Top Ten Tuesday is an original feature created by The Broke and the Bookish. Each week, they provide a prompt for bloggers. This week’s prompt is Ten Facts About Me.
During the first minutes of my first time alone with my future father-in-law (an academic dean), he said, “Tell me. What were the guiding principles by which you were reared?” I’d never given that much thought, but being young and intrepid, I came up with the following—not in any particular order.
If it’s worth doing, it’s worth doing right.
Finish what you start.
If at first you don’t succeed, try again.
Failing is nothing to be ashamed of, but not trying your best is.
Go as far as you can, as fast as you can.
Education is the union card to a better life.
Your word is your bond.
Say what you mean and mean what you say.
Do unto others as you would have them do unto you.
Always be there for family.
It’s better to be the one giving help than the one receiving it.
When all is said and done, be prepared to take care of yourself and yours.
When I think of these guiding principles, I always hear my father’s voice. I always see his face.
Dictionary definitions of paranoia include: a serious mental illness that causes you to falsely believe that other people are trying to harm you; an unreasonable feeling that people are trying to harm you, do not like you, etc.; a psychosis characterized by systematized delusions of persecution or grandeur usually without hallucinations; a tendency on the part of an individual or group toward excessive or irrational suspiciousness and distrustfulness of others. in common parlance, a belief that people and objects in the environment are out to get you. Paranoia is a rich mine for writers.
For one thing, paranoiacs are not happy—how could they be?—and we all know that miserable characters can be extremely effective.
But beyond that, writers should know several things. Paranoiacs are often above average in intelligence and function very well over-all within the family and work spheres. Note the phrase above about systematized delusions. They have well-integrated systems of belief that can often convince others that their beliefs are reasonable.
Also, the strict definition of paranoia includes several slippery modifiers: falsely believe, unreasonable feeling, excessive or irrational suspiciousness and distrustfulness. This gives writers a lot of latitude to develop tension.
Consider a poster that a classmate in graduate school had in his office:
Just Because You’re Paranoid Doesn’t Mean They Aren’t Out To Get You.
But perhaps the most value is in the fuzzy edges. For example, people losing their hearing but not yet recognizing the loss often tend toward paranoia: not hearing all that others say, s/he may suspect that people are mumbling or whispering in order to keep secrets.
And consider characters who have suspicious tendencies. What about a character who reads—or even writes—a book like one or more of the following.
Don’t Let Your Doctor Kill You by Dr. Erika Schwartz with M.J. Peltier
The Survivalist’s Handbook: How to Thrive When Things Fall Apart by Rainer Stahlberg
Bug Out: The Complete Plan for Escaping a Catastrophic Disaster Before It’s Too Late by Scott B. Williams
Build The Perfect Bug Out Vehicle: The Disaster Survival Vehicle Guide by Creek Stewart
Someone’s Watching You by Forest Lee
Dangerous Instincts: Use an FBI Profiler’s Tactics to Avoid Unsafe Situations by M.E. O’Toole and A. Bowman
How To Be Safe: Protecting Yourself, Your Home, Your Family, and Your Business from Crime
Dangerous Personalities: An FBI Profiler Shows You How to Identify and Protect Yourself from Harmful People
Takeaway for Writers
Include characters with suspicions, whether justified or not.
Odd Type Writers by Celia Blue Johnson is a delightful discovery! The subtitle says it all. I recommend it for bedtime, the beach, the doctor’s waiting room, the subway commute. . . Well written, lively, each section short and entertaining.
Last week I posted on Why We Write. Consider this book a companion piece to that one. Johnson culled the quirkiest bits and most obsessive behaviors of each author from interviews, websites, biographies, etc. In her own words, “Edgar Allan Poe balanced a cat on his shoulder while he wrote. Agatha Christie munched on apples in her bathtub while concocting murder plots. Victor Hugo shut himself inside and wore nothing but a long, gray, knitted shawl when he was on a tight deadline.” And so much more!
From the Table of Contents
By Unknown; most likely George C. Gilchrest, Samuel P. Howes, James M. Pearson, or Andrew J. Simpson, all of Lowell, MA [Public domain], via Wikimedia Commons {{PD-US}}
Rotten Ideas: Friedrich Schiller
By the Cup: Honoré de Balzac
Feeling Blue: Alexandre Dumas, père
House Arrest: Victor Hugo
A Mysterious Tail: Edgar Allan Poe
The Traveling Desk: Charles Dickens
Paper Topography: Edith Wharton
The Cork Shield: Marcel Proust
Flea Circus: Colette
Traffic Jamming: Gertrude Stein
Tunneling by the Thousands: Jack London
A Writer’s Easel: Virginia Woolf
Crayon, Scissors, and Paste: James Joyce
Leafing Through the Pages; D.H.Lawrence
Puzzling Assembly: Vladimir Nabokov
Outstanding Prose: Ernest Hemingway
Sound Writing: John Steinbeck’Pin It Down: Eudora Welty
Don’t Get Up: Truman Capote
Early to Write: Flannery O’Connor
You’ll enjoy these sketches of famous authors whether you’ve read their work or not! Cover to cover, this is a great read!
This book, edited by Meredith Maran, presents interviews with 20 acclaimed authors on why and how they write. In case you can’t read the names on the cover, these authors span genres and styles:
Why We Write
Isabel Allende
David Baldacci
Jennifer Egan
James Frey
Sue Grafton
Sara Gruen
Kathryn Harrison
Gish Jen
Sebastian Junger
Mary Karr
Michael Lewis
Armistead Maupin
Terry McMillan
Rick Moody
Walter Mosley
Susan Orlean
Ann Patchett
Jodi Picoult
Jane Smiley
Meg Wolitzer
As Maran writes in the introduction, “When the work is going well, and the author is transported, fingers flying under the watchful eye of the muse, she might wonder, as she takes her first sip of the coffee she poured and forgot about hours ago, ‘How did I get so lucky, that this is what I get to do?’”
Alternatively, “And then there are the less rapturous days or weeks or decades, when the muse is injured on the job and leaves the author sunk to the armpits in quicksand, and every word she types or scribbles is wrong, wrong, wrong, and she cries out to the heavens, ‘Why am I doing this to myself?’”
Meredith Maran, Photo by Lesley Bohm
As the interviews show, the creme de la creme of the writing world fly to the same heights and plunge to the same depths as every other writer.
Besides insights into the writing life of eminent writers, Moran gives us their vital statistics, list of collected works, and their Wisdom for Writers. So if you want to know who translates Isabel Allende’s books (Margaret Sayers Peden), how long David Baldacci practiced law (9 years), or when Jodi Picoult was born (May 19, 1966), look no more. Yes, you could find that information online, if you thought to look for it, but here it is, whether you knew you wanted to know or not.
Why We Write Words of Wisdom
Here are some of the words of wisdom I most took to heart:
Top Ten Tuesday is an original feature created by The Broke and the Bookish. Each week, they provide a prompt for bloggers. This week is a freebie, so I’m writing about Ten Reasons I Love Dictionaries.
I once said that if I were stranded on a desert island with only one book, I’d want it to be the Oxford English Dictionary. Given that this is hypothetical, I’d define the entire 20 volumes as one book. Alas, I have only the condensed version at home.
Reasons I Love Dictionaries: Lots of Information
The joy of big, encyclopedic dictionaries such as the OED and the Dictionary of American Regional English—dictionaries too big to fit in one volume—is that they give you so much information: multiple meanings, pronunciation, origin(s), where and when it was used. They give you archaic words and highly specialized ones. Often they include examples of the usage, past and/or present. Altogether good reads.
Reasons I Love Dictionaries: Specialized Topics
At the other end of the spectrum are dictionaries that cover very narrow or specialized topics, such as a medical dictionary, or dictionaries devoted to lust, wrath, body parts, or texting.
Reasons I Love Dictionaries: Passions
There are dictionaries that help one follow one’s passions. Everyone knows about cross-word puzzle dictionaries. Rhyming dictionaries fall into this category as well.
Reasons I Love Dictionaries: Subcultures
I own several dictionaries acquired for writing authentically about specific subcultures.
Reasons I Love Dictionaries: Time Periods
Some cover only certain regions of the country or time periods.
Reasons I Love Dictionaries: Regions
Not all English is created equal. You might remember the line sung by Professor Higgins in My Fair Lady:
There even are places where English completely disappears. Why, in America, they haven’t used it for years!
So it’s no surprise that there are various versions of the Oxford English Dictionary, including the Oxford Dictionary of American English. Given the breadth of the British Empire, it’s no wonder that there are dictionaries such as this one.
Reasons I Love Dictionaries: Age & Decade
As a writer, some specialized dictionaries are helpful, for example, when writing about children or when wanting to use slang appropriate to the age or year.
Reasons I Love Dictionaries: What’s That Word Again?
There are even dictionaries for people who know what they are looking for but don’t know the word for it!
Reasons I Love Dictionaries: Foreign Words in English Usage
I enjoy The Browsers Dictionary of Foreign Words and Phrases. For one thing, it points out words that are in such common use that one forgets they are foreign! Words like operetta and wanderlust.
Reasons I Love Dictionaries: Slang
But my all-time favorites for fun reading are the books of slang. They are full of colorful and often funny usages, and they come in both specialized and generalized forms.
Tip for Writers
Open any dictionary at random, close your eyes, put your finger on a word, and write it down. Repeat 3-5 times. Write a sentence, paragraph, scene, or story that uses all of those words appropriately.
Takeaway for Writers and Readers
Find your perfect dictionary and enjoy a good read!
I’m one of the legions of TV watchers addicted to Call The Midwife. It’s gritty and real. In spite of the historical context, it deals with issues important today, issues of women’s health and the monumental role of childbearing in women’s lives.
The Midwife: A Memoir of Birth, Joy, and Hard Times by Jennifer Worth
But even being a big fan, I was unaware that the series grew out of Jennifer Worth’s book, Call The Midwife: A Memoir of Birth, Joy, and Hard Times, until I read this week’s issue of The New Yorker.
“Crowning Glory: The sneaky radicalism of Call the Midwife” by Emily Nussbaum
Nussbaum wrote succinctly and powerfully about the TV series. She called the bloody, gory images set against a backdrop of tender, socially conscious humanism a “metonym” for the series. Every episode delves into “female reproductive experience. . . politicizing matters more often left personal, and vice versa.” For me, one of the most powerful things Nussbaum said was, “It treats invisible women—old women, poor women, homely mums—as rich wells of drama.” This is the sort of thing readers hunger for and writers should seek to exploit in their stories.
I haven’t read Jennifer Worth’s book, but I intend to. Having spawned this captivating series, it’s likely to be the best kind of memoir—a true story as gripping as well-written fiction.
If your plot involves any sort of violent crime, whether you’re a mystery/crime writer or not, you should know forensic nursing. In broad terms, forensic nursing is where the healthcare system and the legal system intersect.
Survivors of violent crimes typically come through the ER, where their medical needs are taken care of—setting broken bones, stitching wounds, etc. Ideally, the patient spends as little time as possible in the controlled chaos and tension of the ER; the goal is no more than 45 minutes.
Then they are escorted to a quiet, comfortable room furnished much like a small living room, but with drinks and snacks as well as TV. Anyone accompanying the patient would typically wait here during the examination. The area is secured, and only people the patient chooses to bring are allowed into the room. These people might be family or, perhaps, a trained volunteer from an organization such as Hanover Safe Place, which supports survivors through what is inevitably a traumatic time at the hospital.
The patient then meets with a forensic nurse. The forensic nurse’s role is to record the details of the crime and collect physical evidence. This process typically takes 3 to 4 hours.
Victim physical evidence recovery kit
Suspect physical evidence recovery kit
Forensic Nurses’ Work
Background information comes first, including general medical history as well as questions about any injuries, surgeries, diagnostic procedures, or medical treatments that might affect the physical finding. But then come pages of more detailed and focused questions. For example, in cases of sexual assault, not only question about the assault itself and perpetrator(s) but also about the date, time, type, partner’s race, and relationship of last consensual intercourse; and since the assault, whether the patient bathed or showered, douched, brushed teeth, defecated, urinated, vomited, wiped or washed affected area, changed clothes, or had consensual intercourse.
For strangulation cases, they ask how the patient was strangled—one-handed, two-handed, knee, forearm, ligature—how long it lasted, and whether there was more than one incident.
Forms to be completed by forensic nurses and patients
A danger assessment is conducted as well, focusing on whether the violence is escalating in severity or frequency, whether weapons (especially guns) are available and/or used, drug or alcohol use, presence of children, and control of the survivor’s daily activities and social interactions.
Exam room
The Physical Exam
Although the verbal data are crucial, the physical exam is central to forensic nursing. Samples of blood, urine, hair, and swabs of orifices are taken. Specialized equipment is available. Photographs are taken. Hair is combed, nails cleaned and clipped. The patient stands on a plastic sheet to remove clothing, to catch any random debris.
Chain of custody box, clothes, and a child’s toy
Chain of custody must be carefully controlled and documented.
Children have special treatment as well. They are given a toy that they can keep. They’re also given tablets and pencils or markers to draw pictures that can help in understanding the assault. Sometimes an outline of a person is presented for the child to mark where he or she was touched or hurt.
Pillow cases, coloring books, and crayons for children
A toy for young survivors
Improving Forensic Nursing and the Patient’s Experience
Improvements and refinements are always in progress. Once upon a time, a survivor might be asked to detail the crime by a dozen different people. Now recounting the crime waits for the forensic nurse, diminishing the impact of reliving it.
Underwear that had been given to all survivors
When a patient’s clothes are taken in evidence, they are given generic going-home clothes. These are grey sweatpants, t-shirt, and—until recently—the granny panties pictured above, one size for all. A college student survivor said that having to wear those granny panties made her feel violated all over again.
Survivors can now choose panties to wear home
She organized her sorority sisters to provide hundreds of pairs of new panties in varied colors, styles, and sizes. All of the clothing provided to survivors is donated. Should you or your group want to donate new clothes, new toys, child pillowcases, gas cards, food cards—or money!—here’s your contact. And, by the way, she gives talks about the program.
Senior Development Officer, Bon Secours Richmond Health Care
History of Forensic Nursing
Forensic nursing is a relatively new medical specialty. In 1992, 72 registered nurses—mostly sexual assault nurse examiners—came together to form the International Association of Forensic Nurses. Since 1993, Bon Secours Forensic Nursing in Richmond has served survivors of sexual assault, child sexual abuse, and domestic violence. Now a team of 10 full-time nurses work with 26 agencies to serve survivors of any type of violent crime.
Bon Secours is atypical. There are over 300 hospitals in Virginia, and many of them have no full-time forensic nurses. Therefore, patients from all over central Virginia can end up at Bon Secours. They assist more than 2,200 patients per year.
Additional Facts For Writers
Forensic nurses have from one to three certifications beyond the RN degree, which are essential for presenting expert testimony.
Approximately 9% of patients are male.
Patients are 50/50 adults and children.
In descending order, the busiest days for forensic nurses are Monday, Friday, Wednesday, and Sunday.
Rush hour starts at 11:00 a.m.; the slowest times are 2:00 a.m. to 7:00 a.m.
Most forensic nurses are recruited from ER nurses, but they need to be “softened up” on the job, not to rush.
Patients can choose 1) medical treatment only, 2) anonymous evidence collection, or 3) identified evidence collection.
Evidence that must be refrigerated cannot be anonymous; other evidence can be made identifiable later.
Although immediate evidence collection is best, kits can be collected up to 5 days after the fact.
All patient info is secured in the Forensic Nursing Department; it isn’t part of general medical data bank.
Part-time, floating forensic nurses tend to burn out after a couple of years.
Perhaps surprisingly, most long-term forensic nurses are married to police officers, firefighters, or EMTs.
Bon Secours is a premier forensic nursing program. For the sake of your story line, you might create more conflict in the story if the characters botch the process. A screw-up could taint evidence or miss it. Insensitive treatment could leave the survivor among the walking wounded.
Support Forensic Nursing
Last but not least, put this worthwhile event on your calendar!
Is there anyone out there who doesn’t know that Hillary Clinton is the presumptive Democratic Party nominee for president? Or that she is the first woman to run for president on a major ticket? Her achievement reminds us all that women have long been making history. Some of you will remember that I mentioned Victoria Claflin Woodhull, the Equal Rights Party candidate in 1872. She was a fascinating woman—a stockbroker and publisher as well as a suffragist.
TO ALL THE READERS OUT THERE
Find out about other amazing first women. Lots of them are listed in references such as this.
Famous First Facts
Lady Astor (birth name Nancy Witcher Langborne), the first American-born woman to become a member of Parliament in Great Britain in 1919.
By Bain News Service (Library of Congress) [Public domain], via Wikimedia Commons
Elizabeth Cady Stanton, the first woman to appear as a congressional hearing witness in 1869. She was trying to keep the women of DC from being debarred from voting.
Elizabeth Cady Stanton, c. 1880, [Public domain], via Wikimedia Commons
Sally Stearns, the first woman coxswain of a men’s collegiate varsity team, 1936.
Nan Jane Aspinwall, the first woman horseback rider to make a solo transcontinental trip from SanFrancisco to New York City, 1910.
Susanna Medora Salter, the first woman mayor, elected in Argonia, Kansas, 1887.
By Unknown photographer (Kansas Historical Society) [Public domain], via Wikimedia Commons
Belle Martell, the first woman licensed to be a prize fight referee, 1940.
Nellie Tayloe Ross, Director of the Mint, the first woman to have her name on the cornerstone of a US government building, 1936.
Nellie Tayloe Ross (1876-1977), Wyoming Governor, 1924-1926. Wyoming State Archives, photo published 1922 [Public domain]
Sybilla Masters, the first woman to obtain a patent—for a machine for cutting and cleaning Indian corn, 1715.
And many others, in books such as this.
Robertson’s Book of Firsts: Who Did What for the First Time
Alternatively, one could go to any field of interest—from playwright to astronaut—and find the first woman in those fields.
FOR THE WRITERS OUT THERE
Consider these pioneers as inspiration. What sort of character does it take to be a first? What might daily life be like for the first woman licensed as an electrical engineer? What price might such a woman pay in terms of family or love relationships? And ultimately, is it a story of triumph or tragedy?
Please share other first women in the comments or on social media. Please tag me on Facebook and Twitter to continue the celebration of first women.
CONSIDER SUICIDE. . .as a plot device. Any death is rich in potential for tension as well as for moving a story line forward. But suicide is the richest.
Fact: Suicide is not gaining sudden prevalence. Fewer people are committing suicide today than a hundred years ago.
Suicides are most common during the winter holidays.
Fact: The rate is consistently highest in the spring.
Most suicides are impulsive acts.
Fact: Most people who attempt suicide have a plan, even if the act appears impulsive. Nearly half visit a doctor in the month before their suicide, and nearly two-thirds tell someone they’re thinking about it.
There is a suicide gene.
Fact: There is no such gene—although a family history of suicide does put people at elevated risk of suicide.
We know how to prevent suicide.
Fact: We are not yet able to spot or stop it.
Actual factors that put people at elevated risk for suicide, besides a family history, include depression and substance use.
So, with facts in hand, consider your myriad plot options—especially all the emotional turmoil that might swirl among those left behind: guilt for not stopping it; anger that s/he did it; grief at the loss; anxiety about financial strains; shame that a spouse/child was that unhappy; but maybe also fear about something that might be revealed, or that suicide is somehow “catching.”
Suicide can fit any genre. If you write mysteries, an apparent suicide might actually be murder—or the result of any number of nefarious acts by self or others. If you write magical realism, maybe someone is dead but not departed. If you write action/adventure, death is a staple; how might suicide twist that? The possibilities for literary fiction are so numerous, I won’t even go there.
The bottom line
As a plot device, suicide is too valuable to ignore.
Yes, the Radford Reads Festival had the expected panels, speakers, and workshops (which I’ll get to soon), but it had so much more–just ask any of the attendees who came for the classic cars. . .
Classic cars at Radford Reads Festival and Celebrate Radford Festival
. . . or the blacksmithing, music, quilters, or Civil War reenactors.
Civil War camp reenactment
Civil War reenactor
There were crafters selling soaps, lotions, jewelry, and leather goods—and books, of course.
Books I purchased at the Radford Reads Festival
This breadth resulted from the joining of Radford Reads with the Celebrate Radford Festival, two events in their 3rd and 4th years, respectively. Both events are free and open to the public.
And then there was the location!
Glencoe Museum
Glencoe Museum hosted Radford Reads
Both events were held on the grounds of the Glencoe Museum, housed in the post-war home of Brigadier General Gabriel C.Wharton, C.S.A., built in the 1870s. The museum includes an art gallery, and for the festival, there was art on the grounds as well.
Artwork on the lawn of Glencoe Museum
I arrived a day early and toured the museum and art gallery with great pleasure. Even in the midst of preparing for the festival the next day, Scott Gardner, director of the museum, and Maryann Whited graciously guided me.
Scott Gardner, director of Glencoe Museum
Maryann Whited, Glencoe Museum
I loved the woodwork—and the 12 to 13-foot ceilings—as well as the objects, such as this horn, carved in the shape of a fish.
Doors at Glencoe Museum
Horn at Glencoe Museum
And fascinating historical artifacts—fascinating for me anyway. Note the exhibit about niter (also called saltpeter). I mentioned train loads of niter in my story “War and Murder at Nimrod Hall” in Virginia is for Mysteries: Volume II.
Signing Virginia is for Mysteries: Volume II at Radford Reads
But to the book festival itself.
Radford Reads
Because you are reading this, I assume you are a reader and/or writer, so these are the things that might interest you most.
Karen White presented the keynote address. She was terrific! If you have an opportunity to hear her, do. She’s had a number of best-sellers. Her most recent is Flight Patterns. A number of seats had slips of paper taped under them, each giving the holder a free copy of her book—and I was lucky enough to get one! This seems like a great ploy for speaking events. Karen White’s favorite author is Diana Gabaldon, and she says she tries to write the sort of book she likes to read, so I am looking forward to this gift read.
Karen White speaking during Radford Reads keynote
Flight Patterns by Karen White
Immediately after that, Linda Thornburg and I presented our workshop on pathways to publication. I thought the attendance was a bit light, but the festival organizer was quite pleased with our attendance compared to the subsequent workshops. Several members of various Sisters in Crime chapters were there, even though our Central Virginia Chapter members were all busy elsewhere. Other workshops covered writing poetry and memoir.
Linda Thornburg and I signing Virginia is for Mysteries
At 1:00, I spoke on the mystery panel. The moderator/host of all the book sessions was David Horton. He was amazing. He had really done his homework on all the presenters. He even mentioned that we share a love of carved wooden Santas!
David Horton hosting the mystery panel
My newest wooden Santa
I enjoyed sharing the panel with Webb Hubbell, Stewart Goodwin, and Mollie Cox Bryan. Check out their books. This panel was sponsored by the Rockwell family.
Mystery panel with (l or r) Stewart Goodwin, Webb Hubbell, and me
Radford Reads panel (l to r) Webb Hubbell, Vivian Lawry, and Mollie Cox Bryan
Other sessions were for writers of children’s and young adult fiction, Southern fiction, memoir, history, and poetry.
The festival had many sponsors. Radford Reads was inspired by the Rockwell family in honor of Jean Rockwell, a former Radford Public Library employee who loved the Virginia Festival of the Book. Besides the Rockwells, other sponsors were the Cheryl Blackwell Book Club, the Jervey Family, Ben Crenshaw Art Studio, The Lamplighters, Radford University Foundation, the Radford Heritage Foundation, Ridge and Valley Reader, the Radford Visitor’s Center, and LaQuinta Inn & Suites—at which I had a very pleasant stay!
LaQuinta Inn where I stayed during Radford Reads
It was a real community and family event. Reader or Writer, next year, check it out! It’s a two-fer, and the price is right.
