I treasure the constancy of Nimrod—all the things that stay the same. The physical surroundings have been spiffed up a bit from five or so years ago, but it’s basically unchanged: the main building, where hummingbirds gather and people wait for meal bells…
The main building of Nimrod Hall
. . . the Old Post Office—which is the only pace where smoking is allowed. You will notice that the smoking porch doesn’t get much business!
The Old Post Office porch
. . . and all the spaces where people could lounge but aren’t, for these pix were taken during the morning, which is sacred writing time, and therefore all good little writers are sequestered in their rooms…
Another thing that hasn’t changed about Nimrod is, as Charlotte Morgan says often, “There’s no such thing as a forced march!” So if one chooses not to write in the morning, that’s fine—as long as one is quiet and doesn’t encourage others to sluff-off.
And one more thing that hasn’t changed: every year there are new t-shirts!
Frances Birch wearing a Nimrod t-shirt
Once upon a time, Nimrod was a hunting camp, and reminders of that past are here still. As you can see from the following pix, the image has morphed over the years from the traditional trophy head to my personal favorite:
There are two new deer this year:
What’s new at Nimrod Hall?
This year, for the first time, there are three writers in residence present at the same time—Cathy Hankla, Charlotte Morgan, and Sheri Reynolds. Oh, if I could work with them all!
Cathy Hankla
Charlotte Morgan
Sheri Reynolds
This year, all the writers mingle over meals and at the 8:00 evening readings:
The dining room of Nimrod Hall
Evening reading at Nimrod Hall
Other meeting are much as before—i.e., critiques in small groups and a one-on-one conference with one writer-in-residence. I will meet with Cathy. I’m happy to be here!
Nimrod Hall, established in 1783, has been providing summer respite from everyday stress since 1906. It has been operating as an artist and writer colony for over 25 years. The Nimrod Hall Summer Arts Program is a non-competitive, inspirational environment for artists to create without the distractions of everyday life.
For many years I’ve traveled to Nimrod Hall in Millboro, Virginia, for their annual writing retreat. Nimrod has inspired several of my stories and given me hours of valuable writing time.
Cowpasture River near Nimrod Hall during my morning exercise
Nimrod Hall, established in 1783, has been providing summer respite from everyday stress since 1906. It has been operating as an artist and writer colony for over 25 years. The Nimrod Hall Summer Arts Program is a non-competitive, inspirational environment for artists to create without the distractions of everyday life.
Surely everyone can name at least one famous writer also famous for drinking. Think Raymond Chandler, Tennessee Williams, Dorothy Parker, Edgar Allen Poe. . . . If not, an internet search will turn up titles like these.
Top 15 Great Alcoholic Writers
Drinking Habits of Famous Authors
Top 10 Drunk American Writers
99 Writers who Were Alcoholics, Drunks, Addicted To Booze, Etc.
25 Great Writers Who Battled Drug Addiction and Alcoholism
All The Drunk Dudes: The Parodic Manliness Of The Alcoholic Writer
‘Every hour a glass of wine’—the female writers who drank
What drives writers to drink?
This last question has led to numerous academic examinations and investigations of the topic.
As for “How to Drink Like Kerouac, Hemingway, and Other Famous Writers,” don’t try this at home, lest you end up on the list of “Famous Alcoholic Writers Who Died of Alcoholism.”
So, although I don’t advise writers to drink, I do advise knowing about alcohol. It’s such an integral part of life in America—celebrations, business dinners, relaxation, sports events, picnics, parties, all sorts of gatherings from weddings to funerals—that one can hardly write realistically without scenes involving alcohol. So here are a few basic facts you should be aware of and ready to justify if you go against them. See below for why your petite female PI would be unlikely to drink a hulking athlete under the table.
Alcohol for Writers: The Facts
In general, bigger people, more muscular people, and males get drunk slower than smaller people, less-muscular people, and females.
Even controlling for height and weight, women absorb alcohol faster and metabolize it slower than men. In other words, they get drunk faster and stay drunk longer.
In general, the health-related problems for women drinkers come on faster and are more devastating than for men.
People get drunk faster on an empty stomach than after a full meal. I’ve read that ancient Romans drank olive oil to coat the stomach before their binges, because that slows-down the absorption of alcohol into the bloodstream.
People who drink regularly and heavily have a greater capacity (tolerance) than those who drink less.
People are more likely to blackout from fast drinking than from slow drinking of the same amount of alcohol.
A standard drink is defined as 1.5 oz.shot of liquor, 5 oz. of wine, or 12 oz. of beer. Most wine coolers are the equivalent of one standard drink. FYI, heavy drinking = anything more than two drinks per day for men or 1 drink per day for women.
Having 2-3 drinks can cause a loss of motor control 12 to 18 hours after drinking. Name your accidental injury—falls, drownings, automobile accidents, etc.—and the incidence goes up with alcohol consumption. Name your intentional injuries—shooting, stabbing, physical violence, rape—it’s more likely to happen with alcohol.
There’s a reason athletes don’t drink before big events. Two to three drinks can deplete aerobic capacity and decrease endurance up to 48 hours after consumption.
Alcohol impairs both learning new information and recalling previously learned information.
Alcohol is a depressant for the central nervous system. People initially get “high” because the first thing to get depressed is inhibitions, creating a willingness to party and live dangerously. But beyond the buzz is the risk of seriously depressing metabolic functioning. A pulse rate below 40 or a breathing rate slower than 8-10 per minute is a medical emergency!
The website brad21.org is a great resource for writers! B.R.A.D. stands for Be Responsible About Drinking. It’s a series of bullet facts, well-footnoted for further reading.
Other Things Writers Should Know
…especially if a main character drinks.
First, perhaps most obviously, you need to decide on a preferred drink. According to bartenders, here are 10 drink stereotypes to help you create the desired impression. (Taken from complex.com, “The Funny Ways Bartenders Stereotype You Based On What You Drink.”)
-Vodka sodas are for people who want to lose weight—or want people to think so—but not enough to quit drinking.
-Jager bombs and vodka Red Bull are for basic bros.
-Blue Moon is for craft beer posers.
-Real craft beer drinkers are actually pretty cool.
-Annoying people act like they invented picklebacks. (Apparently a shot of whisky followed by a shot of pickle juice—really.)
-Buttery Chardonnays are for soccer moms.
-Only rookies drink Appletinis.
-Bud Light is for sporting events and day drinking, not Saturday night.
-Martinis are a classic, classy drink.
-Shots should be taken with a beer or a celebration. (Otherwise they’re for alcoholics.)
For a funny but useful commentary on everything from absinthe to wine see pointsincase.com, in an article titled “What Your Drink Says About You.”
Second, know your character’s drink. Know what it looks like, how it smells, how strong it is, and its taste. Also, whether wine, beer, or liquor, a drinker is likely to have the everyday brand and the special-occasion brand.
Third, know your character’s drinking habits and reactions. Know when, where, under what circumstances, and how much s/he drinks. People usually have a pattern of reaction to alcohol, roughly: fall asleep, talk more, repeat him/herself, verbal abusiveness, physical violence.
Takeaway for Writers
What’s good for characters isn’t good for authors!
Top Ten Tuesday is an original feature created by The Broke and the Bookish. Each week, they provide a prompt for bloggers. This week’s prompt is Ten Facts About Me.
During the first minutes of my first time alone with my future father-in-law (an academic dean), he said, “Tell me. What were the guiding principles by which you were reared?” I’d never given that much thought, but being young and intrepid, I came up with the following—not in any particular order.
If it’s worth doing, it’s worth doing right.
Finish what you start.
If at first you don’t succeed, try again.
Failing is nothing to be ashamed of, but not trying your best is.
Go as far as you can, as fast as you can.
Education is the union card to a better life.
Your word is your bond.
Say what you mean and mean what you say.
Do unto others as you would have them do unto you.
Always be there for family.
It’s better to be the one giving help than the one receiving it.
When all is said and done, be prepared to take care of yourself and yours.
When I think of these guiding principles, I always hear my father’s voice. I always see his face.
Odd Type Writers by Celia Blue Johnson is a delightful discovery! The subtitle says it all. I recommend it for bedtime, the beach, the doctor’s waiting room, the subway commute. . . Well written, lively, each section short and entertaining.
Last week I posted on Why We Write. Consider this book a companion piece to that one. Johnson culled the quirkiest bits and most obsessive behaviors of each author from interviews, websites, biographies, etc. In her own words, “Edgar Allan Poe balanced a cat on his shoulder while he wrote. Agatha Christie munched on apples in her bathtub while concocting murder plots. Victor Hugo shut himself inside and wore nothing but a long, gray, knitted shawl when he was on a tight deadline.” And so much more!
From the Table of Contents
By Unknown; most likely George C. Gilchrest, Samuel P. Howes, James M. Pearson, or Andrew J. Simpson, all of Lowell, MA [Public domain], via Wikimedia Commons {{PD-US}}
Rotten Ideas: Friedrich Schiller
By the Cup: Honoré de Balzac
Feeling Blue: Alexandre Dumas, père
House Arrest: Victor Hugo
A Mysterious Tail: Edgar Allan Poe
The Traveling Desk: Charles Dickens
Paper Topography: Edith Wharton
The Cork Shield: Marcel Proust
Flea Circus: Colette
Traffic Jamming: Gertrude Stein
Tunneling by the Thousands: Jack London
A Writer’s Easel: Virginia Woolf
Crayon, Scissors, and Paste: James Joyce
Leafing Through the Pages; D.H.Lawrence
Puzzling Assembly: Vladimir Nabokov
Outstanding Prose: Ernest Hemingway
Sound Writing: John Steinbeck’Pin It Down: Eudora Welty
Don’t Get Up: Truman Capote
Early to Write: Flannery O’Connor
You’ll enjoy these sketches of famous authors whether you’ve read their work or not! Cover to cover, this is a great read!
This book, edited by Meredith Maran, presents interviews with 20 acclaimed authors on why and how they write. In case you can’t read the names on the cover, these authors span genres and styles:
Why We Write
Isabel Allende
David Baldacci
Jennifer Egan
James Frey
Sue Grafton
Sara Gruen
Kathryn Harrison
Gish Jen
Sebastian Junger
Mary Karr
Michael Lewis
Armistead Maupin
Terry McMillan
Rick Moody
Walter Mosley
Susan Orlean
Ann Patchett
Jodi Picoult
Jane Smiley
Meg Wolitzer
As Maran writes in the introduction, “When the work is going well, and the author is transported, fingers flying under the watchful eye of the muse, she might wonder, as she takes her first sip of the coffee she poured and forgot about hours ago, ‘How did I get so lucky, that this is what I get to do?’”
Alternatively, “And then there are the less rapturous days or weeks or decades, when the muse is injured on the job and leaves the author sunk to the armpits in quicksand, and every word she types or scribbles is wrong, wrong, wrong, and she cries out to the heavens, ‘Why am I doing this to myself?’”
Meredith Maran, Photo by Lesley Bohm
As the interviews show, the creme de la creme of the writing world fly to the same heights and plunge to the same depths as every other writer.
Besides insights into the writing life of eminent writers, Moran gives us their vital statistics, list of collected works, and their Wisdom for Writers. So if you want to know who translates Isabel Allende’s books (Margaret Sayers Peden), how long David Baldacci practiced law (9 years), or when Jodi Picoult was born (May 19, 1966), look no more. Yes, you could find that information online, if you thought to look for it, but here it is, whether you knew you wanted to know or not.
Why We Write Words of Wisdom
Here are some of the words of wisdom I most took to heart:
According to Gallup polls, over half of Americans say they are at least a little superstitious. Consider the value of superstition for your character(s).
A Brief Dictionary of American Superstitions by Vergilius Ferm
People who are truly not superstitious are nevertheless well aware of what’s associated with Friday the 13th, black cats, broken mirrors, four-leaf clovers, etc. Such people might well make a wish with fingers crossed, or when tossing a coin into a fountain or other water, when blowing out birthday candles, or kissing a horseshoe. If you don’t consider yourself superstitious, you may engage in superstitious thinking or behavior nevertheless, without paying attention—an habitual or non-conscious action. For me, that’s knocking on wood.
8,414 Strange and Fascinating Superstitions by Claudia De Lys
This collection by Claudia De Lys has an excellent two-page description of this and other wood superstitions, ranging from the balsam needle pillows to wooden rosary beads, traced back to the spirits believed to live in trees that bring on the seasonal changes (life, death, and resurrection) or maintain the evergreen state (immortality). A tree or wood was touched when asking favors and again in appreciation of good fortune received.
Superstitions and characters
The Fiery Cross by Diana Gabaldon
Diana Gabaldon’s work is an excellent example of effectively using her characters’ beliefs, superstitions, and ritual acts—everything from beliefs about witches and fairies to making the sign of the cross—to illuminate both the characters and the historical context.
Stuart Vyse, Ph.D., author of Believing in Magic: The Psychology of Superstition, is an authority on magical thinking. He differentiates superstition from obsessive-compulsive behavior or other mental disorders and religious ritual, and discusses the functions each serves. I’ll stick with superstition for the sake of (relative) brevity.
Why are people superstitious?
Anything as nearly universal across time and cultures as superstition must serve some beneficial function! In a 2010 paper by Damisch, Stroberock, and Mussweiler, “Keep Your Fingers Crossed! How Superstition Improves Performance,” the researchers argue that superstitions give people a sense of control in chaotic situations. The major outcome of this research was that people who were allowed to solve problems with their lucky charms at hand performed better than when those charms were absent.
But the important point is that it is performance based. So wearing mismatched socks when playing baseball or tennis—or mah jongg jewelry when deep into that game—might improve performance.
But lucky charms have no impact on outcome when the results are due to chance. So skip the lucky dice—unless you just like the look.
These researchers point out the ways in which this phenomenon may be wide-spread and important, for example in alcoholism. Many if not most members of AA attribute their abstinence to the higher power in their lives giving them strength. If they believe, they are more likely to stay sober.
Photo: Jonn Leffmann [CC BY 3.0 (http://creativecommons.org/licenses/by/3.0)], via Wikimedia Commons
Who is superstitious?
Some people are more superstitious than others—athletes and actors are notoriously so—and superstitions run in families. One example is a Virginia friend who says, “Rabbit, rabbit, rabbit,” first thing in the morning on the first day of each month to ensure a good month. Her daughter in Texas does the same thing. And now they text each other to see who says it first!
And, incidentally, women are more superstitious than men. Vyse relates this to locus of control. People who have an internal locus of control (I am master of my fate) are less superstitious than those with an external locus of control (life happens to me). Compared to men, women still feel that they have less control in their own lives. So maybe they wear special earrings for dominoes, euchre, and bridge for a reason!
Vyse also makes a connection between performance improvements and effort. He says that lucky charms don’t significantly reduce anxiety, but they do increase persistence. So maybe that’s what’s going on with a friend who happens to be a lapsed Catholic. When she loses something, she still says what she calls “the kid’s version of the prayer to St. Anthony”: Tony, Tony, come around. Something’s lost and must be found. She swears it works.
Truly magical thinking is taking an action that has no logical way to affect the outcome but may bring comfort anyway. A third friend who grew up in a Navy family won’t watch people leave because that means they won’t come back. She attributes this to her life on base, when families would see their husbands/fathers off at the dock but turn away as soon as the ship was underway.
When pressed, many non-superstitious people will admit that they prefer not to walk under ladders, step on graves, or open umbrellas indoors. They prefer to leave a building by the same door through which they entered, and they want to round an object in the path on the same side as their companion. Do you always include money when you give a purse or wallet? Does the recipient of a gift knife have to “pay” the giver at least a penny? Superstitions are everywhere, everyday, not just on Friday the 13th!
Superstitions: 1,013 of the Wackiest Myths, Fables & Old Wives’ Tales by Deborah Murrell
A Dictionary of Omens and Superstitions by Philippa Waring
Takeaway for writers
Give your characters superstitions and/or rituals. It can add interest, tell something about the person’s ethnic or family background, and illustrate her/his anxieties and feelings of control.
True confession—in case you hadn’t figured this out yet: I’m a book hoarder. So, you might ask, why does someone who seldom sees a book she doesn’t want to own love libraries? Let me count the ways!
My local libraries all have book sales on-going, and I can pick up all sorts of interesting books, CDs, DVDs, etc., for $1-$2—some good enough to gift!
I can borrow audio books for those times when I can’t actually read—e.g., when I have a raging case of conjunctivitis or I’m driving 200 miles
Many people—even writers!—think research means Google, but sometimes that comes up short. In my experience, nothing beats the reference section of a library and a friendly librarian for helping to ferret out the tidbits you need to make your story real.
Probably less important for writers than for others—except in emergencies—but libraries offer free access to computers, and thus the internet.
Libraries host programs that are free to the public, often talks by writers or about writing.
Study rooms and meeting rooms are available free for non-profit use—such as critique group meetings. IMHO, every writer should have at least one good critique group that meets regularly, and meeting at a library means no one has to make the house suitable for visitors!
Inter-library loan is a godsend!
So why do I love libraries? Because I’m a writer!
Tell me your reasons for loving libraries. Leave a comment below, or find me on Facebook or Twitter.
When I was reading about snow for my blog of XXX, a number of non-snow tidbits caught my eye. Whether any of these make it into your writing or not is up to you!
In “Love and Lust Are Seasonal,” Jane J. Lee reported that men rated pictures of women’s breasts and bodies as more attractive in the winter months, although they rated pictures of women’s faces the same. Could it be that men don’t see women’s bodies as much during the winter, and so are more excited when they do?
“Have Your Hottest Sex Ever This Winter” (Men’s Health, 2014) claims that cold weather dulls sexual sensations, and cooler body temperatures decrease arousal for both men and women.
Winter cold increases a person’s appetite which can, in turn, lower libido. One more reason to diet: weight gain decreases libido and makes both men and women less sexually adventuresome.
My book shelf
Men’s Health also reported that women are 30% more likely to have an orgasm if their feet are warm. This one may be a tough sell. At a dinner party discussion among young married couples about wearing socks to bed, the men were unanimous in declaring that no matter what else is (or isn’t) worn, socks are not sexy! (A social scientist would call this a sample of convenience.)
Google searches for porn, boobs, XXX, massage parlor, e-Harmony andMatch.com all peak in early summer and around the winter holidays.
More than twice as many condoms are sold in the week before Christmas than the week after.
Even so, the most frequent birthday in the United States is September 16. You do the math. Conversely, August has the fewest conceptions. (Summer heat kills sperm? The diurnal cycle affects ovary function?)
Who knew winter is the season for sex!
A final word of warning: Compared to other times of the year, couples are more than twice as likely to think about splitting up between the year-end holidays and Valentine’s Day.
Edgar Allan Poe. Somewhat retouched. Original daguerreotype taken by Edwin H. Manchester on the morning of November 9th, 1848.
Poe was a writer, literary critic, and editor, the first well-known American writer to try to earn a living exclusively through writing. In spite of his prolific output, he didn’t earn enough to support himself, let alone live comfortably.
Complete Stories and Poems of Edgar Allan Poe
Although Poe died at the age of forty, this book contains 119 short stories and poems and one novel. His literary criticism isn’t represented at all in this volume, nor are his essays on writing, such as “The Philosophy of Composition,” “The Poetic Principle,” and “The Rationale of Verse.” His first publications were poetry, and he published 53 of them, but his work covers a much broader spectrum: 27 tales of mystery and horror; 25 stories of humor and satire; 14 that veer toward fantasy and science fiction. His novel is an adventure yarn. “Eureka” is a disquisition on the nature of the universe, and his vision has been largely confirmed by science, for example the Big Bang Theory.
Wheel of Misfortune
I’m buried alive at Poe’s Birthday Bash
Despite the breadth of his writing, he is best known for poetry and suspense/horror. He is often called the father of detective fiction—preceding Arthur Conan Doyle and Wilkie Collins by decades—while his contributions to cosmology and cryptography are known to relatively few. Besides being brilliant, Poe was a fine athlete. (He once set a broad jump record of 21’6″.) But he is most remembered as a man who suffered bouts of depression, whose career and life were burdened if not destroyed by gambling and alcohol, and who was plagued by scandals ranging from his marriage to his 13-year-old cousin to courting multiple women simultaneously.
To this day his death is shrouded in mystery. Where had he been for the previous several days? What was he doing? Why was he wearing someone else’s clothes? And who was the “Randal” he called out for from his deathbed?
Poe’s Birthday Bash at the Poe Museum, Richmond, Virginia
Poe’s Birthday Bash flyer
This year the event included a panel presentation and book signing by members of two local chapters of Sisters in Crime. Among other things, we spoke about Poe’s influence on our writing.
Sisters in Crime Left to right: Rosemary Shomaker, Teresa Inge, Vivian Lawry, Heather Weidner, Maggie King, Yvonne Saxon
Virginia is for Mysteries signing table Seated, left to right: Teresa Inge, Maria Hudgins, Vivian Lawry; standing, left to right: Yvonne Saxon, Rosemary Shomaker, Maggie King, Heather Weidner
This is the biggest celebration of Poe’s birthday, the events and fun running from noon till midnight. Let Poe’s lights shine on!
