For Writers, Everything is Material

So of course writers have responded to the 2016 Presidential Election. Enjoy their language and skill.

Aftermath: Sixteen Writers on Trump’s America: The New Yorker, November 21, 2016

By Toni Morrison, Atul Gawande, Hilary Mantel, George Packer, Jane Mayer, Jeffrey Toobin, Junot Diaz, and more.
“It is thought by many, lately, and said by some, that the republic has seen its best days, and that it remains for the historian to chronicle the history of its decline and fall. I disagree. Sparrows may yet cross the sky.” -Jill Lepore

What Just Happened? Writers Respond to the 2016 Presidential ElectionFirst Person Plural, November 4, 2016

By Ibrahim Abdul-Matin, Grace Aneiza Ali, Hafizah Geter, Max S. Gordon, Hajar Husseini, Morgan Jenkins, and Chris Prioleau
Stacy Parker Le Melle First Person Plural
Stacy Parker Le Melle [Source: First Person Plural]
“Days before the reading I felt so much dread. But today is different. Thank you writers, audience, community. This is what a shift feels like. We are not passive. We are co-creating this reality.” -Stacy Parker Le Melle

Richard Ford, Joyce Carol Oates, David Hare and more… Leading writers on Donald Trump: The Guardian, August 12, 2016

By Richard Ford, Joyce Carol Oates, David Hare, and more.

Maya Jasanoff Harvard
Maya Jasanoff [Source: Harvard University]
“Dorothy is the real saviour of the book (Baum’s wife, it’s worth noting, was a prominent suffragist), but even when they’ve exposed the wizard as a fraud, she and her friends turn to him for aid. “How can I help being a humbug,” chuckles Oz the not-so-great, “when all these people make me do things that everybody knows can’t be done?” -Maya Jasanoff

“We are witnessing the politics of humiliation”—Siri Hustvedt, Joyce Carol Oates and more on the US electionThe Guardian, November 12, 2016

By Siri Hustvedt, Joyce Carol Oates, and more.

Cynthia Bond
Cynthia Bond [Source: cynthiabond.com]
“The musician Sara Bareilles wrote a song entitled “Seriously”, sung by Leslie Odom Jr, about what Obama’s inner thoughts must have been during the election. I’ve been repeating these lyrics to my daughter: ‘In a history plagued with incredible mistakes, still I pledge my allegiance to these United divided States.'” -Cynthia Bond

Farewell, America: Moyers & Company, November 10, 2016

By Neal Gabler
Neal Gabler
Neal Gabler [Source: Moyers & Company]
“We are not living for ourselves anymore in this country. Now we are living for history.” -Neal Gabler

This is just a sample of what’s out there. You can also search online for your favorite authors responses by their names.

Didn’t Get it Right the First Time?

Few writers do!
 
noah lukeman first five pages plot thickens
Noah Lukeman is my favorite guru on self-editing. He’s highly readable, clear, and interesting. But if you need some quick-and-dirty guidelines right now, here are a baker’s dozen.

 

1. Circle your modifiers and decide whether they’re really needed. Especially cut adverbs in favor of stronger verbs.
2. Avoid clichés. This is especially important in the narrative, but shouldn’t appear frequently in dialogue, either.
3. Refer to people as who, not that.
4. Beware repeated words or phrases, especially in close proximity. Check your word habits and “kill your darlings.”
5. Divide long, complex sentences into two or more shorter sentences—this is especially important in action scenes.
6. Minimize the use of really, very, and suddenly.
7. Make sure you know what your words mean. Check definitions
8. Avoid passive verbs, especially is, are, was, were, and -ing verbs.
9. Look for filler words or phrases that really don’t add anything, e.g., smiling, sighing, looking away, etc.
10. Don’t over-use exclamation points or ellipses. Never double punctuate. Get it?!
11. Be specific. Replace vague words like things, stuff, beautiful, etc.
12. Don’t have characters tell each other things just because the reader needs to know.
13. Don’t give the same speech quirks or movements to more than one character unless there is a specific reason to do so.

 

Read your work aloud—or better yet, have someone else read it aloud to you—and revisit every place that causes a stumble.

 

And maybe the most important suggestion: Find a good guide to self-editing. There are dozens out there.
edit your self self editing editing fiction

Festival of the Written Word

—a great event for readers and writers!
 
festival of the written word 2016
 
As many of you know, I was again on the program at Midlothian Library’s Festival of the Written Word. This was the second annual, and it seems to just get better and better.

 

meeting room events festivalwrittenword
I was pleased to moderate and participate in the panel “I Couldn’t Put It Down: Creating Page-Turning Tension and Action.”

 

vivian lawry heather weidner doug jones festivalwrittenword
I was joined by Sister in Crime Heather Weidner and award winning playwright and local teacher Doug Jones. We had a great audience, attentive and involved, asking lots of good questions. The panel preceding us in that space, “Small Press and Indie Publishing,” must have been a great success too, given that they stayed in place till the last possible minute! This panel included Stacy Hawkins Adams, Sisters in Crime Tina Glasneck and Heather Weidner, and writing colleague Guy Terrell.

 

guy terrell vivian lawry festivalwrittenword
This may be reminiscent of a wedding portrait, but notice the books we are holding. Guy is a poet as well as co-author (with Jack Trammell) of The Fourth Branch of Government: We the People, an impassioned presentation discussion of the need for and ways to bring individuals’ voices back into the political process.

 

As you might have guessed, the program was designed to appeal to a broad range of topics and ages. There were four Sisters in Crime on the program.

 

sisters in crime festivalwrittenword
Besides the panels mentioned above, they discussed “Crime and the Paranormal in Your Writing.”

 

Another panel discussion focused on “The Practical Realities of Writing for a Living.” There were writing workshops for kids, teens, and adults, ranging from poetry to memoir.

 

There were also readings for kids AND “Walk-In Writing Activities and Crafts.” People could gather for some shared NaNoWriMo writing time…

 

nanowrimo festivalwrittenword
…or pick up a writing prompt—or several—for later plotting.

 

There was food available and live music by local author Brant Huddleston on guitar.

 

And of course books! There were book sales and signings by authors on the program, as well as books sales to benefit the Friends of the Library.

 

fall festival cookbooks festivalwrittenword
Energy was high! There was a lot of chat time, including a Local Writers Meet and Greet. Two of the most interesting people I met were a woman newly arrived in Richmond, Amber Williams, and her son Kai. Here’s a picture of them holding her book, which he illustrated. Watch for them in the future!
cookbook festivalwrittenword
Bottom line: This annual event, free and open to the public, has something for everyone! Watch for it next November. And in the meantime, check out other public libraries for fun, interesting, thought-provoking events.

 

midlothian library festivalwrittenword

Writing War

american flag veteran's day
 
So, today is Veterans’ Day, which brings thoughts of the military, which brings thoughts of war. Both have been around forever, it seems, and have touched virtually everyone’s life either directly or indirectly—which means one or both are likely to have touched the lives of your characters.

 

Should you find yourself writing a scene dealing with the military, war, and/or their direct or indirect effects on characters and plot, get it right! So many of your potential readers know the details that if you get it wrong, you will immediately lose all credibility.

 

civil war life civil war america love and lust
Fortunately there are a number of resources available to assist you. My personal bookshelves are not comprehensive, but here are a few examples of what’s out there. Note the broad range of detail and focus, from the battlefield to the home front.

 

americans remember home front 1001 things world war ii
You can find resources for any war of interest, as well as any branch of any military, worldwide. My own interests tend toward the effects of war on individuals.

 

You can also focus on a subset of action and response.

 

women that wrote war in harms way

they fought like demons women soldiers civil war
[Source: Amazon]
 Regardless of any other choices you make, you will surely need authentic language, whether for dialogue or narrative. And therefore, I highly recommend a good dictionary.

 

war slang paul dickson
Takeaway for Writers: Yes, you must have engaging characters, tension, lots at stake, and action moving forward, but if you get the factual details wrong, you’ll lose your reader! Get it right with war and the military.

 

american flag veteran's day

Communicating Without Words: Campaign Lessons

You’re a writer—so for purposes of this blog, communicating without words means without dialogue. And there are many reasons you want to be able to do this. The presidential campaign offers several educational examples.

 

whsv scott inmate hillary trump
See full post at www.whsv.com
In Staunton, VA, for the Robert E. Lee High School Halloween, Principal Mark Rowicki dressed as presidential candidate Donald Trump, complete with Make America Great Again cap. Secretary Stephanie Corbett dressed as Hillary Clinton in “jail house orange” outfit, complete with a chain around her waist and a badge indicating she was inmate Clinton.

 

The costumes provoked a storm of comment, from those who claim they were just funny and timely costumes to those deeply offended and/or outraged. The latter say things like, “If they’d both dressed as presidential candidates, that would have been fine.” Or, “How dare they? Clinton has never been convicted of anything illegal!” Or, “How might the kids feel, seeing their principal dressed like a man who’s said he wants to deport them or their families?”

 

Lesson for writers: Having two or more characters absolutely committed to differing interpretations of the same event is an excellent way to build tension and conflict. And, BTW, consider what our clothing says about your character in general and in specific scenes.
donald trump hillary clinton candidate toilet paper
If you look online for “candidate toilet paper,” you will find a myriad of choices. There are several options for Clinton and Trump, but also other 2016 presidential candidates: Presidents Obama and George W. Bush, and Mitt Romney, among others. The version that says “Dump with Trump” claims to be humorous and appropriate for both Democrats and Republicans. The one picturing Hillary and Bill Clinton together says, “Not Again!” so the intention is clearer. The seller who urges customers to choose the candidate they hate the most is the most direct of all.

 

Seeing just the TP: funny, disgusting, disrespectful, disdainful? More than one of the above?

 

Lesson for writers: Even if you think the meaning is absolutely clear, there’s always room for differing opinions. In your stories, you need to make the context clear, and/or state the interpretation(s) you want the reader to consider.

 

Just for practice: List as many inanimate objects as you can that you think convey a clear and unequivocal attitude/character of the owner. Then ask someone else to read the list and see whether you get disagreements.

 

halloween hanging dummies
A Kendall, FL homeowner hung two dummies from a tree in his front yard for Halloween. (See Daily Mail for one complete article about this, or search online for Halloween effigies of hanged black men.) They are reminiscent of lynchings of real black people. Note the nearby sign supporting Trump for President. The fallout was immediate and widespread. The presumption was that the man who hung the dummies is publicly supporting Trump. Subsequently, a neighbor said the sign was hers.

 

Lesson for writers: When two things occur in close proximity in time and/or space, they often lead people to assume they are related. This is an especially effective device for mystery writers who want to introduce red herrings and/or lead the sleuth to solve the crime.

 

TAKEAWAY FOR WRITERS: When it comes to plot devices, the presidential campaign is clearly the gift that keeps on giving!
 
oops did i roll my eyes out loud
For future consideration: The Loud Voice of Body Language!

The Importance of “What” and “Why”

new yorker hillary clinton donald trump campaign reading

I’ve written a couple of blog posts about what writers can learn from the current political campaigns. A piece in the October 31st issue of The New Yorker takes a different approach.

 

presumptive thomas mallon campaign reading
Thomas Mallon is a novelist, essayist, and critic whose book Finale: A Novel of the Reagan Years is now available in paperback. His novels usually portray politics and politicians from a POV other than the political “star.”  In “Presumptive” he talks about who would be his protagonist if he were to write a novel based on 2016—and why. He makes some excellent points about what makes an effective main character.

 

the unconnected campaign reading
The same issue of The New Yorker features an article by George Packer. Although he starts with an interview with Hillary Clinton, the bulk of the article is tracing the historical bases of current allegiances to the Republican and Democratic parties. He’s thorough and scholarly but highly readable. Read it with a view to what makes compelling nonfiction.

 

Whether you lean toward fiction or nonfiction, the principles of a good story are the same: you need a compelling what (in the form of a character and/or event) and a believable why (the motivation or circumstances that molds the outcome).

 

american nations colin woodard
[Photo credit: Amazon]
Continuing the election-related focus, I recommend Colin Woodard’s American Nations: A History of the Eleven Regional Cultures of North America.  It might just as well be titled “The United States and How It Got This Way.” His premise is that sub-cultures within the U.S. today can be understood in terms of who settled various parts of the continent, when, and under what circumstances. His labeling of the regions takes a bit of getting used to, but he provides a map. Overall, he has closely tied what to why in a highly readable and (for me) informative book.

 

FINAL TAKEAWAY: Election season is a great time to read voraciously!

Campaign Writing: Choosing the Lesser of Two Evils

donald trump rnc choosing lesser two evils
hillary clinton cspan choosing lesser two evils
Well, folks, I just can’t get away from the campaign. It offers too many lessons for writers!
I recently heard a talk show segment on undecided voters who, reportedly, view their presidential vote as choosing the lesser of two evils. We’ve all experienced situations in which every possible choice has a downside. Psychologists call these avoidance-avoidance conflicts, and writers should love them.
 
This type of conflict is so common, there are myriad of folk sayings to this point. For example, “Being caught between the devil and the deep blue sea.”
biblical devil
 
caught between devil and deep blue sea
 
As a writer, this is often where you want your character(s) to be—”between a rock and a hard place!”
A simple case would be getting dental work, or living with the pain.

 

“Out of the frying pan, into the fire” is the variation of tolerating the current situation or opting for an alternative that is definitely negative and could be worse.
In this instance, think remaining in a bad marriage or pursuing a divorce. This one can be ramped up with the addition of children, property, pets, and the loss of in-law family.

 

As a writer, you want the negatives to be as bad as possible. There isn’t much stress in choosing to skip lunch or be late to the hairdresser.

 

How your character chooses to deal with the stress reveals character and engages readers. Would your character make lists of the negatives and choose the lesser of two evils?
hillary clinton campaign choosing lesser two evils
[Photo credit: Gage Skidmore]
donald trump campaign choosing lesser two evils
[Photo credit: Gage Skidmore]
Or would your character do nothing and let nature take its course? In the current election, that might mean not voting. Another possibility is looking for the silver lining: is there anything positive about candidate ________?

 

Intra-psychic conflicts (as opposed to armed conflicts, physical battles, etc.) are great tools for writers. Perhaps the conflict is the plot and the entire story is its resolution. What would cause your character conflict? Is your character solely responsible for the outcome? If not, as in the present race for the presidency in which no single vote is the determining factor, shared responsibility would affect the character’s response. Would s/he disclaim responsibility altogether?

 

Takeaway for writers: Use conflict to strengthen your story—what causes conflict, how your character(s) express their stress, how it is ultimately resolved. Avoidance-avoidance conflicts can raise tension in individual scenes or relationships, or it can be the whole plot. Use it as you will, but use it!

I am also excited to announce that a short story I wrote, “A DIY Life,” has been published to The Penmen Review! The article was posted today and will soon be printed in the Storyteller Magazine as well.

Horror and Haints for Halloween Reading

pumpkin decoration
With less than a week till Halloween, it’s the perfect time to read about ghoulies, beasties, and things that go bump in the night. Although there are religious bits here and there—Allhallowtide being the time in the liturgical year when three-day observances remember the dead, including the hallows (saints), martyrs, and faithful departed—most of us don’t think first of saints and martyrs. After pumpkins, it seems to be a time for witches, ghosts, zombies, and the undead.

witch book raymond buckland
Well, it’s time to stop thinking of witches as the Wicked Witch of the West. This is a non-fiction reference book that provides all sorts of information about witches. And lots of other interesting info as well, organized alphabetically.

 

For example, under garlic, it says, “In folklore, thought to be a deterrent to vampire attack and also to witchcraft and the evil eye.” It’s supposed to protect against plague. Roman soldiers ate it for strength and courage.  But it’s also supposed to have grown in Satan’s footprint when he left Paradise.
down there huysmans
And speaking of Satan, check out the old novel Down There (La Bas): A Study in Satanism, first published in serial form in 1891, but there is a gripping translation published in 1958.

 

vampires burial death
Interest in vampires waxes and wanes. For an effective blend of folklore and reality, see Paul Barber’s book. Among other questions that surround this book is, “What are the most efficient ways of getting rid of an unwanted body?”

 

food for dead michael bell
Michael E. Bell followed the trail of New England’s vampires. In it you can find ghostly tales, glowing corpses, rearranged bones, and more.

 

great big book horrible things
If you want reality rather than folklore, consider atrocities. Many people hear the word “atrocity” and think the Holocaust, Auschwitz, and Birkenau. But this book outlines scores of atrocities associated with war and political upheaval. Read them and weep.

 

book dead lloyd mitchinson
War atrocities are truly horrible. If you want a lighter look at things, Check out Lloyd & Mitchinson, who set out to sketch lives of the justly famous and the undeservedly obscure. Expect some humor here!
complete stories poems edgar allen poe
If reality is too painful, and folklore raises troubling questions about the unknown, there’s always fiction!  Edgar Allan Poe is Halloween reading at its best. He may be more suspense than horror, but “The Tell-tale Heart” and “Fall of the House of Usher” are enough to make anyone wakeful. And being short stories, his works come in easily manageable bites.

 

salems lot stephen king
[Photo credit: StephenKing.com]
night shift stephen king
[Photo credit: Too Much Horror Fiction]
For a contemporary novelist, think Stephen King. He writes horror and supernatural stories. His other works of suspense, science fiction, and fantasy are still good Halloween reads. (As happens so often with prolific writers, his more recent books are a bit formulaic, so go with the earlier ones.)

 

creepy skeleton woods
When it comes to Halloween reading, there’s something for everyone!

More Writing Lessons from the Campaigns

In Wednesday night’s debate, Clinton said something to the effect that when things are going badly for Trump, he blames others—party leaders, the media, those rigging the election. If I remember correctly—and for the purposes of this blog, that doesn’t really matter—she said that he never takes responsibility for his problems. The point for writers is that she was purporting to identify a pattern of behavior—and patterns of behavior are crucial for your characters.

 

In this blog, I will focus on behaviors people use to protect themselves when things are going badly. These are what psychologists call defense mechanisms. Not to put too fine a point on it, defense mechanisms allow us to hide from ourselves. Most of us don’t realize when we’re using them.
person hiding defense mechanisms political campaign
If you look online, you can find the 7-9 most frequently used defense mechanisms, the 31 Freudian defense mechanisms, etc. I am going with the 15 defense mechanisms Dr. John M. Grohol classified according to how primitive they are.

 

Primitive Defense Mechanisms

Primitive Defense Mechanisms are often effective over the short term but less so over the long term: Denial, Regression, Acting Out, Dissociation, Compartmentalization, Projection, Reaction Formation.
 

Denial

Denial: refusing to accept reality or fact, acting as if a panful event, thought, or feeling doesn’t exist. E.g., “I’m not an alcoholic. See how well I’m functioning?”

 

Regression

Regression: going back to an earlier stage of development. E.g., becoming weepy, clinging, maybe reverting to nail-biting or bed-wetting.

 

Acting Out

child acting out defense mechanisms political campaign
Acting Out: behaving in an extreme way when unable to express thoughts or feelings otherwise. E.g., not able to express anger without throwing things, punching things, etc. Includes temper tantrums and self-injury.

 

Dissociation

Dissociation: the person disconnects from the real world for a time, to an interior world free of thoughts, feelings, or memories that are too painful to bear.

 

Compartmentalization

Compartmentalization: the person keeps different parts of the self in separate cognitive or emotional compartments to avoid feeling conflict. E.g., a person who beats and tortures prisoners as part of a job but remains a loving spouse and parent at home.

 

Projection

Projection: unacceptable thoughts, feelings, or impulses are “projected” onto someone else, often the object of those thoughts, feelings or impulses. E.g., someone who is uncomfortable around people of a different ethnic group may justify avoiding those people by deciding that they don’t welcome outsiders.

 

Reaction Formation

Reaction Formation: changing unacceptable thoughts, feelings, or impulses into their opposite behaviors. For example, a man who is really unhappy in his marriage might make a point of publicly “worshiping” the mother of his children, bringing her presents for no reason, etc.

 

More Mature Defense Mechanisms

More Mature Defense Mechanisms are common among adults, and may be all a person needs, even if not ideal: Repression, Displacement, Intellectualization, Rationalization, Undoing.

 

Repression

 
Repression is when one unconsciously drops unacceptable thoughts, feelings, impulses, or events from memory. It’s done unawares, unlike suppression, when one consciously puts such things aside and refuses to think about them.

 

Displacement

Displacement is when thoughts, feelings, or impulses triggered by an off-limits target are addressed toward another, more acceptable one. E.g., a child who cannot show anger toward a parent may take it out on a sibling, pet, or toy.

 

Intellectualization

intellectualization defense mechanisms political campaign
Intellectualization is dealing with issues by keeping emotions at a distance and focusing on the rational argument or information gathering. For example, someone who is diagnosed with cancer to keeps fear and anxiety at bay by learning every possible thing about treatments, prognosis, etc.

 

Rationalization

Rationalization is, essentially,espousing a reasonable explanation rather than the real explanation. For example, a man is dumped by a woman he really, really likes and decides he probably just wasn’t rich enough for her.

 

Undoing

Undoing is trying to make up for past behavior. For example, if you hurt someone’s feelings and then try to be extra nice, complimentary, generous, etc.

 

Mature Defense Mechanisms

Mature Defense Mechanisms are the most constructive and helpful, but more difficult to achieve: Sublimation, Compensation, Assertiveness.

 

Sublimation

 
Sublimation is redirecting unacceptable impulses, thoughts, or impulses into more acceptable channels. Examples would include releasing sexual impulses through non-sexual exercise, redirecting anger into humor or fantasy.

 

Compensation

Compensation is counterbalancing perceived weaknesses with strength in other areas. Done well, it can reinforce positive self-esteem.

 

Assertiveness

assertiveness defense mechanisms political campaign
Assertiveness is fulfilling your needs in a manner that is respectful, direct, firm—and appropriate. Assertive people strike a balance between speaking up for themselves and listening to other people.

 

What defense mechanisms seem to be exhibited by each of the political candidates?

 

white house defense mechanisms political campaign

Most people have more than one means of defense, but tend to rely on a few more often than others. In the extreme, for an addict, the drug of choice is the answer to every problem. As a writer, you need to understand how your characters cope. What are their patterns of behavior? And how effective are they?