Check Out These Online Literary Magazines

check online literary magazines

Summer is a big season for literary magazines to publish big work. Many publications take submissions in the spring and fall, and post their issues in the summer and winter. That being said, so many great literary magazines have put out new issues this season. Here are just a few:

What are your favorite online literary magazines? If you’re an author, what have been your favorite publications to send submissions?

If you’re interested in submitting to literary magazines, check out The Review Review‘s suggestions for writers working on submissions.

When Less is More

When Less is More
I love this list, even though I now have no idea where I came across it. It beautifully illustrates the value of getting rid of flabby modifiers. “Very” is a word we all should do searches for in our documents—finding and replacing with something stronger.

 

Closely related to this is adding modifiers to terms that have specific meanings. Consider these impossibilities:
  • very unique
  • fast/slow minute
  • quick second
Another search—one that must be done by you or your beta reader—is eliminating unnecessary modifiers. One version of this is linking two words where one would do. For example:
  • tiny little
  • great big
  • quick glance
  • slow saunter
  • quiet whisper
  • loud shout
  • low mumble/mutter
  • loud scream
Other red flag words/phrases are those that pull back or even deny the meaning weakening what’s being asserted. Examples here include:
  • somewhat
  • sort of
If something is somewhat clean, what does that mean? If something is sort of pretty, what should the reader see?

 

These are not exhaustive lists. The point is examine your writing to make sure every word is necessary, and then trust your words to mean what they mean!

 

Nimrod Hall: Something for Everyone

I go to Nimrod for the the summer arts program for writers. Hence, much of my appreciation is based on the writing time, the individual consultation, the group critique, the opportunity to read my work and hear others. Writers working with both Cathryn Hankla and Charlotte Morgan (this year’s writers in residence) gave rave reviews to everything related to the writing support and advice.

 

This year, there were two opportunities for writers to read plays (or parts thereof) by two fellow writers. Fun experiences, though I doubt they really did justice to the work being read.

 

nimrod hall

But no matter how many hours are spent butt-in-chair, there is always time to experience the place. I took lots of pix of bits and pieces around the buildings and grounds that I find charming—many of which I’ve posted on Facebook during the past week, but not all by any means. E.g., these heads I call family.

 

And then some of my other indoor favorites:

 

Outside, I tend to focus on blooms—most of these pictures snapped along the roadside and mowed walkways.
 
There are fine o-l-d trees dotted around and about. They have a beauty all their own.

 

And then there is the allure of water. Here I’m sharing not only my pictures but also some taken by other writers. (I’m not the only person drawn to water. Note the picture of writers tubing down the Cowpasture River!)

 

Some people especially appreciate the big picture of our location, and atmosphere.
And then there is the fauna. Most years I see rabbits, but I didn’t get a picture this year. Think any size! (A few of these were taken on day trips near Nimrod)

 

And speaking of places near Nimrod:  often people go off in  twos, threes, or fours to enjoy a break with others who are free at the same time and of the same mind.This year, those off-site trips included kayaking at nearby state/national parks and my visit to a National Champion sycamore tree.

 

BOTTOM LINE: The writing program at Nimrod is incredible. It’s an opportunity to focus on writing in the midst of supportive writers and mentors. It allows for breaks to enjoy the surroundings and reset for refocusing. Incredible people. Incredible bonding. Incredible creativity. And some bonds will last beyond the time there.

 

nimrod hall

Waiting

waiting
My Nimrod week this year has included much more waiting than usual.  The usual includes waiting for morning coffee and three abundant meals a day.

 

The usual includes waiting for afternoon conferences and workshops and evening readings.
Some years—including this one—it’s not unusual to wait for the rain to stop.

 

virginia weather
Because I’ve been technologically impaired this week I’ve spent a lot of time reading and pondering. And I’ve spent a lot more time than usual waiting for the dedicated writing time to be over so I could socialize, or play, or just relax.

 

But the best wait of all was a couple of hours Thursday morning. I’d heard rumors that a quiet, polite young man who is working in the dining hall this summer can perform computer magic. And he did so for me! He came over after DR cleanup and unlocked my documents!
waiting
So now I no longer have to wait to go home, to spend hours in the Apple Store waiting for a seat at the Genius Bar. I no longer have to wait to write!

 

waiting

Characters’ Inaction Speaks Louder Than Words

Some things seldom if ever appear on the page because they are just taken for granted. If your characters leave the house—unless you specifically say otherwise—the reader assumes they are wearing shoes and street clothes appropriate to the season, have combed their hair, had breakfast, brushed their teeth. . .  If you’ve established quirks for your characters—e.g., Sue Grafton’s detective Kinsey Millhone works out twice a day—even these individual habits or routines aren’t mentioned every time they happen. The reader assumes those actions as part of the background.

 

Consider the power of not doing the usual. Under what circumstances might a character wear the same clothes for a solid 48 hours? Does it make a difference if those clothes are pajamas? What are the implications of skipping showers, hair washing, and tooth brushing? Why might a character eat sardines and Great Northern beans straight from the can? All of these possibilities imply powerful motivation or situational constraints. Is your character held captive? Lost in Alaska? Deeply depressed?

 

Even if your characters aren’t doing what’s expected, they’re doing something. Maybe it’s computer solitaire, or a jigsaw puzzle; reading trashy novels and eating bonbons; getting knee-walking drunk; or maybe it’s only sleeping, or staring into space—but it’s something. What that something is—and the feelings that accompany it—say a great deal about your character. Is your character in survival mode? Overwhelmed? Feeling rebellious? Guilty?  Ashamed? Weak?

 

TAKEAWAY FOR WRITERS

Sometimes what a character doesn’t do is as telling as what s/he does do. Use it!

 

Characters Inaction Speaks Louder Than Words

Passionate About Writing

passionate about writing
 
I’m passionate about writing because it keeps my brain working. I want my stories to be accurate and interesting, and in doing the research to make that happen, I learn new things. For example, in working on “Feeding Bella” I learned that ketamine, a veterinary anesthetic, causes hallucinations in humans; its street name is Special K. Or, again, researching the Great Depression, I learned that gasoline was ten cents a gallon and ham was ten cents a pound.
great depression gas prices
When I first retired, which I did at age fifty-two, I became depressed—much to my surprise. I‘d looked forward to more time for cooking and gardening. But filling my life with things I used to get done evenings and weekends felt hollow. And I hated to keep introducing myself by what I used to do—as in, “I’m a retired vice president for academic affairs and dean of the faculty.” Before retirement, I hadn’t realized the extent to which my identity, and my friendships, were tied to my work life.

 

For me, writing has replaced my former career. It engages many skills—especially research skills—from my academic past and it’s enlarged my social circle. I’ve never met a dull, boring writer.
passionate about writing
I always excelled academically. Now getting a story published is like getting an A on my report card; books are like making the dean’s list or Phi Beta Kappa.

 

My writing brings in very little income, so thank goodness I don’t write to put food on the table. Instead, writing fuels my imagination.

 

I’ve always written. In high school it was plays for the student body, poems for my boyfriend, the junior class prophesy and the senior class will. In college I tested out of composition and so had only course-specific instruction, such as how to write research reports. From then through my twenty-seven year career, I wrote academic tomes.

 

passionate about writing
Now I write fiction, and with fiction, anything is possible. I’ve dabbled in historical fiction, mysteries, fantasy, magical realism, memoir, and memoir-based fiction. I’m passionate about writing because it can take me anywhere, real or imagined.

 

I’m passionate about writing because it’s cheaper than therapy and just as effective when dealing with depression. My most recent depression descended in 2014-2015 during my bout with breast cancer that put me under the thumb of the medical establishment for twelve months, frequently getting treatment five days a week. From that experience I published “Beast and the Beauty” (magical realism), “Art Heals” and “Repair or Redecorate after Breast Surgery” (two personal essays about reclaiming my body via tattoos), and “Hindsight” (an essay on how my experience changed my perspective on my years with an invalid mother). Writing allows me to know myself and others in new ways.

 

passionate about writing
BOTTOM LINE: Writing is my passion because it’s my lifeline.

Tools of the Trade

vivian lawry typewriter tools trade
I recently wrote about smart phones as writing tools. Today I’m writing about tools at the other end of the spectrum.

 

In my high school, Mrs. Echard taught all typing and shorthand classes. College-bound students were guided toward the Personal Typing class. It was the only class that was regularly half male! In this class, one learned to write personal and business letters, but also to compose at the typewriter.

 

I can see her now—brown hair, brown skirt-suit and heels, white blouse—modeling proper business attire. And I can hear her saying, “Always write your first draft at the typewriter. Triple space it, so you have room to edit and add notes. Don’t worry about typing errors, given that it’s only a draft. No matter how slowly you type, it is still faster than hand writing.”
vivian lawry
So there we sat, at individual oak desks in even rows, in good typing posture (i.e., feet flat on the floor). A Remington manual typewriter sat centered on the desk, stacks of paper and carbons off to the sides. Two of these typewriters would have been on the ark, had Noah taken objects.

 

All were black with gold lettered Remington on the front. The ribbon spooled from left to right, black on top and red on the bottom. Changing said ribbons was a messy, bumbling business.
vivian lawry typewriter
The keys were arrayed in a fan-like shape and the biggest hassle was hitting two keys at once, causing them to jam at the platen, requiring manual separation—also a messy business.
typewriter tools trade
The keys were round buttons, black on white or white on black, of all letters and symbols—including a symbol for cents, no longer standard on keyboards today. The shift key was also labeled Freedom.
tools trade
Being manual, the pressure on the keys was reflected in the lettering. All fingers not being equally strong, the end product often looked like this.

 

tools trade
Editing back then was literally cut and paste, then retyping the rearranged text. Moving a paragraph—or even a sentence—meant retyping and entire page or maybe more.

 

Correcting a spelling error meant using a round rubber wheel with an attached brush. This is such an ancient artifact now that sculpures of them are in museums and gardens.

 

That was a time when making copies meant typing carbons. Each page and carbon had to be corrected separately—and heaven forbid one erased a hole in the paper.

 

I learned Mrs. Echard’s lesson well. I never after hand-wrote a draft, or much of anything else. By now, I find it difficult to hand-write a thank you note!

 

BOTTOM LINE: not that long ago, writing was a very slow, laborious activity.  I marvel that anything got written at all.

Should You Kill Your Darlings?

It’s the mantra we always hear, in every writing class, from every teacher:

“[K]ill your darlings, kill your darlings, even when it breaks your egocentric little scribbler’s heart, kill your darlings.” –Stephen KingOn Writing: A Memoir of the Craft

If you’ve never heard this quote before, what King is trying to say is that by “killing” (deleting) our “darlings” (the phrases, sentences, lines, paragraphs, and/or chapters we love the most), we open our writing up to new possibilities and let go of some of the earlier, stale work we’ve created.

kill darlings

To some extent, this is true. Holding on to old parts of your work, like parts you’re especially proud of, is much more favorable to losing them. However, in many cases (especially when you think of shorter writing forms, like poetry), deleting those darlings will pack more of a punch later in your work.

But is it always true?

kill darlings

If you’re proud of your darlings, there must be a reason. Maybe it’s the imagery you’ve invoked, a character who leaps off the page, or a line that thrills you. These things might not work for whatever you’re currently writing, but that’s not to say they need to be deleted forever!

So I would restructure the phrase to say “Relocate your darlings” (although it packs less of a punch). Save them for a rainy day! If you write longhand, keep a file folder or notebook of your darlings. If you’re someone who writes using a computer, add them to a document or folder. What doesn’t work now can work later, and it will be all the more satisfying to keep those darlings alive.

kill darlings

Adding Nature to Your Writing

virginia wildlife squirrel

I’ve written before about the use of pets in writing. But what I am writing about now is not domesticated animals or houseplants. Of course, there are lots of versions of nature writing, from guides to insects, shells, birds, etc., to books like Hawk, which gets into all sorts of emotional and philosophical issues—but I’m not writing about that, either—no, not writing in which nature is the focus.

 

Nature to illuminate character. Does your character respond equally to flora and fauna? Why or why not? Does your character respond very selectively to nature? Maybe only attracted to or aware of rabbits?

 

bunny virginia
Or maybe your character is a gardener in his/her leisure time. How does that play out? Flower arrangements for a dinner or wedding? Flower shows? Garden club commitments that conflict with plot demands, creating tension?

 

Is your character an indoor person rather than an outdoor person—generally keep the natural world at arm’s length?Why? Allergies? Fears? Sun sensitivity? Physical handicap?

 

What sort of nature draws your character? The great outdoors? The eastern woods? Again, why?

 

All of these sorts of things can be inserted as grace notes, dropped in strategically, not highlighted but effective.
 
Nature to set the mood or tone.
 
Thunderstorms give us one tone—threat, foreboding, physical danger.

 

virginia landscape
Sunny landscapes and/or skies create the opposite—good cheer, good luck, a generally upbeat tone.

 

So, including nature notes can illuminate character and set mood or tone. How else do you use bits of nature?

Discover Richmond for Writers

discover richmond writers
That I am a fan of the Richmond Times Dispatch periodic publication Discover Richmond is no secret, given that I’ve written about it before. The recently published June/July 2018 issue is especially relevant for writers.

 

discover richmond writers
For mystery writers the “Back to class” article is right on target. Michael C. Leopold teaches a class at the University of Richmond titled “Catching Criminals with Chemistry”—which is a relevant bit of info in and of itself. Also, this short (2 p.) article mentions several examples of the chemistry-crime solving connection, including how chemistry reveals clues through analysis of gunshot residue and drug traces. Also, much to my surprise, fingerprint matching is still done by human experts, not computer images. AND the article raises interesting questions, such as, “Does this partial match give police the right to investigate potentially innocent family members—or collect their DNA samples—just because they are related to a felon in the database?” A short but excellent read.

 

discover richmond writers
Potentially relevant to any writer is the long article about the Joint Mortuary Affairs Center at Fort Lee, where the Army teaches those enrolled how to handle the human remains of soldiers—with dignity, reverence, and respect. These three words are emphasized in the article—which immediately leads to many possible story lines in which they are violated or ignored.

 

Most who come for training are enlisted soldiers and marines, but “officer-course attendees come from all of the military service, and from federal agencies such as the State Department and U.S. Park Police.”

 

discover richmond writers
On the other hand, if you want to know how it’s done properly, read on. For example, enrollees practice carrying a weighted casket-like case to master a dignified transfer ceremony. Interestingly, 95% of the Army’s mortuary affairs specialists volunteer for this duty. The Marine Corps requires its specialists to be volunteers. What sort of person would so volunteer? What’s the motivation?

 

Because the work is so “grisly and grueling” those working in mortuary affairs are given many opportunities for mental health and/or religious support to deal with the emotional strain. The article features real people, both trainees and teachers, and gives a concise summary of mortuary affairs in the military.

 

discover richmond writers
For those who write historical fiction and/or nonfiction—or whose plots include references to past events—this issue of Discover Richmond is a gold mine.

 

discover richmond writers
The Archive Dive is just that. It pictures interesting artifacts in various Virginia collections, from Colonial times to WWII. And speaking of Colonial times, I had never made a conscious connection between our English roots and witchcraft. And when considering witchcraft in the colonies, my mind went immediately to Salem, MA. But the earliest witchcraft charges in Virginia were made in September, 1626.

 

discover richmond writers
The article describes the case of Grace Sherwood, who did not drown during the water test, and therefore she was convicted and put into prison. Apparently Virginia courts were reluctant to kill witches, unlike Massachusetts where nineteen so-called witches were executed in one year (1692).
discover richmond writers
Having written a novel set in Bath County in 1930-1935, which included an element of bootlegging, I was particularly interested in “THE WETTEST SPOT ON EARTH” about moonshining during Prohibition in nearby Franklin County. All of this eventually led to national interest and a trial of 34 defendants, 55 unindicted co-conspirators with literally hundreds of witnesses. Much was written about liquor, jury tampering, and murder. It seems Sherwood Anderson wrote about it for Liberty magazine.

 

This article is full of interesting—and sometimes amazing—information. For example, considering the ingredients in moonshine, and equipment to make it, one expert testified that over a four-year period “Franklin—the county had a population 24,000 in 1935—imported 70,448 pounds of yeast, compared with 2,000 pound in the city of Richmond (population 189,000 during the same time frame).”

 

discover richmond writers
Similarly, for sugar, Anderson wrote, “There were said to be single families in the county that used 5,000 pounds of sugar a month.” And the county consumed more than 600,000 five-gallon cans, which would hold a total of 3,501,115 gallons of moonshine coming from this one county. Have I said enough to entice you to read this great article?

 

This issue of Discover Richmond includes many articles I haven’t even mentioned, from the Appalachian Trail to second-hand storestrumpet honeysuckle.

 

discover richmond writers
 
Read it. You’re sure to find something of interest and probably something of use for your writing.