Read What You Write

day without reading day without breathing

It’s important for writers to practice their craft and to set aside a little time every day (or every week) to do so. But people can’t write if they don’t read—especially within their genres. Have you taken a look to see which books are trending or bestsellers in your genre? If not, I’ve put together some lists for you. The lists on which these books show up are in parentheses next to their titles. The books are listed in no particular order.

Fiction

  • Where the Forest Meets the Stars by Glendy Vandereh (Amazon)
  • Lilac Girls by Martha Hall Kelly (Amazon)
  • The Victory Garden by Rhys Bowen (Amazon)
  • Where the Crawdads Sing by Delia Owens (Amazon) (New York Times)
  • Girls of Glass by Brianna Labuskes (Amazon)
  • The Magnolia Inn by Carolyn Brown (Amazon)
  • The Killer Collective by Barry Eisler (Amazon)
  • What the Wind Knows by Amy Harmon (Amazon)
  • Beneath a Scarlet Sky by Mark Sullivan (Amazon)
  • The Beantown Girls by Jane Healey (Amazon)
beantown girls
[Source: Amazon]
still me jojo moyes
[Source: Amazon]
  • Every Note Played by Lisa Genova (Goodreads)
  • All We Ever Wanted by Emily Giffin (Goodreads)
  • Girls Burn Brighter by Shoba Rao (Goodreads)
  • There, There by Tommy Orange (Goodreads)
  • Killing Commendatore by Haruki Murakami (Goodreads)
  • An Absolutely Remarkable Thing by Hank Green (Goodreads)
  •  Nine Perfect Strangers by Liane Moriarty (Goodreads)
  • Us Against You by Fredrik Backman (Goodreads)

reading quote

Nonfiction

  • The Sky Below by Scott Parazynski (Amazon)
  • Educated: A Memoir by Tara Westover (Amazon) (New York Times)
  • The Threat by Andrew G. McCabe (Amazon)
  • The 7 Habits of Highly Effective People by Stephen R. Covey (Amazon)
  • Becoming by Michelle Obama (Amazon) (New York Times)
  • The Broken Circle by Enjeela Ahmadi-Miller (Amazon)
  • How to Stop Living Paycheck to Paycheck by Avery Breyer (Amazon)
  • The Neuroscientist Who Lost Her Mind by Barbara K. Lipska (Amazon)
The Neuroscientist Who Lost Her Mind 
[Source: Goodreads]
The Truths We Hold by Kamala Harris
[Source: Amazon]
  • I’ll Be Gone in the Dark by Michelle McNamara (Goodreads)
  • Fear by Bob Woodard (Goodreads)
  • Whiskey in a Teacup by Reese Witherspoon (Goodreads)
  • Not that Bad by Roxane Gay (Goodreads)
  • Fascism by Madeleine Albright (Goodreads)

reading quote

Poetry

  • Devotions by Mary Oliver (Amazon)
devotions mary oliver
[Source: Amazon]
The Witch Doesn't Burn in This One
[Source: Amazon]
  • The Poet X by Elizabeth Acevedo (Goodreads)
  • Useless Magic by Florence Welch (Goodreads)
  • The Dark Between Stars by Atticus (Goodreads)
  • Taking the Arrow Out of the Heart by Alice Walker (Goodreads)
  • Rebound by Kwame Alexander (Goodreads)
  • If They Come for Us by Fatimah Asghar (Goodreads)
  • Take Me With You by Andrea Gibson (Goodreads)

Remember: No matter your genre, don’t forget to read what you write!

read what you write

Goodreads Newbie

goodreads login
I’ve always read—of course. But I never got involved with Goodreads till 2018. And guess what? It’s great! 
 
I got involved by declaring a reading goal for the year. I figured 52 was a good number. In the event, I read 118 books last year. Who knew?

 

author by number goodreads
Among other things, Goodreads tell me is  who I read the most—not something I ever paid attention to. But going forward, I’ll check out those top authors for anything they have published recently. Goodreads also allows one to check other aspects of one’s reading activity.
goodreads
Looking at my reading in review, a couple of things I sort-of knew became absolutely clear. (1) My preferred escapist reading is Regency romance, especially Jane Austin fan fiction. (2) When I latch onto a writer, I read everything, whole series, in order.
At Goodreads, you can see what your friends are reading, rate books you have read, get involved in discussion groups, follow specific authors, and so much more! Among other things, Goodreads will tell you which books READERS choose as the best in various genres.
books goodreads
Check out Goodreads for yourself! Are you already using it? Let’s connect!

Inside Heather Weidner’s Writing Life

heather weidner author

VL: I’m delighted that Heather Weidner agreed to an interview. Her most recent publication, “Digging Up Dirt,” appears in To Fetch a ThiefIn addition, Heather has published two mystery novels and numerous short stories—and dogs show up frequently!


VL: Is the dog in your story in To Fetch a Thief based at all on your dog?

HW: It is. It’s based on my little female JRT Disney. She’s a bundle of energy, a great companion, and she always likes to explore outside. Thankfully, she’s not dug up anything strange.

heather weidner dog
Heather’s dog, Disney

VL: Disney is definitely cute! I can understand why you would want to put her in a story. But how did you come up with the actual plot for “Digging Up Dirt”?

HW: My husband is a realtor, and people are always leaving things in houses when they move out. That gave me the idea for the random things (that might not be so random) in the story.

 

VL: No need for a spoiler alert, but I will say I admired the variety of things left behind and how you tied them together. But back to your passion—I don’t think passion is too strong a word—for dogs. Do any of your other stories (or future stories) involve a canine companion?

HW: They do. In my Delanie Fitzgerald Mystery series, my sassy private investigator has a partner, Duncan Reynolds, and Duncan’s best pal is Margaret, the English bulldog. She’s a brown and white log with legs. She has two speeds, slow and napping. But she likes treats, and she’s a great companion.

I’m also working on another cozy mystery, and there is another Jack Russell Terrier in it. Her name is Bijou.

dogs murder perfect holiday season
Heather’s dog, Riley

VL: While you are producing stories involving dogs, what do you do with your actual dogs?

HW: There are two dog beds in my office on either side of my desk. If they aren’t roughhousing, then they’re napping.

heather weidner dogs

VL: Most writers are voracious readers. What types of books do you read?

HW: I love all kinds of mysteries, thrillers, history, and biography.

 

VL: What are you reading now?

HW: I just finished John Grisham’s The Reckoning, and now I’m reading Lee Child’s Past Tense.

 

VL: What’s your favorite book or movie that has an animal as a central character? Why?

HW: My early favorites were Charlotte’s Web and Where the Red Fern Grows. I have always loved animal stories, and even today, I tend to read mysteries that have pet sidekicks. My favorite mystery authors who include pets are Bethany Blake, Janet Evanovich, Krista Davis, and Libby Klein.

 

VL: What’s in your “To Be Read” (TBR) pile right now?

HW: I have three TBR piles right now. One’s on my night stand. I have one on a bookcase, and there’s another downstairs in the den. There are always more books than I have time to read. Most of the books in all three piles are mysteries and thrillers. There are a few biographies in the pile.

 

VL: Based on the locations of your TBR piles, I could probably guess at the answer to this next question, but I’ll ask anyway. Where is your favorite place to read (or write)? Why?

HW: I can read just about anywhere. At home, I like reading on my deck in the early mornings. At night, I like reading in bed with two snuggly Jack Russell Terriers.

As for the writing part of your question, I tend to be a binge writer. At home, I write in my office or on the deck. But I tend to write or proofread whenever I get a free moment, so it could be at lunch at work or in the dentist’s waiting room.

 

VL: What’s next for you?

HW: I am working on the third novel in the Delanie Fitzgerald series. It’s called Glitter, Glam, and Contraband. I am also working on a new cozy mystery set in Charlottesville, Virginia. I had a nonfiction piece accepted in the Sisters in Crime book marketing anthology, Promophobia, and that will be out next year, along with a short story, “Art Attack,” in the Deadly Southern Charm: A Lethal Ladies Mystery Anthology.

VL: You clearly have a lot going on! Thank you for taking time for this interview.

 

VL: Thank you, Heather! Congratulations on all you have done so far. No doubt we will see more of your writing in the future, especially Delaney Fitzgerald. Learn more about Heather Weidner below.


Heather Weidner’s short stories appear in the Virginia is for Mysteries series and 50 Shades of Cabernet. Secret Lives and Private Eyes and The Tulip Shirt Murders are her novels in the Delanie Fitzgerald series. Her novella “Diggin’ up Dirt” appears in To Fetch a Thief.

She is a member of Sisters in Crime – Central Virginia, Guppies, and James River Writers.

Originally from Virginia Beach, Heather has been a mystery fan since Scooby Doo and Nancy Drew. She lives in Central Virginia with her husband and a pair of Jack Russell terriers.

Heather earned her BA in English from Virginia Wesleyan University and her MA in American literature from the University of Richmond. Through the years, she has been a cop’s kid, technical writer, editor, college professor, software tester, and IT manager. She blogs regularly with the Pens, Paws, and Claws authors.

Connect with Heather online:

Dogs and Murder: Perfect for the Holiday Season!

fetch thief inge weidner ormerod shomaker
I recently read To Catch a Thief. It’s a light and lively set of cozy mysteries: no violence on the page, no offensive language, and no explicit sex. And, what is just as important for me, amateur detectives and perpetrators know each other.

 

Four local writers each contributed a novella. And I am pleased to announce that ALL FOUR have agreed to write about it! Here’s the background info. Tune in for their guest posts on 12/7 (Heather Weidner), 12/11 (Jayne Ormerod), 12/14 (Rosemary Shomaker), and 12/18 (Theresa Inge).

Summary

To Fetch a Thief, the first Mutt Mysteries collection, features four novellas that have gone to the dogs. In this howlingly good read, canine companions help their owners solve crimes and right wrongs. These sleuths may be furry and low to the ground, but their keen senses are on high alert when it comes to sniffing out clues and digging up the truth. Make no bones about it, these pup heroes will steal your heart as they conquer ruff villains.

Teresa Inge, Heather Weidner, Jane Omerod, Rosemary Shomaker
L-R: Teresa Inge, Heather Weidner, Jane Omerod, and Rosemary Shomaker.

The Stories

“Hounding the Pavement”

by Teresa Inge

Catt Ramsey has three things on her mind: grow her dog walking service in Virginia Beach, solve the theft of a client’s vintage necklace, and hire her sister Emma as a dog walker.  But when Catt finds her model client dead after walking her precious dogs Bella and Beau, she and her own dogs Cagney and Lacey are hot on the trail to clear her name after being accused of murder.

 

“Diggin’ up Dirt”

by Heather Weidner

Amy Reynolds and her Jack Russell Terrier Darby find some strange things in her new house. Normally, she would have trashed the forgotten junk, but Amy’s imagination kicks into high gear when her nosy neighbors dish the dirt about the previous owners who disappeared, letting the house fall into foreclosure. Convinced that something nefarious happened, Amy and her canine sidekick uncover more abandoned clues in their search for the previous owners.

 

“Dog Gone it All”

by Jayne Ormerod

Meg Gordon and her tawny terrier Cannoli are hot on the trail of a thief, a heartless one who steals rocks commemorating neighborhood dogs who have crossed the Rainbow Bridge. But sniffing out clues leads them to something even more merciless…a dead body! There’s danger afoot as the two become entangled in the criminality infesting their small bayside community. And, dog gone it all, Meg is determined to get to the bottom of things.

 

“This is Not a Dog Park”

by Rosemary Shomaker

“Coyotes and burglaries? That’s an odd pairing of troubles.” Such are Adam Moreland’s reactions to a subdivision’s meeting announcement. He has no idea. Trouble comes his way in spades, featuring a coyote . . . burglaries . . . and a dead body! A dog, death investigation, and new female acquaintance kick start Adam’s listless life frozen by a failed relationship, an unfulfilling job, and a judgmental mother. Events shift Adam’s perspective and push him to act.

 

The Authors

theresa inge author

Teresa Inge grew up reading Nancy Drew mysteries. Today, she doesn’t carry a rod like her idol, but she hotrods. She is president of Sister’s in Crime Mystery by the Sea Chapter and author of short mysteries in Virginia is for Mysteries and 50 Shades of Cabernet.

Website | Facebook | Twitter | Instagram

 

heather weidner author

Heather Weidner, a member of SinC – Central Virginia and Guppies, is the author of the Delanie Fitzgerald Mysteries, Secret Lives and Private Eyes and The Tulip Shirt Murders. Her short stories appear in the Virginia is for Mysteries series and 50 Shades of Cabernet. Heather lives in Virginia with her husband and a pair of Jack Russell terriers, Disney and Riley. She’s been a mystery fan since Scooby Doo and Nancy Drew. Some of her life experience comes from being a technical writer, editor, college professor, software tester, IT manager, and cop’s kid. She blogs at Pens, Paws, and Claws.

Website | Blog | Facebook | Twitter | Instagram | Goodreads | Amazon | Pinterest | LinkedIn | BookBub | AllAuthor | YouTube

 

Jayne Ormerod

Jayne Ormerod grew up in a small Ohio town then went on to a small-town Ohio college. Upon earning her degree in accountancy, she became a CIA (that’s not a sexy spy thing, but a Certified Internal Auditor.) She married a naval officer and off they sailed to see the world. After nineteen moves, they, along with their two rescue dogs Tiller and Scout, have settled into a cozy cottage by the sea. Jayne is the author of the Blonds at the Beach Mysteries, The Blond Leading the Blond, and Blond Luck. She has contributed seven short mysteries to various anthologies to include joining with the other To Fetch a Thief authors in Virginia is for Mysteries, Volumes I and II, and 50 Shades of Cabernet.

Website | Blog | Facebook | Twitter | Amazon

 

rosemary shomaker author

Rosemary Shomaker writes about the unexpected in everyday life. She’s the woman you don’t notice in the grocery store or at church but whom you do notice at estate sales and wandering vacant lots. In all these places she’s collecting story ideas. Rosemary writes women’s fiction, paranormal, and mystery short stories, and she’s taking her first steps toward longer fiction, so stay tuned. She’s an urban planner by education, a government policy analyst by trade, and a fiction writer at heart. Rosemary credits Sisters in Crime with developing her craft and applauds the organization’s mission of promoting the ongoing advancement, recognition, and professional development of women crime writers.

Instagram | Twitter

 

These four great authors should be on your horizon.

Where to follow the authors: see the individual bios above for links to their Facebook pages, Twitter, and websites.

 

Where to Buy To Fetch a Thief

24 Symbols

Amazon (Print / ebook)

Apple

Barnes and Noble

Books to Read

Kobo

Overdrive

Guest Review: Any Man by Amber Tamblyn

[Warning: This blog talks about the incidence and aftermath of sexual assault and rape.]

Like most readers, I have my habits. In the service of exposing my readers to a wider perspective, I have interviewed Christina Cox, fellow book lover, about a recent read she enjoyed: Any Man by Amber Tamblyn.

any man amber tamblyn
[Source: Goodreads]

VL: How did you come to read Any Man?

CC: I’ve been a fan of Amber Tamblyn for a long time, but not for her writing — for her talents as an actor. When I found out this book was coming out, it piqued my interest immediately. Then I found out she was going to do a reading at Fountain Bookstore (down the road from me), and I knew I had to get it!

amber tamblyn fountain bookstore
Amber Tamblyn reading at Fountain Bookstore

VL: Is it typical of the books you read?

CC: Not at all; it’s much more intense than the books I typically read. From its jacket description, you can see why:

A violent serial rapist is on the loose, who goes by the name Maude. She hunts for men at bars, online, at home— the place doesn’t matter, neither does the man. Her victims then must live the aftermath of their assault in the form of doubt from the police, feelings of shame alienation from their friends and family and the haunting of a horrible woman who becomes the phantom on which society projects its greatest fears, fascinations and even misogyny. All the while the police are without leads and the media hound the victims, publicly dissecting the details of their attack.


What is extraordinary is how as years pass these men learn to heal, by banding together and finding a space to raise their voices. Told in alternating viewpoints signature to each voice and experience of the victim, these pages crackle with emotion, ranging from horror to breathtaking empathy.

As bold as it is timely, Any Man paints a searing portrait of survival and is a tribute to those who have lived through the nightmare of sexual assault.

As you can see, it’s a dark premise. It’s shocking to read at some points, but Tamblyn does a really wonderful job of introducing lighter parts when you need them.

VL: What did you like best?

CC: Tamblyn began as a poet, so the book is written as a mix of poetry and prose. The writing is breathtaking, and she does a great job of conveying a lot of information and emotion in fewer words. So many pages gave me chills.

VL: What did you like least?

CC: It was hard to read such an intense book; at times I needed to put it down for something else. But at her Fountain reading, she talked about our society’s history of ignoring survivors of sexual assault/rape or sweeping their stories under the rug. I think this is an important story, and an interesting take considering a woman is the perpetrator.

VL: Would you recommend Any Man to family or friends?

CC: I would (and have), but I would do it with the caveat that it’s very difficult to read in parts. I’m careful with whom I recommend it, because you never know if this story will hit too close to home.

VL: Have you read other books by this author?

Tamblyn has several poetry books under her belt, but I haven’t read them yet. They’re definitely on my list!


Have you read Any Man? What did you think?

Historical Fiction

colonial heights high school
 
Yesterday, November 5, I met with Spotlight, the Colonial Heights High School club which focuses on literary and fine arts. I talked with these young, creative teens about fiction in general and historical fiction in particular.

 

Stating the obvious: in historical fiction, the plot takes place in a setting located in the past. What may not be so readily obvious is that beyond that, anything goes! Although this umbrella covers theater, opera, cinema, TV, etc., and my comments likely apply there as well, my focus has always been on the traditional: historical novels and short stories.
high school classroom
Historical fiction can be any genre and format. Romance, action/adventure, mystery, children’s literature, young adult novels, sci-fi, literary fiction, fairy tales, fables, satire, comedy, horror, even epic poetry—anything you can come up with is fair game. And it can be any length, from flash fiction to multiple-volume series.

 

steering craft ursula k le guin
The foundation of historical fiction is good writing. Therefore, start by mastering the craft. Ursula Le Guin’s book Steering the Craft is short, readable, and excellent instruction (although my personal opinion is that the sailing metaphor gets a bit trying by the end). But beyond that, consider what will give your writing authority and make it believable. So, here, in no particular order, are sample questions you would do well to answer.
cookbooks
What did people eat? People must eat. Beyond that, nothing is static. Food fashions change. The availability of various foods changes. Cooking methods and utensils change, how tables are set and what constitutes good table manners change. Even the timing of meals change—such as when the main meal of the day was eaten. And what was eaten: one example, a full breakfast is a staple of British cuisine, and typically consists of bacon, sausages and eggs, often served with a variety of side dishes and a drink such as coffee or tea. Prior to 1600, breakfast in Great Britain typically included bread, cold meat or fish, and ale. On an American farm table, pie for breakfast was common. You can search history of breakfast online and retrieve lots of valuable information by period of history and country.
historical fiction
How did people talk? The basic here is vocabulary, the words for ordinary objects and actions. Then, too, a word may not mean the same thing it once did. “Compromise” had a very different meaning for a couple in Jane Austen’s time compared to opponents in a political intrigue set in 1990. But phrasing comes into it, too: at some point, people became less likely to say “pardon me” and more likely to say “excuse me.” Besides the historical period, consider language specific to action; for example, carnival workers or mobsters.
value dollar
What did things cost? Everyone knows prices change. The basic point here is how much things cost during your time period. And perhaps even more interesting, what was bought? For example, in 1905 a household was likely to buy stove polish (at twenty-five cents a can). Or during the Great Depression in the United States, a man might berate his wife for “driving all over the county, like gas doesn’t cost ten cents a gallon.”  Inserting a few such details gives a story authority as well as richness—assuming you get it right. The latest edition of this book (the 5th) is available from Amazon, $155 new and $25 used. For your purposes, new probably isn’t necessary, and library discards come available for a dollar or two.
historical fiction
What did people wear? For example, did women wear underpants? Had bras been invented? Were corsets still in use? And related questions having to do with where the clothing came from, how much of it a person was likely to have, and how it varied by socioeconomic status.
mortal remains death early america
What was involved in birth, death, and marriage? Most historical fiction will touch on one or more of these nearly universal events. Where did births take place and who attended? What about funerary practices? Would bodies be embalmed, burned, put on a scaffold for birds of prey to clean the bones? For marriage, consider age, who consents, what the ceremony likely entailed. For women, what rights did she lose and/or acquire with marriage?
lindbergh baby newspaper
[Source: Timothy Hughes]
What was happening in the world at the time? Some awareness or mention of major events is unavoidable. For example, if your story is set in 1863, the American Civil War was a relevant event whether or not it was the focus of your plot, and even if your story is set in London or Paris. The kidnapping of the Lindbergh baby and finding the body in 1932 was similarly followed worldwide. For an excellent one-volume history of the United States, try Jill Lepore’s These Truths.

 

historical fiction
Doing your research. The above questions are just examples of things you need to know to make your historical work of fiction live for the reader. The list is endless: recreation and entertainment, mode of transportation and the time it took to get from place to place, weapons, toys, houses or whatever dwellings, how tall people were, hair styles. . . If you know the question you want to ask, online searching is convenient and inexpensive. Personally, any information I’m likely to want to refer to repeatedly, I like to have in physical books. Reading about the time of your plot is extremely valuable. And I find it fascinating. I have many books like the ones pictured above to get an overview of life during the period of interest, presenting answers to most of your factual questions in one convenient package.

 

Last but not least, read books written during and set in the time you’re writing about. Read extensively—meaning both a lot and broadly. It will give you a feel for tone, pacing, and (probably) things to avoid in your own writing!

 

BOTTOM LINE: Besides the foundation of good writing, historical fiction is built on research. Enjoy!
 

Horror Week is Here

horror week here
Celebrate it on Goodreads! Here you will find their list of the 50 most popular horror books on Goodreads, “From Mary Shelley to Stephen King.”  You can also read the Ghastly Horror Subgenres (sic), Book-to-Scream Adaptations, 13 True Tales of Terror, and—just for fun—The Nightmare Generator. My worst nightmare is supposed to be an incompetent vampire in the nursery. For my husband, it’s supposed to be a paranoid cannibal in the attic. FIND YOUR WORST NIGHTMARE!
complete works edgar allan poe
Edgar Allan Poe is only one proof that well-written horror is well-written literature. It’s timeless. And every set of tips on how to write horror includes the observation that good writing, and all the elements thereof, are the foundation with horror being an add-on. “Horror” means an intense feeling of fear, shock, or disgust.

 

horror week here
Now Novel is a good place to start if you are thinking of dipping your toe into this genre. According to this blog, the 5 common elements of the best horror stories are these:

 

  • They explore malevolent or wicked characters, deeds, or phenomena.
  • They arouse feelings of fear, shock, or disgust as well as the sense of the uncanny.
  • They are intense.
  • They contain scary and/or shocking and scintillating plot twists and story reveals.
  • They immerse readers in the macabre.

 

The blog then goes on to discuss six tips:
  1. How to write horror using a strong, pervasive tone.
  2. The importance of reading widely in your genre.
  3. Giving wicked characters credible motives
  4. Using the core elements of tragedy
  5. Writing scary novels by tapping into common human fears.
  6. The difference between terror and horror.

 

horror week here
If you want even more advice, you can find it at The Ramble. According to Chuck Wendig, horror is best when it’s about tragedy. It contains subversion, admonition, and fear of the unknown. Horror works on our minds, our hearts, and our gut. It can be gross, but that isn’t necessary. What is necessary is for characters you love to make choices you hate. “SEX AND DEATH ALSO PLAY WELL TOGETHER.” You should never tell readers they should be scared. He writes much more than this, of course.

 

horror week here
In my opinion, one of the best sites is Bustle. It includes comments from ten authors, including Stephen King, who discusses gross-out, horror, and terror.

 

horror week here
Advice from others includes:

 

  • Shirley Jackson: Use your own fear.
  • R.I. Stine: Get inside your narrator’s head.
  • Tananarive Due: Don’t worry about being “legitimate.”
  • Ray Bradbury: Take your nonsense seriously.
  • Anne Rice: Go where the pain is.
  • Clive Barker: The scariest thing is feeling out of control.
  • Linda Addison: Just start writing and fix it later.
  • Neil Gaiman: Tell your own story.
  • Helen Oyeyemi: Keep it real (kind of).
horror week here
And the advice goes on. Bottom line: This is the week to read and/or write a little horror!
 
horror week here
goodreads horror week

Weird is Wonderful

different drummer vivian lawry
Perhaps you already know that I enjoy the odd, unusual, bizarre, and humorous. You surely know that if you’ve read Different Drummer! But it goes beyond my writing. Over the years, I’ve read a lot of weird stuff!

 

weird is wonderful
One really good overview of weird is this book by Mark Moran and Mark Sceurman, first published in 2004. In it, you can read about The Mutter Museum, part of the College of Physicians of Philadelphia, which is filled with medical oddities. Such exhibits as outdated medical tools (e.g., a brain slicer), a wall of wax reproductions of eye injuries, and actual skeletons abound.

 

Open the book at random and you can read about The Paper House in Massachusetts, built in the 1920s, or The Goat Man of Prince George’s County.  The book is organized by topic, so whatever sort of weird phenomenon fits your story line, you can find several examples here.
weird is wonderful
The main drawback to this collection of weird is that if you want weird-by-location, that info is hard to come by. The index is alphabetical by name with the state location in parentheses, but there are no listings by state, per se. But not to worry! There are dozens of books out there to fill the geographical gap.

 

weird is wonderful
I have the books about the three places where I’ve lived most of my life, but there are tons more out there. In this particular series (in no particular order): Louisiana, Oklahoma, California, New Jersey (2 volumes), Kentucky, Michigan, Massachusetts, Indiana, the Carolinas, Colorado, Tennessee, Texas, Florida, Pennsylvania, Georgia, Washington, Illinois, Oregon, and New England, plus Hollywood, Las Vegas, and England.

 

weird is wonderful
Based on the three I own, I believe all are organized in the same way, so here again, it’s difficult to narrow the geographic location based on the index. Although there are a ton of books out there containing esoteric information, most of these are organized by topic, also. If you go to Amazon you will find whole sets of “strange but true” and “weird but true” books in which the book is devoted to a particular topic, such as sports, animals, the human body, history, etc.

 

But persevere! If geography is what you want, it’s out there.

 

weird is wonderful
These two books by Neil Zurcher and Sharon Cavileer are organized by geographic areas within Ohio and Virginia, respectively. I’m sure there are other states as well.

 

If you’re at all inclined to write and/or read about the offbeat, there’s a book for you!

 

weird is wonderful

How Do You Read Now?

how read now
A friend sent me an excerpt from this article by Adam Kirsch, published August 3, 2018. Does this apply to you?
 
“Another way of putting it is that when Americans read, we mostly read for story, not for style. We want to know what happens next, and not to be slowed down by writing that calls attention to itself. According to one familiar indictment of modern literature, today’s literary writers are unpopular precisely because they have lost interest in telling stories and become obsessed with technique. In the 20th century, this argument goes, literature became esoteric, self-regarding and difficult, losing both the storytelling power and the mass readership that writers like Balzac, Dickens and Twain had enjoyed.”

 

Do you agree? Why or why not? Let me know, please.

Tools of the Trade

vivian lawry typewriter tools trade
I recently wrote about smart phones as writing tools. Today I’m writing about tools at the other end of the spectrum.

 

In my high school, Mrs. Echard taught all typing and shorthand classes. College-bound students were guided toward the Personal Typing class. It was the only class that was regularly half male! In this class, one learned to write personal and business letters, but also to compose at the typewriter.

 

I can see her now—brown hair, brown skirt-suit and heels, white blouse—modeling proper business attire. And I can hear her saying, “Always write your first draft at the typewriter. Triple space it, so you have room to edit and add notes. Don’t worry about typing errors, given that it’s only a draft. No matter how slowly you type, it is still faster than hand writing.”
vivian lawry
So there we sat, at individual oak desks in even rows, in good typing posture (i.e., feet flat on the floor). A Remington manual typewriter sat centered on the desk, stacks of paper and carbons off to the sides. Two of these typewriters would have been on the ark, had Noah taken objects.

 

All were black with gold lettered Remington on the front. The ribbon spooled from left to right, black on top and red on the bottom. Changing said ribbons was a messy, bumbling business.
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The keys were arrayed in a fan-like shape and the biggest hassle was hitting two keys at once, causing them to jam at the platen, requiring manual separation—also a messy business.
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The keys were round buttons, black on white or white on black, of all letters and symbols—including a symbol for cents, no longer standard on keyboards today. The shift key was also labeled Freedom.
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Being manual, the pressure on the keys was reflected in the lettering. All fingers not being equally strong, the end product often looked like this.

 

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Editing back then was literally cut and paste, then retyping the rearranged text. Moving a paragraph—or even a sentence—meant retyping and entire page or maybe more.

 

Correcting a spelling error meant using a round rubber wheel with an attached brush. This is such an ancient artifact now that sculpures of them are in museums and gardens.

 

That was a time when making copies meant typing carbons. Each page and carbon had to be corrected separately—and heaven forbid one erased a hole in the paper.

 

I learned Mrs. Echard’s lesson well. I never after hand-wrote a draft, or much of anything else. By now, I find it difficult to hand-write a thank you note!

 

BOTTOM LINE: not that long ago, writing was a very slow, laborious activity.  I marvel that anything got written at all.