How much is too much?
How long does alcohol stay in your system?
How long does it take to sober up?
Ramping up the problems
Conveying drinking problems without labeling them
…although I don’t advise writers to drink, I do advise knowing about alcohol. It’s such an integral part of life in America—celebrations, business dinners, relaxation, sports events, picnics, parties, all sorts of gatherings from weddings to funerals—that one can hardly write realistically without scenes involving alcohol. So here are a few basic facts you should be aware of and ready to justify if you go against them.
by Jayne Ormerod
VL: When I invited the four authors who have stories in To Fetch a Thief to contribute something to my blog page—interview, blog, rant, whatever—I was hoping for diversity. And they are coming through!
I’m a writer. I write cozy mysteries. When I’m not huddled in my writing hut, I’m out and about, either physically or cyber-ly, mingling with readers. The number one question I am asked is “Where do you get your ideas?” My answer: I collect “story nuggets” everywhere I go and in everything I do and all the crazy stuff I see in the news. All it takes is a teeny tiny event and my imagination is off and running. It’s no secret I am particularly influenced by things in my life and events that occur in my coastal community.
For my most recent publication, I was challenged to write a novella (about 15,000 words) that involved a dog, a theft, and a murder. Two years later, a book was born. To Fetch a Thief is a collection of four novellas. My story is titled “It’s a Dog Gone Shame!”
Fortunately, I had a cache of “story nuggets” at the ready.
The “dog” part of the story was easy. Although dog-less at the time, we’d been lucky enough to have been adopted by four wonderful rescues over the years. I knew how to write “dog.”
The “theft” part of the story was a snap. We have a wonderful place in our neighborhood to honor dogs that have crossed the rainbow bridge. It’s called The Dog Gone Garden. A local artist paints a colorful rock to represent each dog as it passes. The rocks are huddled under the shade of a Crepe Myrtle tree. Our own Norwegian Elkhound, Jamaica, has a rock there. One summer’s day all of the rocks disappeared! Just gone! Nobody knows where or why or how. (There were a lot of them so it was a heavy load!) Aha! my mystery-writer self said. A theft! I tucked that into my carton of story nuggets. (Although I solve this little mystery in my story, the real rock theft remains on the loose.)
The murder part? We live on the Chesapeake Bay. It is a semi-annual occurrence for a body to wash ashore. Mostly they are traced back to a drug gang further up the bay. Sometimes it’s a result of too much drink and too little sense when a person climbs aboard their trawler to sleep it off. One misstep and they splash in the bay and end up sleeping with the fishes. The beauty of being a cozy writer is the amateur sleuth only has to discover a dead body. We don’t have to know how to kill. Interviewing neighbors who’ve discovered the “floaters” has given me enough “nuggets” for a dozen mysteries.
To answer the perennial question, “Where do you get your ideas?”; I get them from life. Once the “story nugget” is planted, I turn it over to my imagination. I then stand back and watch the words fly! (Most end up on the cutting room floor, but that’s another story for another day.)
VL: Big thank you to Jayne Ormerod! No doubt readers have enjoyed this peek into your writing process—and some may decide to emulate you! To read more about the stories in To Fetch a Thief and the writers who wrote them, check out www.MuttMysteries.com
About Jayne Ormerod: Jayne Ormerod grew up in a small Ohio town then went on to a small-town Ohio college. Upon earning her degree in accountancy, she became a CIA (that’s not a sexy spy thing, but a Certified Internal Auditor.) She married a naval officer and off they sailed to see the world. After nineteen moves, they, along with their two rescue dogs Tiller and Scout, have settled into a cozy cottage by the sea. Jayne has penned over a dozen novels/novellas/short mysteries.
“Food-ology links FOOD RELATED HABITS to PERSONALITY TRAITS and BEHAVIORAL TENDENCIES. A PORTAL INTO THE LAYERS OF ONE’S CHARACTER. Learn more about yourself and those around you – to support better judgment, improve relationships, increase effectiveness and empower your life. You are HOW you eat.” ~ Juliet A. Boghossian, Founder, Behavioral Food Expert
I’ve written quite a few blog posts about psychology for writers. I’ve rounded them all up for you here in one convenient place so that you can browse at your leisure!
Do you have any suggestions for additional posts or questions about psychology for writers? Let me know!
Just as characters affect one another in your writing, they are also affected by the weather around them. In fact, just like people do with the setting, think of weather as a character. Keep in mind that weather and climate are two different things and will affect characters in different ways. Climate tends to affect lifestyle, social structure, and culture, whereas weather affects daily choices. There are myriad ways weather can affect your characters. If you can think of more to add to my list, I’d love to hear them!
This can sometimes be overdone, but think of the symbolism of some weather forms. Is your character confused or unsure of something? You could make it foggy outside. Is the plot building up to a big climactic scene? Maybe a storm is approaching as well.
This could apply both to the mood of the piece or the character’s mood. Weather could either complement or contradict how the character is feeling, e.g., if they’re upset the weather could either be stormy or ironically sunny. Depending on which it is, it could deepen the character’s mood. After all, long periods of darkness may result in moodiness or depression. The build up to a storm can increase irrational behavior and sensitivity to pain.
Weather can affect health in subtle or extreme ways. A walk in the rain could lead to anything from a minor cold to pneumonia. Take hypothermia, for example: you don’t need to be in freezing conditions to develop that condition. “An unfit person in wet clothes can be hypothermic in temperatures as mild as 15oC (60oF). A hypothermia victim is often confused, and can be the last to be aware of their state,” writes expert Candida Spillard.
Even a small turn or change in weather can lead to a turn or change in plot or characters’ movements. Weather is a huge factor in decisions people make throughout the day. For example, if it’s raining, fewer people will be outside, which could be a way for there to be fewer witnesses in, say, a plot involving murder.
Do you have more examples to add to this list? Let me know in the comments section! And remember: depending on where your character lives, the climate (and weather) will vary based on season and location. Do your research!
4 Physical violence or the threat thereof—e.g., punching the wall or throwing things. This doesn’t settle a disagreement, it just stops the expression of it, leaving the threatened party to stew silently—and perhaps plot revenge.