because it sounds so much itself. Technically, it has to do with a spherical shape, and disparate things brought together in one. But its more common usage, of miscellaneous or even random things brought together (no particular shape) make it a very useful word.
  • Use Uncomfortable Words
    • Uncomfortable words are perfectly correct and not obscene. Nevertheless, they often surprise–or even shock–the reader. Sometimes they make the reader uncomfortable.
  • Beware Beautiful Words
    • Writers are readers, by and large, and also word collectors. We tend to fall in love with words. Some writers make a career of writing about words as well as with them. This is a quick list of some interesting words that can add flair and tone to your writing.
  • This Just In!
    • As many of you know, I collect dictionaries. This facsimile edition of the first American Dictionary of the English Language arrived yesterday and I’ve been enjoying it for hours.
  • What Would You Call a Bunch of Bluebirds?
    • Here are some of the most interesting collective nouns for species of birds, with illustrations from the author’s garden.
  • Color Your Writing
    • With so many specifically named colors in the English language, it is important to be specific about which one you mean.  There is a close tie between color and mental or psychological state, which can have a great influence on readers’ perception of a scene, a character, or a work as a whole.
  • Word Wealth
    • There are dictionaries available for nearly every specialty, dialect, and profession.  They can provide a wealth of detail and precision to any setting in any genre.

 

Examples of Other Authors’ Successful Habits

  • What Writers Can Learn From Diana Gabaldon
    • There are many things this author gets absolutely correct, but this post will focus on vivid language. We have all heard or read that we should use fresh, vivid language and strong verbs.  Here are some of my favorite examples of Diana Gabaldon’s sensory and emotional writing.
  • What Writers Can Learn from Political Campaigns
    • Careful word choice, audience appeal, actions or words open to (mis)interpretation, complementary characters, innuendo, denial, and characters revealed by reflected traits of associates are all extremely important in any political campaign.  The 2016 election was full of examples of all of these, which are also used in good writing.
  • Communicating Without Words: Campaign Lessons
    • You’re a writer—so for purposes of this blog, communicating without words means without dialogue. And there are many reasons you want to be able to do this. The 2016 presidential campaign offers several educational examples.
  • The Good and the Bad
    • The 2018 June 18th issue of The New Yorker includes an article titled “High Crimes” by Anthony Lane, a review of Bill Clinton and James Patterson’s book The President is Missing.  The article highlights some nuggets of really egregious writing, from mixed metaphors to clichés, offered here for your  amusement.
  • Writers on Writing
    • This post offers writing tips and advice from a few successful authors, including Stephen King and Virginia Woolf.
  • Bradley Harper: The Man Behind the Writer
    • An interview with Bradley Harper reveals some of his most effective writing habits and techniques.
  • Going Long
    • Thanks to Rosemary Shomaker, we have a chance to vicariously experience the struggle of a writer stretching into a new challenge.  She discusses her methods of creating a tight, closely-written short story.

 

Writers Love Toxic Men!

And you needn’t be a female writer to succumb!

 

Lillian Glass Toxic Men
Toxic Men by Lillian Glass, PhD.

Lillian Glass defines a “Toxic Man” as one who elicits negative emotions from you, behaves badly toward you or doesn’t treat you right, or makes you feel bad about yourself (thus affecting your behavior and lowering your self-esteem). Substitute “your character” for “you” and voila! You have the makings of a great deal of tension in scene after scene and a lot of sympathy for your character.

 

Glass’s book includes questionnaires to identify specific ways in which the Toxic Man elicits negative emotions.

 

Under the heading “How Does He Behave Toward You?” there are several subheadings: sadistic behavior, manipulative behavior, dishonest behavior, selfish behavior, non-communicative behavior, critical and judgmental behavior, angry behavior, embarrassing or shaming behavior, controlling behavior, and jealous behavior.

 

And under the heading “How Does He Make You Feel about Yourself?” the subcategories are: feeling emotional changes (feeling depressed, hopeless, frustrated, anxious or panicky, angry, empty, etc.); feeling afraid or fearful; feelings of self-doubt; physical changes (such as sickness, headache, weight gain or loss); feelings of guilt and shame; or just not feeling like your old self.

 

The Eleven Toxic Types of Men:

  1. The jealous competitor
  2. The sneaky passive-aggressive silent-but-deadly erupting volcano
  3. The arrogant self-righteous know-it-all
  4. The seductive manipulative cheating liar
  5. The angry bullying control freak
  6. The instigating backstabbing meddler
  7. The self-destructive gloom-and-doom victim
  8. The wishy-washy spineless wimp
  9. The selfish me-myself-and-I narcissist
  10. The emotional refrigerator
  11. The socio-psychopath
Glass’s book is accessible, gripping, and a great read. I recommend it to writers in any genre!

Dr. Lillian Glass
Dr. Lillian Glass

AND REMEMBER: role-reversal is always a great alternative! For every toxic man, there’s a toxic woman!

Nimrod Lingers… You, Too, Could Benefit!

I’m still working on re-entry. The thing about Nimrod is that there is always something to see. Here is a selection of things you might use as writing prompts:

 

The frog statue is supposed to be Elvis. You know the story of the princess kissing a frog and turning him into a prince. Who might have kissed The King to turn him into a frog?

 

elvis frog nimrod hall
Who might have curated these collections, and why are these particular items of interest?

Write your own rules. Or write about a place that would post the ones below. What happens if someone breaks the rules?

What if an uninvited guest drops by?

Notice the edge of a folding chair just visible in the big, hollow sycamore. Write about who might be using that chair, and why.

 

sycamore tree writing prompt
Or try your hand at writing flash fiction and include all the items from one–or more–of these groups.
#1

#2

#3

#4

#5

#6

And when all is said and done, if you aren’t writing at or about Nimrod, read!

 

And this really is all till next year!

Nimrod Hall, established in 1783, has been providing summer respite from everyday stress since 1906. It has been operating as an artist and writer colony for over 25 years. The Nimrod Hall Summer Arts Program is a non-competitive, inspirational environment for artists to create without the distractions of everyday life. 

First Women

Celebrating First Women

Is there anyone out there who doesn’t know that Hillary Clinton is the presumptive Democratic Party nominee for president? Or that she is the first woman to run for president on a major ticket? Her achievement reminds us all that women have long been making history. Some of you will remember that I mentioned Victoria Claflin Woodhull, the Equal Rights Party candidate in 1872. She was a fascinating woman—a stockbroker and publisher as well as a suffragist.

 

TO ALL THE READERS OUT THERE

Find out about other amazing first women. Lots of them are listed in references such as this.

Famous First Facts: Third Edition, book by Kane,
Famous First Facts

Lady Astor (birth name Nancy Witcher Langborne), the first American-born woman to become a member of Parliament in Great Britain in 1919.

Nancy Astor
By Bain News Service (Library of Congress) [Public domain], via Wikimedia Commons

Harriet Maxwell Converse, the first white woman to become an Indian chief, made a chief of the Six Nations Tribe in 1891. She had been adopted as a member of the Seneca tribe. You can read a poem by Harriet Maxwell Converse at the Poetry’s Foundation website. 

Elizabeth Cady Stanton, the first woman to appear as a congressional hearing witness in 1869. She was trying to keep the women of DC from being debarred from voting.

Elizabeth Stanton
Elizabeth Cady Stanton, c. 1880, [Public domain], via Wikimedia Commons

Sally Stearns, the first woman coxswain of a men’s collegiate varsity team, 1936.

 

Nan Jane Aspinwall, the first woman horseback rider to make a solo transcontinental trip from SanFrancisco to New York City, 1910.

 

Susanna Medora Salter, the first woman mayor, elected in Argonia, Kansas, 1887.

Susanna Madora Salter
By Unknown photographer (Kansas Historical Society) [Public domain], via Wikimedia Commons

Belle Martell, the first woman licensed to be a prize fight referee, 1940.

 

Nellie Tayloe Ross, Director of the Mint, the first woman to have her name on the cornerstone of a US government building, 1936.
 
Nellie Tayloe Ross
Nellie Tayloe Ross (1876-1977), Wyoming Governor, 1924-1926. Wyoming State Archives, photo published 1922 [Public domain]
Sybilla Masters, the first woman to obtain a patent—for a machine for cutting and cleaning Indian corn, 1715.

 

And many others, in books such as this.

Robertson's Book of Firsts: Who Did What for the First Time, book by Patrick Robertson
Robertson’s Book of Firsts: Who Did What for the First Time

Alternatively, one could go to any field of interest—from playwright to astronaut—and find the first woman in those fields.

FOR THE WRITERS OUT THERE

Consider these pioneers as inspiration. What sort of character does it take to be a first? What might daily life be like for the first woman licensed as an electrical engineer? What price might such a woman pay in terms of family or love relationships? And ultimately, is it a story of triumph or tragedy?

 

Please share other first women in the comments or on social media. Please tag me on Facebook and Twitter to continue the celebration of first women.

Plot Device 101: Death

CONSIDER SUICIDE. . .as a plot device. Any death is rich in potential for tension as well as for moving a story line forward. But suicide is the richest.

"Writing 101: Death as a plot device", wilted flowers
First know the popular myths about suicide. According to “Five myths about suicide,” a Washington Post Weekly article by Matthew Nock (May 2016), five of these are as follows:

We’re experiencing a suicide epidemic. 

Fact: Suicide is not gaining sudden prevalence. Fewer people are committing suicide today than a hundred years ago.

Suicides are most common during the winter holidays.

Fact: The rate is consistently highest in the spring.

Most suicides are impulsive acts.

Fact: Most people who attempt suicide have a plan, even if the act appears impulsive. Nearly half visit a doctor in the month before their suicide, and nearly two-thirds tell someone they’re thinking about it.

There is a suicide gene.

Fact: There is no such gene—although a family history of suicide does put people at elevated risk of suicide.

We know how to prevent suicide.

Fact: We are not yet able to spot or stop it.

Actual factors that put people at elevated risk for suicide, besides a family history, include depression and substance use.

 

So, with facts in hand, consider your myriad plot options—especially all the emotional turmoil that might swirl among those left behind: guilt for not stopping it; anger that s/he did it; grief at the loss; anxiety about financial strains; shame that a spouse/child was that unhappy; but maybe also fear about something that might be revealed, or that suicide is somehow “catching.”

 

Suicide can fit any genre. If you write mysteries, an apparent suicide might actually be murder—or the result of any number of nefarious acts by self or others. If you write magical realism, maybe someone is dead but not departed. If you write action/adventure, death is a staple; how might suicide twist that? The possibilities for literary fiction are so numerous, I won’t even go there.

 

The bottom line

As a plot device, suicide is too valuable to ignore.

Education and Writing Inspiration

Where do you get writing inspiration? You may recall that I recently blogged about the pros of trivia for interest and entertainment.

 

trivia books
Trivia for writing inspiration

 

I mentioned that tomato juice is the official state drink of Ohio. While having a character mention that fact might bring a smile or a raised brow, a writer could milk that tidbit for a whole story—such as a Buckeye living in a famous tomato growing county in Virginia alienating everyone at the annual tomato festival by bad-mouthing the local product, and someone ends up dead.

 

Famous First Facts: Third Edition, Kane, book, trivia, writing inspiration
Famous First Facts

 

If your genre includes historical fiction. . . 

Then this is the book for you. It includes an alphabetical listing of firsts, covering everything from the first abdominal operation and the first importation of Aberdeen-Angus cattle to the first zoological laboratory to the first zoom lens—thousands of story ideas just waiting to be exploited. For example, the first coeducational medical school in the world was the Boston University School of Medicine, founded in 1873. Imagine that first co-ed class—and the classes they would have had, such as anatomy in the days of grave robbers.

 

If you are obsessed with money. . .

Then delve into Charles Reichblum’s collection.

 

What Happens to a Torn Dollar Bill?, Charles Reichblum, book, trivia about money, writing inspiration
What Happens to a Torn Dollar Bill?

 

Suppose your character is in a bar and another drinker says, “Okay, mate, here’s the deal. I’ve won the lottery, and I want to share the wealth. I’ll give you $1000 a day for a month, or one penny doubled each day for a month.” What would the character choose? Why? And then what happens?

 

If your genre is magical realism. . . 

There’s no better place to look than science.

 

Genetic mosaics are not so rare, formed by fusing two gametes in utero or a placenta shared between fraternal twins or by the mother’s cells crossing the placental barrier and continuing in her child. Imagine that a woman had children with all of her genetics, so the cell lines were thoroughly mixed.

 

But it isn’t necessary to turn to hard-core science texts. Bits of science turn up everywhere.

 

You are One-Third Daffodil and Other Facts to Amaze, Tom Nuttall, book, trivia, writing inspiration
You are One-Third Daffodil and Other Facts to Amaze, Amuse, and Astound

 

Each newly conceived human has approximately 300 harmful genetic mutations. The life expectancy of professional cyclists is approximately 50. The closest living relative of tyrannosaurus rex is the chicken. And people are genetically one-third daffodil. Create a plot relating any two of these facts and voila, you’re launched.

 

Whatever your genre, books of little-known information are great sources of ideas.

 

A Compendium of Indispensable Facts, book, trivia, writing inspiration
A Compendium of Indispensable Facts

 

All sorts of genre’s could generate stories based on which big cats can interbreed, in the wild and in captivity. (Lions with tigers and leopards. Leopards with lions, tigers, jaguars, and pumas. Jaguars with pumas. Servals with caracals.)  It could revolve around an animal rights conflict, a new breed going out of control, zoo politics, or love in the workplace—or whatever your brain produces.

 

The Best, Worst and Most Unusual: Noteworthy Achievements, Events, Feats & Blunders of Every Conceivable Kind, Bruce Felton, Mark Fowler, book, trivia, writing inspiration
The Best, Worst and Most Unusual: Noteworthy Achievements, Events, Feats & Blunders of Every Conceivable Kind

 

This volume includes topics from consumer products to sports. You can read about a boat race in which two-member crews inside bottomless boats grip the gunwales and run a foot race along a dry river bed—which certainly be fodder for humor. And if you want to tie in to current events, base a character on Victoria Woodhull, who endorsed short skirts, an end to capital punishment, legalized prostitution, birth control, free love, and vegetarianism. On April 2, 1870, she became a candidate for president, running on the National Radical Reformers ticket.

Victoria-Woodhull-by-Mathew-Brady-c1870
Cabinet photograph of Victoria Woodhull, c.1866-1873. Mathew Brady [Public domain], via Wikimedia Commons
 

Readers like to learn something new, especially when it pertains to the plot.

Takeaway for writers

Whether you start with an idea and look for off-beat information to support it or welcome inspiration for novel ideas, off-beat information is the way to go.

Motivation is in the Eye of the Beholder

eye, green eye, point of view, motivation for writers, authors
 
People have long recognized the eye-of-the-beholder effect with regard to beauty, to the point that it’s a cliché. We’ve all heard jokes that leave us cold—but leave others doubled over with laughter—or vice versa. Writers are well aware that what’s publishable depends more on the evaluation of the editor/agent/publisher than the inherent qualities of the work.

 

So, apply that same awareness to motivation. We cannot know motivation directly. We can see what a person does, hear what a person says. These are two of the most common, most powerful sources of information.
ear, listening, writers, authors, understanding motivation
Sometimes we have other sensory information, meaning touch, taste, or smell. Sometimes the information accumulates over time, perhaps years, and we feel we truly know someone.
woman, author, writer, getting to know someone, motivation
But the bottom line is that we cannot know another from the inside. And that means room for interpretation. How we evaluate a specific behavior (physical or verbal) depends almost exclusively on why we think the person did it.

Writing Prompt: Characters’ Motivations

So writers, here’s your challenge. For each of the actions listed below, come up with three possible motives for the actor: one evil, one altruistic, and one self-interested. I know you can do it.

  1. giving away a million dollars
  2. shooting someone
  3. cutting off a hand or foot
  4. kissing someone of the same sex
  5. kissing someone of the other sex
  6. dancing naked in a public place
  7. getting a large, readily visible tattoo
  8. cooking an elaborate meal
  9. killing an ill person
  10. cutting up a bride’s wedding dress
  11. digging up a daffodil bed
  12. cheating at cards
  13. adopting a foster child
  14. running for president
  15. burning down a church
  16. adopting a cat or dog from a shelter
  17. complimenting another’s performance
  18. rewriting a will
  19. keeping a dead body unburied for six months
  20. hiking in the woods
The list could go on and on. In your writing, know your characters’ motives, as well as what other characters think the motives are. How will you reveal all that to your reader? Give sensory info!

I’d love to read your responses to today’s prompt. Did something surprising come out of the challenge? Tell me in the comments below, on Facebook, or Twitter.

Writing Prompts: Finding the Dark Side of Spring

Spring is stereotyped as a time of renewal, high energy, and face-splitting smiles. But writers know it’s effective to go against expectations. And so I am happy to present you with cheerful images and dark possibilities to go with them.
forsythia blooming in spring
Consider that these forsythia are thriving because of the dead body that is fertilizing them. Who? How? When? Why? Now what?
tulips in spring
Every spring the parks and canal banks in Ottawa are awash in tulips. This year, a man goes berserk. Describe and explain his behavior.
mailbox surrounded by flowers in spring
One lovely day a woman looks at her mailbox and weeps. It was this time last spring when she received . . .
azaleas blooming in spring
Walking in the woods, your character pauses to admire an early-blooming azalea and notices a hand protruding from the leaf mulch. Is it attached to a body? What does s/he think—and do?

A  woman walks past a neighbor’s yard and sees grape hyacinths, bleeding heart, and primroses in bloom. She had all of those at her former house. What happened, what is she feeling and thinking?
vinca blooming in spring
A child finds a gun and buries is under the vinca, knowing this to be a perennial runs rampant. Where was the gun? Why did the child bury it? What will happen next?
spiderwort blooming in spring
Your character suffers from extreme arachnophobia. It is so severe that even seeing a spiderwort plant sets off the reaction. Where did the fear of spiders come from? What happens when the phobia is triggered?
dogwood blooming in spring
The last tulip magnolia bloom is about to go. What does that mean to your character?

Your character stops to admire a dogwood and notices the crows gathered nearby. Looking down, s/he sees . . .

lamium blooming in spring
A barefoot toddler dashes into a patch of lamium. Within seconds, toes have been replaced by pink blooms. Soon. . .
poppy leaves in spring
These young poppy leaves are growing in the vegetable garden. How did they come to be there? What will happen to them? Suppose they are mixed into a salad of field greens. Then what?
columbine blooming in spring
Takeaway for writers: nothing is too pretty, cheerful, or innocent to hide a dark side.

Writing Prompt Roundup

Here are a few of my favorite writing prompts.

The French Chef Cookbook by Julia Child

The French Chef Lives On!

Julia Child, chicken, and language…

Writing 101: Winter Weather

Writing Winter Weather 

In 1992, the Common Council of Syracuse, NY, passed a decree that any more snow before Christmas Eve was illegal.  Just two days later, they had more snow. But what’s the story there?

 

Writing 101 Animal Writes

Animal Writes

Think carefully before you throw one or more animals into your story. Consider the role of the animal(s), and the fit between your character and the fictional animal(s). And then have fun with it!

toxic-relationships-mother-and-daughter

Writers Need Toxic Relationships

Eight types of unattuned and unloving mothers:

  • Dismissive
  • Controlling
  • Unavailable
  • Enmeshed
  • Combative
  • Unreliable
  • Self-involved
  • Role-reversal

The good news for writers is that these toxic relationships needn’t be limited to toxic mothers and vulnerable daughters. (You may recognize here an echo of what I said about Deborah Tannen’s analysis of mother-daughter communication patterns: what one says isn’t necessarily what the other hears could apply to virtually any long-germ relationship.) In this instance, consider toxic relationships between husbands and wives. Consider boss and subordinate. Consider role reversal in that it’s the daughter who is toxic.

Three cheers for toxic (literary) relationships!

Virginia is for Mysteries: Volume II book signing on April 2

Don’t forget my signing later today at Barnes and Noble. Details are below.

Libbie Place Shopping Center

5501 West Broad Street

Richmond, VA 23230

12:00 – 2:00pm

Copies of my Chesapeake Bay Mystery series will be available.