In my print interview with Bradley Harper, he mentioned an event that changed his life but was too long to go into just there. Well, here he goes into it!
For three years I volunteered at a small pilgrim hostel in Galicia, Spain, caring for pilgrims walking the Camino to Santiago de Compostela. The hamlet where the hostel lies is named Ribadiso, 41 kilometers from the end. Some pilgrims started in Sarria, 60 kilometers away, some back as far as the border with France, or even farther. Some walked three days, others six weeks or more. I spent a fair amount of time treating the blisters of the “Sarristas,” but the long distance hikers were well past that.
The reason for the pilgrimage varied by age group. Mature pilgrims like myself often did so as an act of atonement, or to keep a promise. Younger pilgrims were often seeking “something.” Ribadiso is two days from the end, and these young pilgrims were often in a panic. They hadn’t had their burning bush moment; no Divine Tweet as to what this particular journey meant, and they were nearly done. They feared returning home no wiser than before.
To these pilgrims I gave a different kind of treatment. I have the white beard, so find playing the role of wise old man a good fit—though don’t tell my wife! I told them a parable from the Tao tradition, which often has helped me in stressful times.
Two monks, an older one and his apprentice, are on a pilgrimage when they come to a shallow but wide river. An old woman approaches the elder and demands he carry her across. He bends over, she climbs on, and once they reach the other side she hops off without a word of thanks.
That night as the two monks prepare to sleep, the apprentice confesses that he is still very angry over how the old woman treated his master. “You must be very tired, my friend,” answers his teacher. “I put her down when I crossed the river. It seems you have been carrying her ever since.” I then pointed to the pilgrim’s rucksack. “Everything in there weighs something. You carefully considered the burden it represented, versus the value it would provide you on your journey.
“Perhaps the purpose for your pilgrimage was not for you to gain something, but to guide you to what you should put down. Consider that, and when you arrive at the cathedral in Santiago, decide what you want to lay at the feet of the saint.”
I carry that parable with me to this day. I used to stress out over traffic. When someone
cut me off or tailgated, my blood pressure would rise, and I might be angry for some
time afterwards. Now I think of the old woman, and let it go. My path lies ahead. My
pilgrimage continues. No need to add to the burden.
Bradley Harper bio: Dr. Harper served over 37 years in the Army, first as an Airborne Infantry Platoon Leader, and culminating as the Deputy Assistant Surgeon General for the US Army in the Pentagon.
While serving as the Command Surgeon for US Army South he spent time in Colombia overseeing a joint training course with the Colombian Army, and had a $1.5 million bounty on his head (alive) for anyone who could deliver him to the FARC alive (offer no longer valid).
Fluent in Spanish, he speaks four languages other than English and for the five years after retirement he volunteered in Galicia, Spain, to assist pilgrims making their way to Santiago de Compostela. He had the unique experience of serving as the acting commander of the US Army Hospital in Heidelberg, Germany, on the fiftieth anniversary of GEN Patton’s death there, and presided over the commemoration ceremony involving both US military and German local dignitaries.
Board Certified in Anatomic and Clinical Pathology, he has conducted over two-hundred autopsies, several of them forensic in nature, and uses his clinical experiences to inform his writing. He has worked as a professional Santa Claus for the past five years at a local theme park. A soft touch, he only threatens those on the Naughty List with burnt cookies.
His writing credits include a short story sold to The Strand and The Sherlock Holmes Magazine of Mystery, as well as his award-winning debut novel, A Knife in the Fog, featuring a young Arthur Conan Doyle, Professor Joseph Bell, Doyle’s inspiration for Holmes, and Margaret Harkness. Miss Harkness was an author and Suffragette who lived in the East End of London for a while to do research on her novels featuring the working poor. Together these Three Musketeers assist the London Metropolitan Police in the hunt for the man who became known as Jack the Ripper, until he begins hunting them!
VL: Today’s guest blog is by Teresa Inge, whose novella “Hounding the Pavement” is the opening work in the recently released To Fetch a Thief. Teresa has contributed to several anthologies both as author and as organizer. Today she will share her perspective on collaboration.
Just as writing is a lonely experience, collaboration is a group effort. As a short story author, I’ve been fortunate to collaborate with many authors on several writing projects.
These projects have included the coordination of joint mystery anthologies. Some years ago, I came up with the idea to create the Virginia is for Mysteries series, a collection of sixteen short stories set in and around Virginia. I first discussed the series with the Sisters in Crime Mysteries by the Sea chapter members and the Central Virginia chapter members. Once members were on board to move forward, I organized an anthology committee. This began the wonderful partnership of writers joining together to create great mysteries. Along the way, we teamed up to generate timelines, book titles, number of contributors, submissions guidelines, promotion, and securing a publisher.
VL: As a contributor, I can say Teresa did a great job!
We also learned that working with multiple authors can be challenging with schedules, editing, and finding time to promote the books.
VL: What Teresa may be too polite to say is that it was sometimes a real pain in the neck—or somewhere! For example, people missing deadlines, arguing over suggested edits, and/or never being available for talks or signings.
Next, I created 50 Shades of Cabernet, a mysterious wine anthology with authors I knew from Malice Domestic, a fan-based mystery writer’s conference. But I took a different approach and solicited authors who were established, had a following, and created well-crafted mysteries. I knew from experience that these authors would put in the time needed to make the book successful.
More recently, I collaborated with three authors on To Fetch a Thief, the first Mutt Mysteries collection, featuring four novellas that have “gone to the dogs.” In this howling good read, canine companions help their owners solve crimes and right wrongs. Since I’ve been in several books with this particular group, we now have the knowledge and experience to create well developed mysteries and a strategic marketing plan.
Collaborating with multiple authors combines efforts to develop great mysteries and create a strong network, since there is strength in numbers.
VL: Teresa, thank you for sharing your insights. From your closing remarks, it sounds as though collaboration—like so many other things—gets easier with practice. No doubt many authors would benefit from working with and learning from you!
Teresa Inge grew up reading Nancy Drew mysteries. Today, she doesn’t carry a rod like her idol, but she hotrods. She is president of Sister’s in Crime Mystery by the Sea Chapter and author of short mysteries in Virginia is for Mysteries and 50 Shades of Cabernet.
VL: Thanks to Rosemary Shomaker, we have a chance to vicariously experience the struggle of a writer stretching into a new challenge. Although Rosemary doesn’t get into her story in To Fetch a Thief directly, “This is Not a Dog Park” is great. She should definitely go long again/more in the future. And as an added bonus, check out her dog!
I’ve commented to friends (and to anyone asking about my writing) that completing a novella was difficult for me, a short-story writer. As I reflect on this, the words to “Seasons of Love” from the Broadway musical Rent keep floating through my brain. Let me plant the ear-worm for you:
Five hundred twenty five thousand six hundred minutes.
Five hundred twenty five thousand moments so dear.
Five hundred twenty five thousand six hundred minutes.
How do you measure,
Measure a year?
In cups of coffee?
In inches, in miles, in laughter, in strife?
In five hundred twenty five thousand six hundred minutes.
How do you measure a year in a life?
Now, let me connect the dots. Short stories have a word count of 4,000 to 8,000 words; those are the targets many publishers suggest when soliciting short story submissions. How long is that? At 250 words to a double-spaced manuscript page, you’ll find short stories weighing in at sixteen to thirty-two manuscript pages. What does that mean in a book? For a 5.5” x 8.5” book size, that translates to ten to twenty pages.
In writing a short story, you typically write twice the length and then cut, edit, and rewrite to produce a tight short story—eliminating half of what you initially wrote. I chose short story projects for several reasons. Primarily, I liked the compressed focus—of both the length and the writing period. I could assess my time and plan accordingly. Violà! I’d finish and see results within weeks or months.
For the first in the planned Mutt Mysteries series we aimed to produce a book including four novellas. “What are those?” you ask. Simplistically, a novella is a short novel or a long short story. To check what I tell you, I Googled “novella,” and found one explanation that a “novelette” runs 7,500 to 17,499 words, and a “novella” is 17,500 to 39,999 words. How precise! You guessed it—40,000 words and more is a novel. The varied fiction genres, however, have specific expectations. A mystery novel runs 80,000 to 90,000 words, for instance. The To Fetch a Thief novellas run about fifty pages each.
I wrote my first draft of “This is Not a Dog Park.” My word count was 8,300 words—and that was only the first draft! Remember my comment about expecting to cut half of a first draft? I was sunk. Clearly, this novella task was a different animal than a short story. Yes, but I didn’t realize the different animal was a beast! I floundered for several weeks, trying to “gin up” my plot and visualize the long mile to 17,500 words. (“Gin up”? Who says that? I looked up the idiom—see * below for the very interesting origin—I love words—but I digress!)
My first attempts at adding volume to the story were horrible. I found myself cranking up meaningless descriptions. I added useless comments. Each time I did this, my short story writing training rebelled at the waste and at the imprecision of the prose.
It took me adjusting to a completely different mindset to make any useful progress. The place to start for me was the plot. In a novella, I could have more happening than I could in a short story, and I explored that. In addition, my characters could interact more and build their relationships over several scenes. I gave myself permission to relax the compactness of short story boundaries. Still, my product was unfocused. It’s only when I deleted some useless scenes and repurposed others that I felt progress.
Back to the song. Here’s how the words translated to my novella ordeal:
Seventeen thousand—then add five hundred words.
Up to thirty-nine thousand nine hundred ninety-nine.
More than seventeen thousand five hundred words.
How do you measure,
Measure a plot?
In scenes or in lines?
In pages, in edits, in words by the ton?
Seventeen thousand—then add five hundred words.
How do you measure when your novella is done?
The beauty of this novella-writing exercise for me was that finally the “organicness” (that’s a dodgy word—“organicity” is worse—that layers on medical meanings) of writing emerged, finally, and I received the gift of having a glimpse of the work of a true novelist. Yikes, that’s some hard work! My regard for any novelist has increased, and my awe of good novelists compounds exponentially.
In my learning experience writing this novella, I did, as “Seasons of Love” reminds us, “You got to, you got to remember the love.” I do love writing!
* “Gin up” – one Googled source yielded the explanation below. You bet I checked the definition of “feague”! That definition used the euphemism “fundament” . . . I love words!
“Gin up” means enliven, excite or enthuse. Its probable derivation is from the 1800s British slang term “ginger up,” which referred to the practice of putting ginger up a horse’s butt to make him spirited and prance witha high tail, for purposes of show or sale. The other term for this practice is the verb “feague.” This is confirmed both by the online Phrase Finder from the UK and the OED. (https://www.urbandictionary.com/define.php?term=Gin%20up)
VL: Thank you Rosemary! I appreciate your candidness and rich language. In addition, I think you are an inspiration to other writers striving to expand their writing lives. I do hope we collaborate again sometime. And to close out, just one more great photo.
Rosemary Shomaker has called Virginia home for decades. After a state government career writing inspired nonfiction, she now writes fiction. You can find a few of her short stories in anthologies such as Virginia is for Mysteries – Volumes I and II, 50 Shades of Cabernet, and several of the Shaker of Margaritas anthologies. Her “This is Not a Dog Park” novella is included in the Mutt Mysteries collection To Fetch a Thief. You may recognize her if you shop at thrift stores, attend estate sales, visit historic sites, or poke around abandoned buildings—she cannot resist the lure (and lore) of the past.
VL: When I invited the four authors who have stories in To Fetch a Thief to contribute something to my blog page—interview, blog, rant, whatever—I was hoping for diversity. And they are coming through!
I’m a writer. I write cozy mysteries. When I’m not huddled in my writing hut, I’m out and about, either physically or cyber-ly, mingling with readers. The number one question I am asked is “Where do you get your ideas?” My answer: I collect “story nuggets” everywhere I go and in everything I do and all the crazy stuff I see in the news. All it takes is a teeny tiny event and my imagination is off and running. It’s no secret I am particularly influenced by things in my life and events that occur in my coastal community.
For my most recent publication, I was challenged to write a novella (about 15,000 words) that involved a dog, a theft, and a murder. Two years later, a book was born. To Fetch a Thief is a collection of four novellas. My story is titled “It’s a Dog Gone Shame!”
Fortunately, I had a cache of “story nuggets” at the ready.
The “dog” part of the story was easy. Although dog-less at the time, we’d been lucky enough to have been adopted by four wonderful rescues over the years. I knew how to write “dog.”
The “theft” part of the story was a snap. We have a wonderful place in our neighborhood to honor dogs that have crossed the rainbow bridge. It’s called The Dog Gone Garden. A local artist paints a colorful rock to represent each dog as it passes. The rocks are huddled under the shade of a Crepe Myrtle tree. Our own Norwegian Elkhound, Jamaica, has a rock there. One summer’s day all of the rocks disappeared! Just gone! Nobody knows where or why or how. (There were a lot of them so it was a heavy load!) Aha! my mystery-writer self said. A theft! I tucked that into my carton of story nuggets. (Although I solve this little mystery in my story, the real rock theft remains on the loose.)
The murder part? We live on the Chesapeake Bay. It is a semi-annual occurrence for a body to wash ashore. Mostly they are traced back to a drug gang further up the bay. Sometimes it’s a result of too much drink and too little sense when a person climbs aboard their trawler to sleep it off. One misstep and they splash in the bay and end up sleeping with the fishes. The beauty of being a cozy writer is the amateur sleuth only has to discover a dead body. We don’t have to know how to kill. Interviewing neighbors who’ve discovered the “floaters” has given me enough “nuggets” for a dozen mysteries.
To answer the perennial question, “Where do you get your ideas?”; I get them from life. Once the “story nugget” is planted, I turn it over to my imagination. I then stand back and watch the words fly! (Most end up on the cutting room floor, but that’s another story for another day.)
VL: Big thank you to Jayne Ormerod! No doubt readers have enjoyed this peek into your writing process—and some may decide to emulate you! To read more about the stories in To Fetch a Thief and the writers who wrote them, check out www.MuttMysteries.com
About Jayne Ormerod: Jayne Ormerod grew up in a small Ohio town then went on to a small-town Ohio college. Upon earning her degree in accountancy, she became a CIA (that’s not a sexy spy thing, but a Certified Internal Auditor.) She married a naval officer and off they sailed to see the world. After nineteen moves, they, along with their two rescue dogs Tiller and Scout, have settled into a cozy cottage by the sea. Jayne has penned over a dozen novels/novellas/short mysteries.
VL: I’m delighted that Heather Weidner agreed to an interview. Her most recent publication, “Digging Up Dirt,” appears in To Fetch a Thief. In addition, Heather has published two mystery novels and numerous short stories—and dogs show up frequently!
VL: Is the dog in your story in To Fetch a Thief based at all on your dog?
HW: It is. It’s based on my little female JRT Disney. She’s a bundle of energy, a great companion, and she always likes to explore outside. Thankfully, she’s not dug up anything strange.
VL: Disney is definitely cute! I can understand why you would want to put her in a story. But how did you come up with the actual plot for “Digging Up Dirt”?
HW: My husband is a realtor, and people are always leaving things in houses when they move out. That gave me the idea for the random things (that might not be so random) in the story.
VL: No need for a spoiler alert, but I will say I admired the variety of things left behind and how you tied them together. But back to your passion—I don’t think passion is too strong a word—for dogs. Do any of your other stories (or future stories) involve a canine companion?
HW: They do. In my Delanie Fitzgerald Mystery series, my sassy private investigator has a partner, Duncan Reynolds, and Duncan’s best pal is Margaret, the English bulldog. She’s a brown and white log with legs. She has two speeds, slow and napping. But she likes treats, and she’s a great companion.
I’m also working on another cozy mystery, and there is another Jack Russell Terrier in it. Her name is Bijou.
VL: While you are producing stories involving dogs, what do you do with your actual dogs?
HW: There are two dog beds in my office on either side of my desk. If they aren’t roughhousing, then they’re napping.
VL: Most writers are voracious readers. What types of books do you read?
HW: I love all kinds of mysteries, thrillers, history, and biography.
VL: What are you reading now?
HW: I just finished John Grisham’s The Reckoning, and now I’m reading Lee Child’s Past Tense.
VL: What’s your favorite book or movie that has an animal as a central character? Why?
HW: My early favorites were Charlotte’s Web and Where the Red Fern Grows. I have always loved animal stories, and even today, I tend to read mysteries that have pet sidekicks. My favorite mystery authors who include pets are Bethany Blake, Janet Evanovich, Krista Davis, and Libby Klein.
VL: What’s in your “To Be Read” (TBR) pile right now?
HW: I have three TBR piles right now. One’s on my night stand. I have one on a bookcase, and there’s another downstairs in the den. There are always more books than I have time to read. Most of the books in all three piles are mysteries and thrillers. There are a few biographies in the pile.
VL: Based on the locations of your TBR piles, I could probably guess at the answer to this next question, but I’ll ask anyway. Where is your favorite place to read (or write)? Why?
HW: I can read just about anywhere. At home, I like reading on my deck in the early mornings. At night, I like reading in bed with two snuggly Jack Russell Terriers.
As for the writing part of your question, I tend to be a binge writer. At home, I write in my office or on the deck. But I tend to write or proofread whenever I get a free moment, so it could be at lunch at work or in the dentist’s waiting room.
VL: What’s next for you?
HW: I am working on the third novel in the Delanie Fitzgerald series. It’s called Glitter, Glam, and Contraband. I am also working on a new cozy mystery set in Charlottesville, Virginia. I had a nonfiction piece accepted in the Sisters in Crime book marketing anthology, Promophobia, and that will be out next year, along with a short story, “Art Attack,” in the Deadly Southern Charm: A Lethal Ladies Mystery Anthology.
VL: You clearly have a lot going on! Thank you for taking time for this interview.
VL: Thank you, Heather! Congratulations on all you have done so far. No doubt we will see more of your writing in the future, especially Delaney Fitzgerald. Learn more about Heather Weidner below.
Heather Weidner’s short stories appear in the Virginia is for Mysteries series and 50 Shades of Cabernet. Secret Lives and Private Eyes and The Tulip Shirt Murders are her novels in the Delanie Fitzgerald series. Her novella “Diggin’ up Dirt” appears in To Fetch a Thief.
She is a member of Sisters in Crime – Central Virginia, Guppies, and James River Writers.
Originally from Virginia Beach, Heather has been a mystery fan since Scooby Doo and Nancy Drew. She lives in Central Virginia with her husband and a pair of Jack Russell terriers.
Heather earned her BA in English from Virginia Wesleyan University and her MA in American literature from the University of Richmond. Through the years, she has been a cop’s kid, technical writer, editor, college professor, software tester, and IT manager. She blogs regularly with the Pens, Paws, and Claws authors.
VL: I’ve often said that I’ve never met a boring writer. Here to prove that point is my interview with Bradley Harper, mystery writer and so much more!
VL: Let’s start with your debut novel, A Knife in the Fog. I loved it! I have been a fan of Sherlock Holmes mysteries since my college days, and when I read your book I found you had the tone spot-on. You evoked the time and the place in a way that took me there—which is no small feat. What drew you to writing a murder mystery in the first place?
BH: Doctors love mysteries in general, as the diagnostic process is much like solving a mystery. You collect data points and, after testing various hypotheses, arrive at a plausible diagnosis. A Pathologist does practically nothing else. Also, I fell in love with the Holmes stories the summer I discovered them at age 13. If you’re going to spend hundreds or thousands of hours writing a novel, it should be in a genre you know and love.
VL: So that’s why you are drawn to mysteries, and why this sort of mystery, but how did you come up with this particular plot?
BH: I discovered the four-year gap between the first and second Holmes stories, and that the Ripper murders occurred in the middle of that period. I became excited at the idea of a novel involving Doyle in the hunt for the killer, and explaining why he returned to Holmes after being soured on crime fiction due to his meager payment (twenty-five pounds), for the first one.
VL: I admire the way you combined real people—i.e., Doyle, his real-life influence Joseph Bell, and Margaret Harkness, a real woman of the time—and wove this wonderful fiction around them.
BH: I’m glad I found Miss Harkness. She was an author and Suffragette who lived in the East End of London for a while to do research for her novels featuring the working poor.
VL: I like her character a lot. I hope to see more of her! But let’s change gears here, and look at your work before you retired and started writing fiction. Where did you attend med school?
BH: Uniformed Services University of the Health Sciences, 1979-83.
VL: Well, that answers my next question about whether your medical training preceded joining the Army.
BH: I started as an Airborne Qualified Infantry Officer and at one time was a platoon leader in a Mechanized Infantry Battalion. Due to the draw down after Viet Nam, I was transferred to the Transportation Corps and ran a motor pool in Izmir, Turkey, as part of a NATO Headquarters there. One of the four walls of my motor pool was the remnant of a Roman aqueduct. Thirty-seven years later, I retired as the Deputy Assistant Surgeon General for the US Army in the Pentagon.
BH: During my Army years, I enjoyed many extraordinary experiences. This picture was taken shortly after receiving an award from the Knights of Malta for my assistance to the Italian Army in their preparation for deployment to Afghanistan as part of a NATO mission. The advanced first aid course I helped found has since become mandatory training for all Italian land forces prior to deployment, and was recently taught to the Italian Presidential security detail.
I also had the unique experience of serving as the acting commander of the US Army Hospital in Heidelberg, Germany, on the fiftieth anniversary of General Patton’s death there. I presided over the commemoration ceremony involving both US military and local German dignitaries.
VL: Wow. Quite a progression! Congratulations. But hold on. If you didn’t join the Army to go to medical school, why did you join?
BH: My draft number was 84, so I knew as soon as I graduated from college I was going into the military. I decided to take an ROTC scholarship for my last two years. (My original goal was to be a high school Spanish and History teacher). One day relatively early in my service I went on sick call for an injured ankle, and the doctor who saw me was such an unpleasant person I decided that I and my soldiers deserved better care. So I went to med school with the goal of seeing to it that soldiers and their families got the care they deserved.
VL: What made you stick with it?
BH: I discovered I liked being part of something larger than myself, and found living abroad an amazing experience.
VL: What were the best and worse things about your time in the military?
BH: I enjoyed being reassigned every two to three years into a new job. That allowed me to take on various roles and to develop a wide skill set. Frequent moves did limit my social circle, however, and I didn’t have what I would consider a close friend as an adult until after I retired. Fortunately, I had the love and support of Chere, my wife of 45 years.
BH: In the five years since I retired, she has joined me in my Santa gigs as well. She’s wonderful.
VL: When you addressed the Central Virginia Chapter of Sisters in Crime—an excellent presentation, by the way—you mentioned having a $1.5 million bounty on your head at one time. Tell me about that.
BH: While serving as the Command Surgeon for U.S. Army South, I spent time in Colombia overseeing a joint training course with the Colombian Army. That’s when the bounty was offered.
VL: I never expected to meet anyone wanted-dead-or-alive!
BH: You still haven’t! The bounty was for anyone who could deliver me to the FARC alive. As the highest ranking U.S. officer in the area, I was considered very valuable as a live hostage to ransom. (Offer no longer valid, by the way.)
VL: Hmmm. If there’s no longer a profit in kidnapping you, I might as well get on with the interview. You are Board Certified in Anatomic and Clinical Pathology, and you said you’ve conducted over two-hundred autopsies. What sorts of forensic autopsies did you perform that subsequently informed your writing?
BH: All military pathologists undergo forensic training. We are often sent to remote locations, and are the only game in town. I am not Board Certified in Forensics, however, so any cases which might go to trial would be sent to the nearest military forensic specialist. The cases I did were crib deaths, training accidents, motor vehicle accidents, suicides, or people who died on the job unexpectedly. Two suicides by standing in front of a train and one accident involved being run over by light rail informed my writing in one of the final scenes in A Knife in the Fog. I was involved in one case while in Germany which had mixed jurisdiction between the German civil authorities and the US, so I attended the autopsy performed by my German colleague, and my notes were used to prosecute the US serviceman involved.
VL: You’ve told us quite a bit about your work as Santa. But I’m curious about something you mentioned in the SinC-CV presentation. What prompted you to volunteer in Galicia? Apparently it wasn’t a one-off. Do you do this annually? How long does that take? Are you actually walking the pilgrims’ route?
BH: After I retired from the Army I walked the Camino to Santiago de Compostela in Galicia, Spain. It is an ancient pilgrimage route begun in the ninth century, and millions have walked The Way to the bones of St. James as an act of atonement or contrition. I did it to give me some time to ponder what direction my life would take after thirty-seven years in the military. After a transformative experience I have written about and shared on a local radio program—which is too long to go into here—I wanted to give back, and to help others realize their dreams. I speak five languages other than English, and being functional in so many tongues allowed me to assist pilgrims from most of Europe and, of course, the English-speaking world. I got back as much as I gave. This is the first year I have not volunteered after five consecutive summers. These were fifteen-day stints—with my wife—first in the pilgrim office, and later as a hospitalero, or host, in a pilgrim hostel.
VL: Surely you realize that mentioning a transformative experience more or less in passing means I’m likely to come back to you for more about that! But forging ahead for now, what about your personal life? Do you have hobbies or pets?
BH: I read incessantly, and swim for fitness when my shoulder allows. No other hobbies to speak of, and no pets. I travel a lot, still. Perhaps when I go from the “go-go” phase of life to the “go-slow” or the “no-go,” I’ll add a pet to my life.
VL:I’d like to end with info on your future project(s). What are you working on now?
BH: I am fortunate to have a two-book contract with Seventh Street Books, and am involving my heroine from book one, Margaret Harkness, in trying to stop an assassination attempt on Queen Victoria during her Diamond Jubilee ceremony. It will be titled Queen’s Gambit.
VL: When might fans hope to have Queen’s Gambit in hand?
BH: It’s scheduled for release in October of 2019, on the one-year anniversary of the debut of my first book.
VL: What, if anything, would you like to share with other writers about how you balance family life, Santa duty, volunteer activities, and your writing life?
BH: I don’t multi-task. I don’t believe anyone can accomplish their best work unless they are entirely focused on the task in front of them. So when I write, I go all-in. I do ponder plot points and issues when I’m not writing, but when I am playing Santa, for example, I am totally focused on the people who have come to see Santa. These encounters are brief, but if I can communicate to them that I genuinely wish them well, they will remember that for a long time after.
The best advice I got in med school was: when the body is tired, work the mind. When the mind is tired, work the body. Eat well, walk, laugh, engage with those around you, be grateful for every day, and life will sort itself out.
VL: Let’s end with those words of wisdom! Thank you, Brad, for sharing so generously of your time, your experiences, and your thoughts. I look forward to wrangling another blog sometime down the road!
Follow Bradley Harper online at bharperauthor.com. You will find pictures and notifications of appearances, as well as bits of off-beat information about Victorian England, forensics, and whatever strikes his fancy! You can even get info about Harper’s compilation of four short stories.