A friend gave me Anything Is Possible for my birthday. At the time, it wasn’t yet published. When it actually arrived, I was reading something else and my husband—a great Strout fan—eagerly enjoyed my present. He just finished, and I interrupted what I was reading and took it up. And as the headline says, it is worth the wait.
This book is another gripping example of linking short stories to form the whole. Remember Olive Kitteridge? It won the Pulizer Prize in 2009, and has since sold over a million copies.
That was my first exposure to Strout. I love that book. It inspired me to put together a collection of my short stories with a working title of Almost Family. Well, my book is still almost, but in the meantime, Strout wrote The Burgess Boys (among other things).
[Source: Goodreads]
Frankly, although well-written as always, I didn’t like The Burgess Boys so much; it’s much darker than Olive Kitteridge. So far, Anything Is Possible is promising a great read.
It starts with Tommy Guptill, who inherited a dairy farm from his father. The barn and house burned down one night, and Tommy is still haunted by nightmares of the trapped cows. Okay, so that sounds pretty dark. But he moves into town and takes a job as a janitor in the local school and… well, I won’t tell you too much about it. No spoiler alerts here.
I mentioned recently that The New Yorker of May 1 had an article about Strout by Ariel Levy titled “A Long Homecoming.” The article provides interesting insights about the relationship between the writer and her writing. Her take on Anything Is Possible is “The tone of Strout’s ficton is both cozy and eerie, as comforting and unsettling as a fairy tale.”
I’m taking Anything Is Possible on a road trip this weekend. I’ll check back in when I’ve finished the book!
I read a lot. And the more I read, the more often I’m irritated or distracted by writers who misuse pronouns. Pronouns can be subject (I/you/he/she/it), object (me/you/him/her/it), or show possession (my/your/his/her/its).
I came to see you. She gave it to him. The book is yours.
Of course, not all pronouns are singular. The plural pronouns serve all the same functions: subject (we/you/they), object (us/you/them), or possessive (our/your/their).
The most frequent offense to my readerly sensibility is confusing subjective and objective pronouns. For example, “Joe and me walked into town.” Or, “The Queen nodded to James and I.”
Writers seem most prone to these errors when a pronoun is in a series with proper nouns. In such cases, taking out the nouns makes the correct pronoun obvious. Few would intentionally write “Me walked into town” or “The Queen nodded to I.”
Another quick check is to replace the series with a plural pronoun: “Us walked into town” or “The queen nodded to we” glares like a spotlight.
Ultimately, correctness depends on intention. “I get a little jealous that Bill is more courteous to Susan than I.” What is correct depends on how that sentence would be completed to give the intended meaning. “I get a little jealous that Bill is more courteous to Susan than I (am)” indicates regretting poor manners. If it should be expanded as “I get a little jealous that Bill is more courteous to Susan than (he is to) I” the “I” should clearly be “me.” In either case, the meaning should be clarified.
The above having been said, there are times when a writer can legitimately use grammatically incorrect pronouns.Using the objective as subjective can indicate a lack of education or intellect; alternatively, it can signal a child speaker. For example, “Joe and me went fishing.”
Using the subjective as objective can indicate someone striving for elegance, to give the impression of refinement. “The countess was excessively kind to my sister and I.”
Technically, the pronoun after is, are, was, or were should be I, he, she, we, or they. “May I speak to Ms. Lawry?” “This is she.” equals a grammatically correct exchange. If you want to convey formality—or perhaps superciliousness, stuffiness, or age—use this formal construction. However, if you intend a conversational exchange or a casual tone, rephrase.
TAKEAWAY FOR WRITERS: Know the rules of grammar so you can use them or abuse them to suit your purposes!
…is that they are the perfect excuse to read instead of weed!
The only question is, what shall I read? One favorite is a big, fat book to take me through the day and the rainy days to follow this week. According to the Guiness Book of World Records, Proust wrote the longest book in the world—a novel in 13 volumes. I haven’t read it, so I don’t know how it differs from a more modern series, such as Diana Gabaldon’s Outlander and subsequent installments. However, I don’t have the former and I’ve read the latter, so I must look elsewhere.
I’m fond of off-beat cultural history, and I haven’t yet read Flow: The Cultural History of Menstruation, so that’s one possibility.
Then, too, a little sex can be entertaining. A few years ago, Susann Cokal gave a talk at the James River Writers Conference on writing effective sex scenes. The main thing I recall is her advice not to put in too much clinical detail and don’t be too explicit. Publisher’s Weekly called this novel “Steamy… [a] literary bodice-ripper.” AND she creates a great historical voice. So, definitely a contender.
Then again, maybe I’ll go for really non-traditional. The Scrapbook of Frankie Pratt: A Novel in Pictures by Caroline Preston is just that. Each page is covered in pictures, with very few words. My only concern is that it wouldn’t even get me through today.
On the other hand, with all the rain predicted this week, why choose just one?
In my opinion, the best use of slang is setting the time of the story. Using any of the above farewells screams the 1950s. “Gag me with a spoon” is soooo 1980s.
Slang has always been with us, evolving from docks, gutters, gambling dens, and society soirees. It changes with the times. That is its strength and its weakness. Used effectively, it lends authenticity to dialogue. But if writing about any time other than the present, tread carefully. Inappropriate slang can ruin the tone and undermine the credibility of the entire story.
As with so many things, there are books for that! When writing “historical” fiction in any genre, books such as this should rest alongside a good dictionary and a convenient thesaurus.
A seldom recognized use for really old slang: when used judiciously, it can add freshness to writing.
When the meaning is clear but the phrase isn’t current, it can sound creative. E.g., cow-handed to mean awkward, brazen faced to mean impudent or shameless, sugar stick to mean a penis.
When not to avoid clichés: when adding authenticity to dialogue. Some say you should avoid clichés like the plague, but at the end of the day, using them is as American as apple pie. Why reinvent the wheel when there are so many kick-ass expressions already out there? Don’t overdo it, but recognize that people really do say things like, “I’m wound tight as an eight-day clock” or “nutty as a fruitcake” or “Keep a stiff upper lip.” Sometimes a repeated cliché can be an effective speech tag for a specific character.
Last but not least, browsing a good book of clichés can be informative. Kick the bucket has meant to die since at least 1785! And keep your shirt on, meaning to stay calm, predates 1854. On the other hand, kick up your heels, meaning show spirit or having a great time, is a far cry from 1500, when it meant to die. So, one more for the reference shelf!
This fall my husband and I are traveling to Portugal and northern Spain, so we are starting our travel reading.
For many years, wherever I traveled, I bought a cookbook as a memento of the trip. Three problems with this approach emerged. First, I couldn’t always find a local English language cookbook. In Rome, I went to great lengths to find an English language bookstore only to discover that the cookbooks had been printed in the U.S., and often written by people in the United States! And, of course, there were times when I couldn’t find any cookbooks in English at all.
The second problem with buying books while traveling is that there is too much to see and do to read more than bits and pieces.
And, finally, I realized that I’m more likely to read about where I’m going than where I’ve been! So now I read ahead.
No doubt you’ve noticed a common element among the books pictured so far. I have a long-standing cookbook collection. But these books are more than recipes! The first two give a great deal of cultural history and geography, talking about ethnic foods and how they came to be. My Portugal is more personal. Although a renowned chef in NYC, his roots are in Portugal. This book contains stories of his time in Portugal, his family, and his experiences as a chef. And all of them contain spectacular pictures of the places as well as the food!
My husband chose Journey to Portugal: In Pursuit of Portugal’s History and Culture. It is a travelogue—not my usual choice in reading. However, José Saramago was a winner of the Nobel Prize for Literature, so perhaps I’ll put aside my biases in this instance. Alentejo Blue appeals to me more. It is fiction, set in a village in Portugal, and the author (Monica Ali) is highly praised.
One of my favorite ways to enjoy “foreign fiction” is to read some of the country’s best contemporary writers. The Traveler’s Literary Companion is a series, published by Whereabouts Press. Check it out.
Perhaps I haven’t convinced you to read your travels, but why not give it a try?
If you aren’t writing to put food on the table, you’re writing to feed your soul. And if you are writing to put food on the table, you are likely on a starvation diet!
As you can see from the blue and yellow bars on the graph, the vast majority of writers report earning less than $1000 a year. So what’s in it for us?
From college till I left paid employment thirty years later—excepting the occasional lines of private poetry—I wrote only academic articles and research reports. When no longer employed, with no title and no built-in social network, I found myself lost. And depressed. That’s when I started writing Dark Harbor. Mysteries had been my favorite escapist reading, so of course I could write one! I quickly realized I had no idea what I was doing and enrolled in a writing class at the VMFA Studio School. And here I am, three books and more than fifty short stories later, still writing.
So why write? Because it’s good for you! In the February 10, 2017, Writers Digest published “11 Reasons Writing is Good for Your Health” by Baihley Grandison. According to Grandison, there are 11 science-backed ways writing improves your mind, body and spirit. Read the whole article, but in the meantime, here are the topics covered:
Communicate better
Be smarter
Achieve goals
Increase memory capacity
Boost job prospects
Healthier immune system
Reduce blood pressure
Improve lung function
Boost athletic performance
Heal traumatic and upsetting experiences
Gratitude
Writer’s Digest isn’t the only source of such assertions. As far back as this Huffington Post article from 11/12/2013, Amanda L. Chan extolled the virtues of writing by hand to better retain information and build motor memory. Other benefits of writing listed were:
Expressing emotions through words may speed healing
Consider it a fundamental part of your gratitude practice
Writing what you’re thankful for could help you sleep better
It makes your mind—and body—better
It could help cancer patients think about their disease
My own experience with breast cancer and its treatment gave rise to three publications: a magical realism piece, “Beast and the Beauty”; a memoir titled “Hindsight” about altering my view of my mother’s invalidism; and a newspaper essay titled “Repair or Redecorate After Breast Cancer.”
Jordon Rosenfeld cited ten reasons for writers to keep writing regardless of publication or income. Rosenfeld encouraged sharing his post, so here’s his list:
Creativity has been proven to have positive effects on health, self-esteem and vitality
Writing is good for your brain, creates a state similar to meditation
Writing hones your powers of observation, giving you a fuller experience of life
Writing hones your powers of concentration and attention, which is more fractured than ever thanks to technology and TV
Writing connects you with others through blogging, writing groups, live readings, and self-publishing outlets like Scribd and Smashwords
Through writing we preserve stories and memories that may otherwise be lost
Writing entertains you and others, and having fun is an important part of good health
Writing strengthens your imagination, and imagination is key to feeling hope and joy
Writing helps heal and process wounds and grief, clearing them out
Life is too short not to do what you enjoy
Why do I write? It keeps my brain sharp. I learn new things when researching stories—everything from the effects of ketamine on humans to the price of gasoline in 1930 to the characteristics of Buff Orpington hens. I understand myself better in relation to my family. I meet interesting people. (I’ve never met a boring writer!) My journal helps me keep track of personal events, thoughts, and trivia. Publishing—even without much financial reward—is good for my self-esteem. And now that I am a writer, I no longer define myself by what I used to be—as in, “I’m a retired academic.”
Last weekend I attended my husband’s college reunion. The part that is relevant to this post is that we meandered through the English Department. Lo and behold, the corridors were lined with pictures of writers.
When I saw the picture of Mark Twain, I remembered last week’s discovery—that he had published a short story mystery unbeknownst to most. So when I picked up the May 1 New Yorker and saw an article about Elizabeth Strout—author of Olive Kitteridge—I was immediately interested. It’s a great article.
But back to the English Department. Below are several writers honored in the halls of higher education. Choose one—or any author you prefer—and investigate their peopleness (if I may coin the term). Find an article. Pick up a biography or memoir. Do an online search. You’ll surely be entertained, and perhaps surprised.
This is a great book—especially for the the obsessive and/or anxious writer. It has a 14-page questionnaire intended to help you to really understand your character, so thoroughly that you just know how s/he would behave in any given scene. Then there are chapters on everything from Face and Body to names from around the world.
So why not just stop with an endorsement? What more is there to say? Just a few things about making characters vivid and memorable.
Actually, I can’t quite imagine eyes like butterflies. Nevertheless, this book highlights two methods of ramping up characterizations: similes and metaphors. Essentially, saying a character is like something, it’s a simile. E.g., “Her smile was like sunshine.” Saying a character is/was something is a metaphor. “He was a rock when Mother died.” As in all writing, avoid the clichés. “She is a diamond in the rough” is a tired example.
So where does one look for fresh ideas?Consciously visualizing a character in non-human terms might help.
What animal would X be? Consider the differing implications of spider, rat, rabbit, toy poodle, wren, cow, mule, pig, chicken, etc., etc., etc. Various animals are associated with specific personalities and actions, and labeling a character that way can convey a lot of meaning. Think lap dog.
What is X’s astrological sign? Whether one believes in astrology or not, various signs carry lots of implications. The title Men Are From Mars, Women Are From Venus works on many levels: Mars is the god of war, Venus is the goddess of love, and the planets are millions of miles apart. The Chinese sign one was born under has similar implications. I was born in the year of the Cock, and apart from the personality implications, this should be a very good year for me!
What stone would X be? Again, some stones carry a lot of weight already. For example, diamonds are hard, bright, glittery, and expensive. What characteristics do you associate with pearls, emeralds, jasper, agate? What about abalone? Quartz? Cubic zirconia? And what about metals? Is X gold, silver, platinum, aluminum, iron, brass, bronze—or maybe mixed metals?
What plant would X be? What are the associations with oak tree vs. lily? Rose vs. dandelion? Wheat vs. redwood? I won’t belabor the point. You get the idea.
Bottom line: Characterize characters in unexpected ways. You could come up with this sort of writing.
Most academics subscribed to the belief that Edgar Allan Poe’s “The Murders in the Rue Morgue” (1841) was the first detective story to appear in print, not succeeded in American print media till 1891 when Sir Arthur Conan Doyle’s Sherlock Holmes series was syndicated. LeRoy Panek and Mary Bendel-Simso beg to differ. Approximately 10 years ago, they found evidence to the contrary.
The co-authors first collaborated on an anthology of these stories. I’ve just ordered it!
Also, as archives have been made available online, these two English professors at McDaniel College created the Westminster Detective Library, a unique online collection of more than 1300 (!) pieces of crime fiction published in newspapers and magazines. You can visit it at wdl.mcdaniel.edu. The earliest found so far was published in 1824.
Most are published anonymously and many were pirated by other publications. But according to the article, “…some famous names appear as authors, including Mark Twain and Walter Whitman—before he was the poet Walt Whitman. Abraham Lincoln’s ‘The Trailor Murder Mystery’ was published in 1846 in the Quincy Whig. Charles Dickens published ‘Hunted Down’ in The New York Ledger in 1859.” (Bolding added.)
I’ve also ordered their new release, The Essential Elements of the Detective Story, 1820-1891!Also, check out thedozens of Panek’s books now available, covering many aspects of mysteries over the centuries. He is an internationally recognized expert.
According to Bendel-Simso, some basics of forensics were first imagined in early detective stories. “Fingerprints and blood were both used as evidence in fiction 20 years before they were accepted as such in real life.”
Even if you aren’t already inspired to dive into this treasure trove of books—they are expensive—at least check out a few sample stories at https://wdl.mcdaniel.edu!
The last Saturday in April is Independent Bookstore Day, which made me think of such bookstores I have known and loved. The first was during my college years in Athens, Ohio. Logan’s was way more than a bookstore. One could buy Ohio University memorabilia and textbooks, of course, but also everything from greeting cards to Vanity Fair underwear!
My next bookstore love was during my years in Canton, New York. It, too, sold more than SLU textbooks and related items. My cookbook collection started there. Everything from candles to pottery was at hand, as well as the work of local writers and artists. When it moved into what was once a hockey arena, the expanded space allowed for a coffee bar and comfortable seats scattered about.
Both of these bookstores are located in small towns with no easy access to larger cities, and so they took on the character of general stores of old.
Indie bookstores in cities are typically more focused on books and closely related items, such as journals, bookmarks, etc. And sometimes they have a specific mission. For example, Politics and Prose spotlights political and social issues in the books it caries and in the speakers it features.
I tend to seek out independent bookstores wherever I spend a lot of time. The Tattered Cover in Denver is an old, multi-story bookstore carrying books for all ages and interests. One can easily spend hours browsing books, magazines, and newspapers. The space is charming, with sunken reading pits, elevated areas, and appealing woodwork. And people ready and willing to help one.
The Fountain Bookstore on East Cary Street, in Richmond, is much more intimate than the Tattered Cover, but Kelly Justice is a treasure. She owns and operates the store and often features book signings and talks by local writers. Do stop in!
Other independent bookstores in the Richmond area include Chop Suey Books, bbgb Tales for Kids, Book People, Stories, and RED Books.
Independent bookstores are more than just stores; they’re community centers run by passionate readers. They are as good as secondhand bookstores in offering the possibility of serendipitous finds. In addition, they support the local economy through job creation and tax dollars. So buy local!
Independent Bookstore Day is a one-day national party that takes place at indie bookstores across the country. Every store is unique and independent, and every party is different: authors, live music, cupcakes, scavenger hunts, kids events, art tables, readings, barbecues, contests, and other fun stuff. Check out what’s happening in your area!
In a world of tweets and on-line searches, bookstores are not dying out. They continue to grow and expand and enrich the lives of readers and communities. So prepare to party down tomorrow!