A friend recently told me that the horror villains we fear are subconscious stand-ins for things we’re afraid of in real life. Vampires stand for a fear of change; zombies for a fear of crowds or strangers. Fear of clowns is a sign you’re a normal, well-adjusted, perfectly rational person.
Inquiring minds want to know! I started with vampires—and I never got past vampires!
When I went online to learn what it means if we fear vampires, what popped up was an article by Ralph Blumenthal, “A Fear of Vampires Can Mask a Fear of Something Much Worse.” He was writing in 2002 about villagers in Malawi believing that the government was colluding with vampires to collect human blood in exchange for food.
At the time, Malawi was in the grip of starvation, a severe AIDS epidemic, and political upheaval. He cited Nina Auerbach, author of Our Vampires, Ourselves, to the effect that stories of the undead embody power ”and our fears of power.”
David J. Skal, author of The Monster Show: A Cultural History of Horror claims that a fixation on demons often accompanies periods of national stress. “In times of social upheaval, the vampire asserts itself.”
In nearly every culture in the world, there is a legend of some variation of vampire-like creatures—the dead who reanimate and come back to feed on the living. And there is general agreement that the roots of vampire legends are in the misunderstanding of how bodies decompose and of how certain diseases spread.
In an October 26, 2016 article in National Geographic titled The Bloody Truth About Vampires, Becky Little wrote, “As a corpse’s skin shrinks, its teeth and fingernails can appear to have grown longer. And as internal organs break down, a dark ‘purge fluid’ can leak out of the nose and mouth. People unfamiliar with this process would interpret this fluid to be blood and suspect that the corpse had been drinking it from the living.”
Paul Barber, author of Vampires, Burial, and Death: Folklore and Reality, made several telling points in the introduction to his book. One is that there is little similarity between the vampires of folklore and the vampires of fiction.
Modern images of vampires are pretty stereotyped: fangs that bite the necks of victims; drinking human blood; can’t see themselves in mirrors; can be warded off with garlic, killed with a stake (or silver nail) through the heart; are aristocrats who live in castles and may be sexy. This image was popularized by Bela Lugosi’s portrayal of Count Dracula in the 1931 film adaptation of the Broadway show of the same name. Unlike Bram Stoker’s description of the monster in the 1897 novel Dracula as a repulsive old man with huge eyebrows and bat-like ears, Lugosi showed audiences a mysteriously elegant gentleman in evening dress.
In European folklore, vampires typically wore shrouds, and were often described as bloated, with a ruddy or dark countenance. Specific descriptions varied among regions: sometimes male, sometimes female, might have long fingernails, a stubby beard, the mouth and left eye open, a permanently hateful stare, red eyes, no eyes, etc. Fangs were not always a prominent feature, and blood was generally sucked from bites on the chest near the heart rather than the throat.
But perhaps the most important theme of Barber’s book is that, lacking a scientific background in physiology, pathology, or immunization, the common response of ancient societies was to blame death and disease on the dead. To that end, the interpretations they came up with—while wrong from today’s perspective—nevertheless were usually coherent, covered all the data, and provided the rationale for some common practices that seemed to be otherwise inexplicable.
Should you ever be pursued by a vampire, fling a handful of rice, millet, or other small grain in its path. The vampire will be compelled to stop to count every grain, giving you time to escape. I found no information on how vampires came to be associated with arithmomania, but it endures: remember The Count von Count on Sesame Street?
At this point, I realize that getting into methods of identifying vampires, protecting against vampires, ways to destroy vampires, and cross-cultural variations on vampirism is way beyond the scope of this blog. Instead, I refer you to books such as this:
And should vampires show up in your dreams, according to DreamBible: the answers to all your dreams, pay attention. Their appearance could mean many things.
- Seeing a vampire in your dream symbolizes an aspect of your personality that is parasitic or selfishly feeds off others.
- Alternatively, a vampire may reflect feelings about people you believe want to pull you down to their level or convert you to thinking negatively in a way similar to theirs.
- To dream of being a vampire represents a selfish need to feed off others.
- To dream of being bitten by a vampire represents feelings about other people using you or feeding off you and being unable to stop it.
- Vampires may be a sign of dependence, problems with addiction, social pressure, or ambivalence.
- A dream vampire might be telling you that you need to start being more independent and relying less on others resources or accomplishments.
- To dream of killing vampires represents overcoming dependence on others.
- Repeated dreams of vampires hovering over your shoulder and correcting your spelling or suggesting topics for research and expansion is almost certainly a sign that you are writing a blog entry about vampires.
Bottom line for writers: consider whether a vampire is a fit metaphor for your character.
