Writers on Writing

You may recall that in one of my previous blogs, I mentioned talking with writers about writing as one of the best things about a writing workshop at Nimrod. Although not as interactive, there are lots of ways to get inside writers’ heads.

A writing friend sent me this link to a New York Times opinion piece by Stephen King on the question of whether a novelist can be too productive.

His short answer is that how much you write (publish) isn’t a reflection of how well you write. But there are many paragraphs of well-crafted opinion that are well worth reading. Of course, you already know that Stephen King wrote one of my favorite books on writing.

On Writing by Stephen King book cover
Stephen King’s On Writing

On Saturday, August 29, NPR’s Scott Simon interviewed Ursula Le Guin on Weekend Edition. Among other things, she talked about the effect of aging on her writing. She is 85. It’s well worth a listen.

If you are a magazine person, there are many places to get insights about and from writers. Two of the most popular are Poets & Writers and Writer’s Digest.

Poets & Writers and Writer's Digest
Poets & Writers and Writer’s Digest

If you are more of a book person, especially if you are focused on mystery writing, you might consider Talking About Detective Fiction by P.D. James. (You can also read “Mystery Writing” Lessons on her website.) Or these.

Writing Mysteries edited by Sue Grafton book covers
Writing Mysteries edited by Sue Grafton

There are many books by writers about writing, both classic and modern.

classic and modern books on writing
The Spooky Art by Norman Mailer, Aspects of the Novel by E.M. Forster, Elmore Leonard’s 10 Rules of Writing

One of my favorite bits is one of Elmore Leonard‘s rules: Leave out the parts the reader is going to skip anyway. It doesn’t get much better than that.

Related Posts

Books for Writers: Deborah Tannen

Food and Fiction

What’s in a Character Name?

Dictionary of American Regional English

Writing Life: Exercise Improves Creativity

Psychology For Writers series

Psychology of Uncertainty 

The Principle of Least Interest

Why Writers Need Empathy

Why Women Have Sex: Character Motivation Matters

Rational and Irrational Behavior in Your Characters: Guest Post on Thrill Writers

Reading Aloud

I have a long history of public speaking–lectures, workshops, panel presentations-facing with a group of friends or hundreds of strangers makes no difference to me. When I can work from an outline or talking points or questions, no problem. Humorous and lively.

When reading aloud in public, the problem is that it is reading! This photo from my reading during the first week of Nimrod this year depicts the problem perfectly.

Vvian Lawry reading aloud at Nimrod Hall Writers Workshop

I have not yet mastered the ability to read something verbatim while maintaining eye-contact with the audience. Awkward. And distancing.

On the other hand, reading aloud to myself is essential, especially dialogue. It’s like practicing job interview questions and answers aloud in front of a mirror. Sentences are a whole lot smoother in thought than in practice. If the words do not fall smoothly from my lips, it can not ring true in the reader’s ear. It is absolutely necessary for dialect. Does it sound overdone? Reading aloud can work for narrative as well, Identifying sentences that are too long or stilted. Sometimes, it is helpful to have someone read your work aloud while you listen. Good luck!

Acceptable Reading Material

The Cabinet of Curiosities: 40 Tales Brief & Sinister, Stefan Bachmann, Katherine Catmull, Claire Legrand, Emma Trevayne
The Cabinet of Curiosities

The Hunger Games, The Hunger Games trilogy, Suzanne CollinsA while back on Facebook, I mentioned that on the recommendation of my ten-year-old granddaughter, I was reading The Cabinet of Curiosities. I made a connection to Different Drummer stories, except for children. Then she read all three volumes of The Hunger Gameswhich, frankly, seem a bit horrific to me, not to mention advanced. Upon finishing, her comment was, “That was sad.” No nightmares or anxieties or other negative effects are apparent. Maybe her reaction is testimony to the fascination children have always had for (fictional) horror, as evidenced by the longevity of fairytales in their original (as opposed to Disney) versions.

Miss Peregrine's Home For Peculiar Children, Ransom Riggs Now she is reading Miss Peregrine’s Home For Peculiar Children. Now, as general background, I would say that my granddaughter is very smart, and a very advanced reader, and her parents are both very intelligent and somewhat unconventional. But she’s ten-and-a-half. And I wonder how the world is changing. As I recall, at about that age, I was reading the Ruth Fielding adventure series. I find this book a real page-turner, but it includes sentences like, “‘Do I look like I blow truckers for food stamps?’ Ricky was a connoisseur of your-mom jokes, but this was apparently more than he could take.” And it includes issues of mental illness (paranoia, etc.)

 

Ruth Fielding On the Red Mill My take-away is that children and families are different, and that what is acceptable reading material varies widely. And most importantly, adults with children or grandchildren who read need to dip into their reading worlds. And be prepared to set limits, encourage, and discuss as needed.

What are your thoughts and experiences?