
My recent travels to Bethany Beach rekindled my interest in road trips.
I wrote about road trips back in 2010, advising writers to note the names of roads, businesses, schools–whatever–as they traveled. Venture off the congested interstate to the byways and small towns where the names really get good. Sometimes a compelling name is enough to spark a story. Consider Bone Yard Road or Fresh Fire Church of God as possible settings.
Leave space in your itinerary and in your mindset to come upon the unexpected, e.g. an African/Mediterranean vegan cafe in Santa Fe or a salt mine in Warsaw, Poland, that’s been carved into a salt cathedral. Those locations might stimulate a scene or add a quirk to your story.
While I’m on the road, I keep a daily journal to record the vivid details not found in a tourist pamphlet. Think Jack Kerouac. John McPhee. Paul Theroux.
How do you record your road trips? Let me know in the comments.
April is National Poetry Month, and it might be the goal of many people to begin reading more poetry. But that can be intimidating, so I’ve put together a list of resources you can use to dip your toes into the vast pond of poetry.
The Academy of American Poets is a phenomenal organization. They have thousands of poems to choose from, but if that’s too overwhelming, consider signing up for their “Poem a Day” emails. You’ll receive one poem in your inbox every morning—a great way to start your day.
Similar to Poets.org is Poetry Foundation. In addition to an archive that rivals Poets.org, the Foundation publishes POETRY, a monthly literary magazine. Some big names (and soon-to-be big names!) are published through POETRY.
Not everyone lives in Virginia, but for those who do, the PSV is a wonderful resource. In addition to several events and their annual Poetry Festival, the PSV holds two annual contests: one for adults and one for students. If you don’t live in Virginia, consider researching what poetry societies are around you.
Even more local are the River City Poets, a fantastic organization in Richmond, Virginia. They hold regular readings, workshops, and lessons, and have just released their first anthology, Lingering in the Margins. If you find yourself in Richmond, their events are a must-see.
There you have it: April is a great month for diving in to something new: poetry. Use these resources to develop your newfound obsession!
VL: Today’s guest blog is by Teresa Inge, whose novella “Hounding the Pavement” is the opening work in the recently released To Fetch a Thief. Teresa has contributed to several anthologies both as author and as organizer. Today she will share her perspective on collaboration.
Just as writing is a lonely experience, collaboration is a group effort. As a short story author, I’ve been fortunate to collaborate with many authors on several writing projects.
These projects have included the coordination of joint mystery anthologies. Some years ago, I came up with the idea to create the Virginia is for Mysteries series, a collection of sixteen short stories set in and around Virginia. I first discussed the series with the Sisters in Crime Mysteries by the Sea chapter members and the Central Virginia chapter members. Once members were on board to move forward, I organized an anthology committee. This began the wonderful partnership of writers joining together to create great mysteries. Along the way, we teamed up to generate timelines, book titles, number of contributors, submissions guidelines, promotion, and securing a publisher.
VL: As a contributor, I can say Teresa did a great job!
We also learned that working with multiple authors can be challenging with schedules, editing, and finding time to promote the books.
VL: What Teresa may be too polite to say is that it was sometimes a real pain in the neck—or somewhere! For example, people missing deadlines, arguing over suggested edits, and/or never being available for talks or signings.
Next, I created 50 Shades of Cabernet, a mysterious wine anthology with authors I knew from Malice Domestic, a fan-based mystery writer’s conference. But I took a different approach and solicited authors who were established, had a following, and created well-crafted mysteries. I knew from experience that these authors would put in the time needed to make the book successful.
More recently, I collaborated with three authors on To Fetch a Thief, the first Mutt Mysteries collection, featuring four novellas that have “gone to the dogs.” In this howling good read, canine companions help their owners solve crimes and right wrongs. Since I’ve been in several books with this particular group, we now have the knowledge and experience to create well developed mysteries and a strategic marketing plan.
Collaborating with multiple authors combines efforts to develop great mysteries and create a strong network, since there is strength in numbers.
VL: Teresa, thank you for sharing your insights. From your closing remarks, it sounds as though collaboration—like so many other things—gets easier with practice. No doubt many authors would benefit from working with and learning from you!
So, I’m here at Nimrod for the week, and it is gorgeous as ever in spite of the daily showers and thunderstorms. I arrived with great optimism and enthusiasm for the days ahead. And then it all went to hell in a handcart.
First my printer wouldn’t print. It signaled low ink so I replaced the cartridge, and still it won’t print. Yesterday was my day to be “on”–i.e., have the conference with Cathy Hankla (writer in residence), followed by group critique, followed by reading to the group after dinner (not the work that had been critiqued). I was disgruntled about the printer, but I’d brought copies of all my work for critique and I figured I could do my evening reading from the screen.
I spent yesterday morning reworking my 1,000-word piece. My computer started frustrating me. I’d have the document up and all of a sudden– and frequently– the screen image would go from 125% to 100%, 73%, 50%, 27%… but I persevered and was pleased with the results. I saved it before going to lunch. And after lunch, the document wouldn’t open. I got a message that the required index.xml was missing– whatever the h*ll that means! So I tried to get online help, ended up spending more than an hour and $44 with no apparent effect, so I cut that off and pondered what in the world I’d do about my reading.
I ended up reading a timed writing. I had done that for my fiction class earlier this summer. It wasn’t great, but it was well-received.
So last night, I was reviewing the day and decided that whatever else, my conference and workshop had been great! I’d submitted “The Doll’ and the first draft of a short story murder mystery set during the Civil War at Chimborazo Hospital. Cathy concluded that both pieces shared the same strengths and weaknesses. And BTW, both dealt with amputations and body integrity– which was not a thought that had crossed my mind! The group’s appreciations, trouble spots, and suggestions are going to be extremely helpful with re-writes.
Participants send work to Cathy ahead of time and one of the things she does is bring in books with marked passages she thinks will be helpful to each participant. She recommended a section of Steering the Craft for me. Coincidentally, I’d brought that book with me, having bought it on the recommendation of Amy Ritchie Johnson, my VMFA Studio School teacher. So if you are a writer, get thee a copy. And more importantly, read it. (Do as I say, not as I did.)
Last night I concluded that boiling frustration and irritation are not good. (Duh! You heard it here first.) As soon as I return home I’ll take my computer to the Apple Store Genius Bar. In the meantime, I’ll just go back to yellow pad and pencil and make the best of it. (Those of you who’ve read my blog on old writing technology will know how difficult this will be for me. But I shall persevere!) I’ll take copious notes on work to be revised after my word processing function has been restored. I’ll read Le Guin and Natalie Goldberg (Writing Down the Bones) to improve my writing and other books for pleasure.
Technology will not ruin Nimrod for me! I’ll still enjoy soaking up Nimrod’s atmosphere as well as the enthusiasm and wisdom of all the writers.