WHO’S IN CHARGE HERE?

In Vrindavan, India, a group of widows break social taboos and celebrate Holi, the festival of colors

Invictus by William Ernest Henley: “I am the master of my fate: I am the captain of my soul.” Compare that to “Life happens.” In essence, these are examples of internal locus of control and external locus of control, respectively. Most protagonists—for good or ill—have an internal locus of control.

Locus of control is a psychological concept regarding an individual’s belief system concerning the causes of experiences, successes, and failures. Psychologists have been studying locus of control for approximately 70 years, and a lot has been discovered. 

Note to writers: Be aware of what usually goes along with locus of control and how that might drive your characters.

Internal Locus of Control People

  • Are more likely to take responsibility for their actions
  • Tend to be less influenced by the opinions of others
  • Often do better when they are allowed to work on tasks at their own pace
  • Usually have a strong sense of self-efficacy
  • Feel confident in the face of challenges
  • Tend to work hard to achieve the things they want
  • Tend to be physically healthier
  • Report being happier and more independent
  • Often achieve greater work/professional success

Internals Say Things Like

  • “I know it’s up to me.”
  • “I have to learn how to become more successful at X.”
  • “I’m responsible for what happens in my life.”
  • “If I want better grades, I have to start working sooner.”

External Locus of Control People

  • Blame outside forces for their circumstances
  • Often credit luck or chance for any successes
  • Don’t believe they can change their situation through their own efforts
  • Frequently feel hopeless or powerless in the face of difficulties
  • Experiencing tasks as exceptionally difficult and consequently failing often can lead to developing an external locus of control as an ego defense mechanism

Externals Say Things Like

  • “It’s too hard to succeed these days.”
  • “The competition in my field is killing me.”
  • “Just when you think you’ll get ahead, fate kicks you in the ass.”
  • “The teacher had it out for me.”

Things to Keep in Mind When Determining Your Characters’ Behavior, Attitudes, and Feelings

  1. Locus of control is not an absolute, it’s a continuum.
  2. Men tend to have a more internal locus of control, women more external.
  3. When men fail, they tend to attribute the failure to luck or other external circumstances. When women fail, they are more likely to attribute the failure to their own abilities or efforts.
  4. When confronted with truly uncontrollable circumstances, externals are likely to suffer less psychological distress than internals.
  5. People who are externals are likely to experience anxiety because they believe they have no control over their lives, no predictability.

Roots of Locus of Control 

While there’s a tendency to assume a person was born that way, there’s lots of evidence that early life experiences have a strong effect.

  • Internals are more likely to have parents who encouraged independence.
    • Internals have parents who help them see the connections between their actions and the consequences.
    • Internals are likely to be healthier, less likely to be overweight, less likely to report poor health and high levels of stress.
  • Externals grew up seeing no relationship between what they did and what happened. 
    • Even worse, externals who were “damned if you do, damned if you don’t” suffer learned helplessness.

Bottom line for writers: Use locus of control and situational variables to up the stakes for your characters.

THERE’S KISSING, AND THEN THERE’S KISSING

When writers write about kissing, it’s almost always in the spirit of Klimt: love, passion, romance, sexual attraction, sexual activity, and/or sexual arousal. These kisses are often described in great detail: lips, tongue, involuntary reactions like breath and pulse, all taste, and smell. The reader is told whether it’s tender or demanding, hard or seeking, along with related sensations of hair, hands, body positions, and eye contact.

FYI, Kissing is the second most common form of physical intimacy among U.S. adolescents (after hand-holding). About 85% of 15-16-year-old have experience kissing. (At least, they say they do; one of the only things worse for a 15-16 year old to be caught doing than lieing on an anonymous survey is being shown to have less experience than their peers in any kind of sexual activity or exploration.)

Affection

Affectionate kisses are presented very differently. While not denying that affection can be a part of romantic/sexual kissing, it often has no erotic component at all.  Although seldom mouth-to-mouth, affectionate kisses are much broader, and can express loyal affection, gratitude, compassion, sympathy, joy, or sorrow. 

Affectionate kisses are common among family members, especially parents and children, and others who are “like family.” These are often cheek kisses accompanied by hugs. But affectionate kisses typically are not described with the sensory detail of erotic kisses. It is as if, given the context (of wedding, funeral, leave taking, illness, etc.) the act itself says it all.

Consider the possibilities of sensory description of affectionate kisses. A great-aunt’s overly strong perfume and clouds of fine, white hair obscuring vision as she leans in for a slightly whiskery kiss at a funeral. An exuberant friend hugging hard enough to squeeze breath out or lift someone off their feet entirely while smacking loud kisses on the cheek. A young child inadvertently pulling hair or scratching while pressing slobbery, banana-scented open-mouthed smears of affection to the face.

Greeting

Pro-forma kisses of friendship are common in Northern Africa, the U.S., Europe, and South America as a ritualistic form of salutation. Though occasionally given on the hand, most pro-forma kisses are on the cheek (or in the air next to the cheek). Think French cheek-kissing or Russian back-pounding hug accompanied by multiple kisses on both cheeks. Such kissing is very culture bound. The “rules” are different for every occasion in every society.

Joseph Stalin kissing pilot Vasily Molokov in congratulations, 1937

The Socialist Fraternal Kiss is a complicated bit of political theater, usually involving multiple kisses on the cheeks and lips combined with back-slapping and hand-shaking. Originally, it was a sign that all members of society should greet each other as equals rather than subjects kissing the hands or feet of a ruler. After World War II, the custom spread from Russia to Communist areas of Eastern Europe, Asia, and Cuba. The duration and intensity of the greeting kiss largely depended on the global standing of the country involved and the number of cameras in the area.

The Meeting at the Golden Gate by Giotto di Bondone

The Holy Kiss was an important part of early Christian ceremonies. Apostles were instructed to ‘salute one another with a holy kiss’ in several books of the New Testament, including St. Paul’s letters. This was later replaced with a handshake in Catholic services; in these days of COVID-19, congregants are encouraged to wave over the internet.

The Oceanic Kiss is not technically a kiss but is common in many cultures where actual kissing is not commonly practiced. Both parties approach and pass each other with their mouths slightly open but do not touch. Sniffing may be involved, so avoid the onions in these cultures.

Ritual

Ritual kissing has a long and varied history. Here again, the sensory detail is usually nil. Perhaps dwelling on the specific smell of feet or trying hard not to think of how many lips have rubbed that ring before yours.

Religion: kissing a temple floor, a religious book or icon. It conveys devotion, but also indicate subordination, or respect. Examples include kissing the Pope’s ring, or the foot of someone to show total subservience.

Joan of Arc Kissing the Sword of Deliverance by Dante Gabriel Rossetti

The kiss of peace: while part of religious ritual, it was also long a tradition to signify reconciliation between enemies.

Pope Francis greeting Holocaust survivors

The kiss of death: a signal from the leader of a group that the receiver of a kiss on the cheek is marked for execution.

The Godfather, Part II

Learning to Kiss 

Contrary to common belief, kissing does not “come naturally.” Although some anthropologists hold that kissing is instinctual and intuitive, evolving from suckling or pre-mastication—and others maintain that kissing evolved from tasting the saliva of a potential mate to determine health—these are contradicted by societies where kissing was unknown prior to exposure to Europeans. These include indigenous people of Australia, the Tahitians, and many tribes in Africa. 

Some people learn a little later than others.
from The 40 Year Old Virgin

Perhaps the most convincing—and entertaining—evidence is when infants and young children are taught how to kiss.  Starting with the wide-mouthed cheek lick. They are taught who to kiss, where, and when it is an appropriate occasion for kissing, with plenty of hilarious trial and error. These vary widely across cultures and time periods.

The Lovotics Kissenger, a cell phone attachment that allows people to kiss while on opposite sides of the planet!

Kissing doesn’t happen in approximately 10% of the world’s population.  Some believe it is dirty. Others have superstitious reasons, as in the mouth is the portal to the soul, so kissing can allow one’s soul to be taken and invites death.  Some cultures see kissing purely as a form of greeting or a sign of platonic affection rather than being associated with sex at all. Researchers at the University of Nevada have found that societies near the equator are less likely to equate kissing with romance than with affection or greeting.

Health Benefits of Kissing

There’s a moratorium on a lot of kissing just now because it can transmit some infectious diseases (COVID-19 as the newest, mononucleosis and herpes simplex, to name a couple of oldies). But overall, kissing is good for one’s health.

Maybe it’s just safer to blow kisses.

Kissing stimulates the production of feel-good hormones such as endorphins and dopamine. Regular kissing protects against depression and stress. Married or cohabiting couples who increased their frequency of kissing reported less stress, and increase in relationship satisfaction, and—wait for it!—lower cholesterol levels.

Another possible meaning of the Kiss of Death is an infection of the herpes simplex virus in infants. An infected person kissing a newborn can easily pass the virus on, sometimes proving fatal to the baby.

History of Kissing

Graves found in Teppe Hasanlu, Iran and Valdara, Mantua, Italy indicate that humans have been kissing for at least 6,000 years.
Sanskrit Vedas

However kissing got started, it’s been around for a long time.  Kissing is believed to have originated and spread from India. The earliest documentation of kissing comes from Sanskrit scriptures important to Hinduism, Buddhism, and Jainism, around 3,500 years ago. It is present in Sumerian and ancient Egyptian love poetry, in both the Old and New Testaments of the Bible. 

Romans had separate words for kissing the hand or cheek (osculum), kissing relatives on the lips with closed mouth (basium), and passionate kissing (suavium). The French have at least 5 nouns for a kiss and at least 10 verbs for to kiss, depending on the sort of kiss being referenced. There are at least 12 German words for kiss.  Using the wrong word for the occasion in any of these languages can lead to very embarrassing linguistic

This blog has just skimmed the surface, raising things a writer might want to consider whenever kissing is part of a scene—or could be. If you are truly intrigued, check out The Kiss and its History, by Kristoffer Nyrop.

Bottom Line for Writers: the types and meanings of kisses are nearly infinite. Enrich your writing by giving each kiss the level of sensory details usually reserved for erotic kisses.

So much sensory detail!

BETTER KNOW YOUR CHARACTER: GUIDING PRINCIPLES

True story: the first minute I was alone with my future father-in-law, he said, “Tell me. What were the guiding principles by which you were reared?” He was a retired dean, and it felt for all the world like a job interview. I paused, never having thought about this issue in quite such a direct way, answered, and it must have been okay because after I became his daughter-in-law we got along very well.

Writers: What are the basic principles that shape your character(s) behavior? 

These are “truths” that might have been taught directly, or just pulled out of the air. In any event, consider the following possibilities.

One

If you do your best each and every day, good things are sure to come your way.
-Tiana, The Princess and The Frog
  • If it’s worth doing, it’s worth doing right
  • Finish what you start
  • If at first you don’t succeed, try again
  • The only thing worse than failure is not having given it your best effort
  • Honesty is the best policy
  • Your word is your bond
  • Treat others as you want to be treated

Two

Some of you may die, but that is a sacrifice that I am willing to make.
-Lord Farquaad, Shrek
  • Always look out for number one
  • Winning is everything
  • There’s a sucker born every minute
  • Play the angles
  • Always fight to win
  • You can’t trust anyone farther than you can throw ‘em
  • You either take or get taken
  • Keep your friends close and your enemies closer

Three

Pride is not the opposite of shame, but its source. True humility is the only antidote to shame.
-Uncle Iroh, Avatar: The Last Airbender
  • It’s better to give than to receive
  • The meek shall inherit the earth
  • Cleanliness is next to godliness
  • Take care of family first
  • Live well and you’ll be rewarded, if not in this life then in the hereafter
  • Pride goes before a fall
  • Turn the other cheek
  • The hand that rocks the cradle rules the world

Four

Now you see how dangerous individualism can be. It makes us vulnerable.
– General Mandible, Antz
  • Benefit to many outweighs benefit to one
  • Community is stronger than an individual
  • Trust in the Leader/ Group
  • Sink or swim together
  • The nail that stands out gets hammered down
  • Every cog is needed for the machine to function
  • United we stand; divided we fall
  • Work is its own reward

Writers: What are the principles your character has internalized that determine how s/he behaves, feels, and thinks?

SORRY, I CAN’T BE THERE BECAUSE. . .

So sorry I can’t make it. My car is on fire.

Sometimes, we just really don’t want to be there. Work, of course, comes to mind. Classes.  IRS audits. The battle at the end of the world that has been foretold to bring about the fall of Valhalla. Social engagements that seemed innocuous when the invitation was accepted but loom ever more dreadfully as the deadline approaches. (Psychologists call this an approach-avoidance conflict.)

So sorry I can’t make it. My pants are on fire.

On the other hand, announcing one’s intent not to meet an obligation triggers, “Why not?” and, often, hurt feelings and scrambling for an acceptable explanation. Of course, sometimes one scarpers without an announcement, in which case the questions, hurt feelings, and guilty stammering come after the fact. But come they do. It’s socially unacceptable to blow-off a commitment without a “good” reason. Thus, we come to reasons and excuses.

So sorry I can’t make it. My marshmallow is on fire.

What’s the difference between a reason and an excuse? Truth. In fiction, truth is decided by the author; your character might genuinely have something bizarre prevent them from going to work. One study reported that 85% of employees say they are always honest when they call in sick. And 1 in 7 women has lied about a work absence. I have no data on social obligations. 

So sorry I can’t make it. My hair is on fire.

But as a writer, your first decision is whether the character is telling the truth.

Here, for your consideration, are some rather atypical explanations for an absence. Sometimes, the plot might be well served if it’s a reason rather than an excuse!

  • I couldn’t find a clean mask.
  • I couldn’t find my keys.
  • I couldn’t find my front door.
  • My COVID test results aren’t back yet.
So sorry I can’t make it. My pool is on fire.
  • My dog is having a nervous breakdown.
  • My grandmother’s body is being exhumed for a police investigation.
  • My toe is stuck in a faucet and the plumber can’t come till afternoon.
  • The FBI told me to come in for some follow-up questions.
  • I watched “The Hunger Games” and I’m too upset.
  • I read so much I got sick.
  • My hermit crab is moving to a bigger shell, and I promised I’d take her to look at some new places.
So sorry I can’t make it. The baby is on fire.
  • Our toddler learned Krav Maga, and no one is willing to babysit.
  • Our toddler taught Krav Maga to the ferrets.
  • I’m still trying to get the squirrels out of my attic.
  • I’m still trying to get the squirrels out of my hair.
  • I’m suffering from a broken heart.
  • I have to report for jury duty. They’re doing it on Saturdays now.
  • I was dyeing my hair at home, and it came out orange.
  • I was dyeing my hair at home, and it all came out.
  • I have to deliver the nuclear football.
  • My mom says I’m grounded until I pay the mortgage.
So sorry I can’t make it. My castle is on fire.
  • A bird bit me.
  • My fish hasn’t finished her homework, and I think she needs some help with the last few math questions.
  • The sobriety tool wouldn’t allow me to start the car.
  • The cat ate the car keys, and we have to wait for them to pass through.
  • My astrologist warned me not to associate with people of your aura this week.
  • I finally got my hair the way I like it, and now I can’t move for fear of disturbing it.
So sorry I can’t make it. The world is on fire.
  • The veterinary hospital had an emergency, and I had to take my dog in to donate blood.
  • My family in Singapore called about my grandfather and there’s a 12-hour time difference.
  • The rain always makes my arthritis worse.
  • A wizard just showed up and told me I have to go on an epic quest to save the world from certain doom.
  • The pigeons at the park are on a very strict feeding schedule, and they get anxious if I’m late.
  • A tree fell across my driveway and I couldn’t get my car out.
  • I’m still recovering from my last chiropractor appointment.
  • The podiatrist cut out my ingrown toenails and I can’t walk.
So sorry I can’t make it. The world really is on fire.

Bottom line for writers: When your character bugs out, make it work for your story.

So sorry I can’t make it. My dog is on fire.
(No worries! It’s just powder and trick lighting. No dogs were harmed in the making of this blog.)

EVERY SUPERHERO HAS AN ACHILLES HEEL

Just about everyone knows that an Achilles heel is a potentially fatal weakness, or vulnerability—even if the story behind the term is vague or missing.  The term stems from the Greek legend about the heroic warrior Achilles whose mother tried to make him immortal by holding the infant by his heel and dipping him into the River Styx. 

Achilles was killed by an arrow, shot by the Trojan prince Paris. In most versions of the story, the god Apollo is said to have guided the arrow into his only vulnerable spot, the heel that was not dipped in the river. 

I think of Achilles as the prototype of all modern day superheroes, with their varied and entertaining versions of Achilles heel. 

Note to writers: Don’t make your protagonist too perfect. How can one pull for a character who couldn’t possibly lose?

Editor’s Note: There are almost as many variations of the powers and vulnerabilities of most comic book characters as there are characters. The characterizations provided here refer to the most interesting timelines from among the Golden Age comics, the Silver Age comics, DC’s New 52, Marvel 616, Flashpoint, Universe of M, and the myriad other reboots and multiverses.

Everyone knows that Superman is crippled by Kryptonite and that’s that. But weakened as he is by green Kryptonite, pink Kryptonite may be even more devastating: it can fundamentally alter his personality in many ways, including hinting at being gay and attracted to Jimmy Olsen. At the time, this would have been seen as a major character flaw (possibly illegal) by the writers and the audience. A sillier effect came from silver Kryptonite, which made Superman act drunk and get the munchies.

For Martian Manhunter (also known as J’onn J’onzz), the weakness is fire. And it doesn’t need to be a raging inferno, or even a blowtorch, even a book of matches will do. In addition to scalding his exterior, flames scramble his masterful mind. Perhaps there’s a bit of lingering mental trauma from watching his entire planet destroyed by fire.

And he isn’t alone: Venom, the symbiote taking advantage of enemies of Spider-Man, could be done in by two seconds exposure to a cigarette lighter. Fire is just about the only way to force Venom to leave his host.

Captain Marvel, Jr. (later renamed Shazam) calls out his superhero name to activate his powers, but if he says his own name (Freddie Freeman) aloud during a battle, he immediately goes back to being a little boy. Thus, he adopts a number of aliases to hide his secret identity and his super identity.  This was not a very useful strategy.

When Daredevil went blind, he developed an echolocation skill that would be the envy of bats, along with a super sense of smell. At the same time, he is susceptible to unexpected loud noises, deafening or supersonic sounds, and noxious odors. He can be rendered unconscious and vulnerable to a follow-up attack.

The Flash is one of the few Superheroes—perhaps the only one—to be killed by his own powers. In battling to save the world, he ran so fast that he burst apart into atoms. Apparently he didn’t know that his excessive speed was also his weakness. (He didn’t stay dead long.) When triggering Flashpoint, the Flash was consumed in the Speed Force, where he became lost and stuck for more than twenty years. He can also be slowed down by extreme cold, but that’s not as funny.

The Riddler is more a supervillsain than a superhero, but even so, not truly deadly. He’s so narcissistic that he wants recognition for his cleverness more than he wants to avoid being caught. Dr. E. Nigma can never complete a crime without leaving clues. His paradoxes are always solvable.

Today the horrible effects of asbestos exposure are well known, but in the 1960’s when Asbestos Man was introduced, it seemed perfectly reasonable to outfit him with an asbestos suit, a fire-retardant shield, and a fisherman’s net to best his arch enemy, the Human Torch.

Impurities in the Green Lantern Corp’s rings make them useless against anything yellow. This weakness is easy to exploit and makes for some truly comic plots. His second debilitating weakness is wooden weapons, or even tree bark.

Power Girl was the antithesis of the Green Movement: she was done in by anything in natural in its unadulterated state. Think sticks, stones, cotton, silk, etc., ughh. According to comic book logic, it was because those materials didn’t exist in her home dimension. Power Girl was eventually revealed to be Super Girl, the cousin of Superman, though she did not share his weakness to Kryptonite.

In the early days of Thor, all it took to force him to return to his alter ego of Donald Blake was to get his hammer away from him for 60 seconds. Considering his primary method of attach was throwing the hammer at enemies, one might think he’d make certain nothing could stop its retrieval. Surprising how often that happened!

Mr. Mxyzptlk was generally safe, unless someone can convince or trick him into saying his name backwards. If that happens, he’s consigned to his native dimension for three months.

Wonder Woman, the prototypical female with superpowers, had skills to match or exceed those of male superheroes. I find it irritating that her weakness was being tied up by men, her super bracelets tied behind her back. Some of this can be traced back to her creator, William Moulton Marston and his recreational pursuits.

In later years, Wonder Woman joined an increasing number of super-powered heroes and villains with much more relatable weaknesses. In the 2017 film Wonder Woman, Princess Diana is nearly destroyed by despair at the violence in the world. 

Gladiator can freeze a planet with his breath melt it with his eyes, or shatter it with his bare hands. He runs at superhuman speed, flies like Superman, and is immune to Death Stars. And he’s incredibly good looking. All of this makes his weakness surprisingly humanizing: if he starts doubting himself, all his super powers desert him.

Tony Stark did not have any superhuman abilities, but his mechanical genius allowed him to become Iron Man. However, his alcoholism is still a major liability. By trying to fly and fight while drunk, Iron Man endangers his entire team and any civilians who happen to be nearby.

Cyborg must deal with constant internal conflict because of his apparent loss of humanity. After a severe accident, Victor Stone had robot parts melded with his remaining flesh. He cannot survive without the technology grafted to his body, but he battles self-loathing stemming from his belief that the medical procedures made without his consent have robbed him of his humanity.

Bottom line for writers: your protagonist’s Achilles heel doesn’t have to be fatal, or even logical, as long as you have the right backstory for it.

Everyone is defenseless against zombies, even superheroes and super-villains.

BETTER KNOW YOUR CHARACTER(S)

Knowing things about one’s character(s)—even things that never make it onto the page—will keep those imaginary people in character, consistent, well-rounded, and flexible so that new plot twists and turns don’t leave the reader feeling like an entirely new person has been introduced.

They also help in making sure every character is not just a copy of the author, with the same political views, personal preferences, and general outlook on life. Indeed, there are profile pages that have questions about everything from birthdate/astrological sign, to medical conditions, to education, to family of origin, etc. . . 

Which Brings Us to COVID-19

A worldwide pandemic is definitely an unexpected turn (unless your character is a historical tracking epidemiologist)! And rich with complexities. For the sake of better knowing your character(s), consider what the current pandemic would reveal. Remember that traits revealed by current events can be applied by authors to characters dealing with any historical, fantastical, futuristic, or imaginary setting.

Masks

This isn’t as singular as it first seems.  What is your character’s attitude/ behavior regarding masks? And why? Here are several possible choices. The Why is up to you!

  • Refuses categorically
  • Complies reluctantly
  • Will wear only when visiting nursing homes or vulnerable family
  • Embraces masks a good thing
  • Sees masks as just another opportunity to accessorize

What do your character’s masks look like? What quality or grade? Would your character confront someone about wearing/not wearing a mask?

Social Distancing 

Easy or difficult for your character?

  • Ignores physical distance
  • Meticulously maintains a 6’ distance
  • Social distances in public places only
  • Feels safe being closer when outdoors
  • Hugs and kisses family
Hand Cleaning
  • Pays no particular attention, i.e., washes when hands feel/look dirty
  • Cleans hands when entering or leaving a building 
  • Sets up a hand washing/sanitizing schedule, e.g., every hour
  • Preference for soap and water or sanitizer?
Safer at Home
  • Does not leave residence at all; everything is distance communication and delivery
  • Goes out only for medical reasons and food
  • Travels locally in own vehicle 
  • Travels locally in someone else’s vehicle, just driver and character in back seat passenger side
  • Comfortable traveling by taxi, bus, train, or plane with appropriate precautions
  • Travel whenever and wherever, damn the consequences
Alone or Together
  • Does your character live alone? Is that a good thing or bad?
  • Does your character alone get lonely?
  • Does your character living with others experience increased tension and conflict? With partner and/or children.
  • What if your character’s friend/loved one dies?
  • How would your character handle home schooling?
    • (If s/he has no children, consider a distance learning tutor or a character educating him/herself via online resources.) 
Crowds
  • Avoids them like the plague (pun intended)
  • Braves them only for a “good cause” such as civil rights demonstration
  • Would go to a family reunion
  • Would address a crowded room for work reasons
  • Happy to party down
Work 
  • Would your character be able to work from home?
  • Is your character an essential worker?
  • Could/would your character be furloughed?
  • Is your character a business owner, responsible for others?
  • Would your character’s workplace be shut down?
  • Would money/loss of income be a problem for your character?

With But Not of COVID-19

Name Changing 

Would your character have a singular or varied response, depending on what’s being renamed? Consider the timing and speed of public opinion shift in the setting: immediately renaming provinces, shops, schools, and cities per government mandate during China’s Cultural Revolution versus the gradual shift of the capital of Kazakhstan from Astana to Nur-Sultan.

  • Rename schools, named for Confederate “heroes”
    • e.g., Stonewall Jackson Middle School, Washington and Lee University
  • Rename roadways, bridges, etc.
    • e.g., Lee-Davis Highway
  • Rename Washington Redskins team
  • Rename towns/cities
Public Memorials, Symbols 

Confederate flag, paintings, statues displayed on public property.

  • Leave them alone. It’s history.
  • Leave them, but provide context.
  • Remove them to Civil War battlefields or museums.
  • Remove and destroy.

Bottom line for writers: Remember that you are describing your character(s), not yourself. The “why” is important. Did you learn anything about your character(s)?

PSA: WORKING IS HAZARDOUS TO YOUR HEALTH: PART 1

Deadliest Job in the Galaxy: Red Shirt Crew in Star Trek

Although necessary for the economic (and possibly mental) health of most people, working is more-or-less bad for your physical health. This two-part blog explores the most unhealthful jobs. Jobs can be unhealthful in two basic ways: acute incidents and chronic conditions. In Part 1, I’m focused on acute incidents that take workers’ lives. Next time, I’ll explore chronic work conditions that injure people with repeated exposure, over time. 

Writers Note 1: All of these jobs provide opportunities for murders that look like accidents–and when occupational deaths are so common, sliding in a murder would be more likely to be missed. 

Killer Jobs 

There’s a very good reason they put these signs up.

The rate of fatal work-related  injuries overall is 3.5 per 100,000 workers. More than any other big category, transportation-related accidents killed workers (more than 2,000 of 5,250 deaths, 40%). The second-most common workplace fatalities was contact with objects and equipment, 13%. These numbers come from cnbc.com, 12/27/2019.

Although exact rankings vary somewhat from year to year, there seems to be consensus that the following jobs are the ones most likely to have workplace fatalities, based on data from the U.S. Bureau of Labor Statistics.  The parenthetical numbers are fatal injuries per 100,000 workers, giving you a comparison metric

According to ISHN, a publication for safety and health professionals, the two most frequently fatal jobs are deep sea fisherman and logger. All death rates below come from ishn.com/articles/110496-most-dangerous-jobs-in-the-us-the-top-20

Loggers (109.3) most often die because of logging equipment or logs. In addition, they work outside, in isolated areas, exposed to dangerous weather conditions.

Deep Sea Fishermen (74.2) as well as other sailors (55.1) most often die by drowning. They also face risks from icy decks, working with heavy equipment, being sick or injured too far from land to get medical treatment in time. ISHN: “And to top it all off, this [deep sea fishing] is about the only profession where you can be swallowed whole.”

Aircraft Pilots and Flight Engineers (50.4) most often die in transportation “incidents.” The majority of fatalities result from crashes of privately owned planes. About 20% of fatal U.S. crashes happen in Alaska, where 82% of the towns and settlements can only be reached by plane.

Paving, Surfacing, and Tamping Equipment Operators (46.7) most often die from getting hit by construction equipment or crashes involving other motor vehicles.

Dredging, Excavating, and Loading Machine Operators (42.4) die by contact with objects and equipment. Unstable dredging equipment can sink.

Roofers (39.0) die in ways you might expect: most often falling off the roof, but also slipping and tripping: 34% of falls from roofs are fatal.

Machine Maintenance (37.4), Woodworking Machine Setters, Operators, and Tenders (35.9) are most likely to die from contact with equipment.

Septic Tank Servicers and Sewer Pipe Cleaners (34.3) die from contact with objects and equipment. 

Refuse and Recyclables Collectors (31.9) are most likely to die after being hit by the truck or another vehicle. Garbage collectors’ mortality rate is 100 times higher than is considered acceptable risk. By comparison, police offers suffer 15.8 deaths per 100,000.

Structural Iron and Steel Workers (28.0), like roofers, are most likely to die from falls, slips, and trips.

Delivery and Other Truck Drivers (26.0) die most often in traffic crashes. Long-haul trucking accounts for about one out of every four fatal work accidents. Although other jobs have higher fatality rates, truckers have the largest number of deaths on the job. 

Farmers, Ranchers, and Other Agricultural Managers (25.6) die most often in crashes, including tractor crashes. However, there are also falls from roofs or multi-story barn lofts, trampling by farm animals, and suffocation in grain silos.

Children (16 and younger) working on farms die more often than all other industries combined. “Farmers are nearly twice as likely to die on the job as police officers, five times as likely as firefighters, and 73 times more often that Wall Street bankers.” (INSH.world)

Taxi Driving is the lowest-paying career on these lists of the most dangerous jobs, with an average annual income of $23,500 in the US. Taxi drivers are twice as likely as police officers to be a victim of homicide while working, and 20 times more likely to be murdered while working than the average American.  Compared to other workers, they have an increased risk of such deaths because they work with cash, with the public, alone and during nighttime hours. Black and Hispanic drivers are more likely than white drivers to die on the job, and male drivers are six times more at risk than female drivers.

Writers Note 2: These rankings apply primarily to jobs in the US. Differences in labor laws, environmental conditions, and record-keeping around the world means that characters in other countries have an even wider range of ways to die at work!

All the biggest stars have doubles film the dangerous scenes.
  • Stunt work – doing dangerous activities on purpose for pay
    • Tourist attractions, street theater
    • Doubles for actors in dangerous roles
    • Stage magicians, escape artists, circus performers, etc.
  • Shipbreaking – stripping retired ships for reusable materials
    • Open welding torches around explosive gasses
    • Sheets of metal falling without warning
    • Falling from multi-story heights
HuaShan Mountain Pass is one of the most treacherous trails in the world,
  • Sherpa – guiding hikers up mountain trails
    • Carrying incredibly heavy packs
    • Falling off mountains
    • Avalanches
  • Mining – many countries have far less stringent safety protocols
    • Tunnel collapses
    • Toxic fumes with little or no ventilation
    • Heavy, sharp, dangerous

Bottom Line for Writers: deaths, whether accidental or intentional, are great plot points, tension builders, and revealers of character.

WEAPONS IN DISGUISE

Consider arming your character(s)! If for no other reason, sometimes a little self-defense could come in handy. And consider the reasons that character might not want to look armed. And then consider your weapons of choice, based on the character’s character and lifestyle.

Rings

  • Poison rings (also called pill box rings): an oldie but goody, the oldest examples date back to ancient Asia and India, popular in Europe starting in the 16th century; an empty space under or in the bezel could contain poison or other substances; a favorite with both assassins and generals  
  • Knife blade ring: the top of the band is sharp enough to cut
  • Hidden spike ring: take off the top guard (rose blossom, ball, etc.) to expose a sharp, pointed blade weapon capable of ripping skin, drawing blood, and collecting the DNA of an attacker
  • Last shot revolver ring: ring looks like a six-shot revolver chamber seen from the back side; one 14K bullet chambered; these may not be effective as a weapon
  • Stealth cat ring: double-spiked ring that poses as a harmless pair of cat ears
  • Secret compartment ring: part of the band or top of the ring opens to reveal a small space in which correspondence, cameras, etc.

Nails or Claws

  • Ancient Chinese symbol of wealth and status, showing that people did not need to use their hands
  • A variation is a finger gauntlet, a jointed metal cover for one finger, usually with spikes or blades attached
  • Claws can be attached like a ring on the smaller knuckles of the fingers or slid over the tips of their finders
  • Blades could be attached to the top of the claw, or the tip of the nail itself can be a blade
  • These can be worn as a singular ornament or as an entire set on all fingers
  • They’re not exactly hidden, but they are easily overlooked as weapons

Bracelets

  • Hidden compartment bracelets can hold a variety of helpful ways to kill people, including poison, lockpicks, keys, correspondence, etc.
  • Bracelets can easily conceal knives, either in the clasp, inside the band, or in a hidden compartment
  • Garrote wires can be covered with ornamentation
  • Chakram bracelets are a traditional Indian Sikh weapon, requiring skill to use effectively as a thrown, bladed weapon
  • Buddhist mandala (meditation) beads are effective blunt ended weapons
    • Really big Rosaries can be used the same way, if a character is very determined
  • Dragon chains are effective wrist guards and can be used as ranged attack weapons (this requires a great deal of training)
  • Spikes can be hidden among decoration on the edges or tops of bracelets

Necklaces

  • Poison pendant: functions like poison rings (above)
  • Hidden compartments in pendants can hold many other useful objects, such as lockpicks, photos, computer chips, explosives, correspondence, lights, etc.
  • Almost any shape pendant can disguise a blade
  • Kunai Blades: particularly useful in hand-to-hand combat, but they can also be used for traction when scaling the sides of buildings
  • Pendants designed with spikes can stab
  • Garrote necklace: handheld chain strong enough to strangle a person
  • Rosaries and Buddhist mandalas can also be worn as necklaces and used as described above

Brooches

  • Poison hidden inside
  • Secret compartments can hold almost anything
  • The pin itself can be used to stab
  • Spikes or ridges in the design itself can be used as weapons
  • Prominently displayed brooches often carry hidden meanings

Earrings

  • Being so close to exposed skin on the neck limits the use of earrings as pointed or edged weapons
  • Carefully designed earrings can have small spike or blades
  • Lockpicks can be hidden within the design of earrings
  • Some earrings can contain specially designed shanks for breaking out of handcuffs
  • Earrings can contain hidden compartments for holding poison or other items helpful for maiming

Sunglasses

  • Blades can be hidden in the frames
  • Concealed tranquilizer or infectious darts can be hidden in the hinges
  • Being at eye level makes them ideal for concealing cameras

Hats

  • Tactical cap with self-defense clip-on-bill
  • Spikes or tasers can be hidden on the back clasp
  • Perhaps the most famous is Odd Job from James Bond, who had a notoriously deadly hat with a razor-sharp brim
  • “Slappy Hat” has a weighted top to deliver extra punch when used as a weapon
  • Almost any hat or head covering can conceal a garrote wire

Hat Pins

  • Designed to pierce through the hat and secure it to the head
  • Hat pins made ideal stabbing weapons
  • Head of the pin was large enough to conceal poison or other items
  • Could be used as lockpicks
  • There is ample newspaper evidence of women using and being encouraged to use hat pins as defensive weapons in public

Hair Pins

  • Japanese kanzashi hairpins were originally designed for personal defense and as good luck charms
  • Fancy pin heads could conceal many useful things, depending on how ornate the hair pin
    • Poison
    • Lockpicks
    • Blades
    • Garrotes
    • Poisonous flowers
  • Throwing knives can be easily disguised as hair pins
  • Could be tipped with poison
  • Used in formal hairdressing in almost every culture in the world, by men and women, depending on the time period

Shoes

  • Blades can be concealed in the toe
  • Actual stiletto blades in the stiletto heel
  • Shoes have been designed with guns in the heal, but they are not very useful as weapons
  • Spikes on sides, backs, and tops
  • Laces can have spike woven in
  • Heavy, steel-cased boots can crush or break bones
  • Provide holsters for knives, guns, brass knuckles, etc.

Undergarments

  • Corset stays can be designed to be removed and double as knife blades
  • Corsets had steel or bone stays (or were made entirely of steel) and served as defense
  • Holsters for knives, guns, and mace can be hidden in undergarments
  • Padded undergarments can provide some protection from knives
  • Kevlar underpants are bulletproof garments specifically designed to protect the femoral artery

Miscellaneous Concealable Weapons 

  • Hidden belt knife: knife is concealed in buckle area, can be pulled faster than from a pocket or sheath.
  • Comb knife: slide the teeth off to expose the knife blade
  • Hidden knife keychain
  • Lipstick tube concealing pepper spray
  • Hidden knife pen
  • Hidden Knife highliters
  • Hidden credit card knife
  • Hand grip concealing spikes
  • Coin purse that doubles as a blunt weapon when full
  • Walking stick or umbrella with a sword inside
  • Carabiners with flip-out knives

Bottom line: whatever the occasion, there’s a weapon for that!

If you’re a superhero, concealing weapons isn’t such a concern.

JEWELRY AS MORE THAN BEAUTIFICATION: IDENTIFICATION, INFORMATION, AFFILIATION, COMMUNICATION

I’m a jewelry junkie: even staying home I wear earrings, a necklace, a bracelet (only one, unless we’re talking bangles), and at least two decorative rings. If I didn’t wear a lot of jewelry every day, how could I justify having so much of it? For me, and for those who know me, it’s just my style: sterling silver with stones such as jasper, carnelian, onyx, and lapis lazuli.

Museum visits just aren’t complete until whatever jewelry displays are available have been viewed. There are quite a few you can visit online right now!

Nassarius shell beads found in Turkey
Animal bones that may have been Neanderthal adornments

It might be argued that jewelry has been around as long as humans have. The oldest known human jewelry is 100,000-year-old Nassarius shells that were made into beads. An archaeological dig in Croatia provided some evidence that Neanderthals might have made jewelry from 35,000 years before that!

As you probably know, jewelry has been made from such natural materials as bone, animal teeth, shells, pearls, wood, carved stones, and many combinations thereof—and it still is! The term baroque comes possibly from the Portuguese baroca for a misshapen pearl. Less stable materials have rarely withstood the test of time, but people have and do make fabulous adornments from feathers, animal skins, paint, clay, dried leaves, flowers, paper, and even hair. And consider how many body parts you’ve seen adorned with jewelry—for example hairpins, tiaras, earrings, nose rings, neck rings, finger rings, toe rings…

Ring found in an Aztec tomb

Throughout history, people of high importance or status have historically had more jewelry than others, and often were buried with it. Burial spots of Viking chiefs, Egyptian nobles, and Chinese warlords are identified as such because of the fancy weapon and fabulous jewelry next to the corpse. In Ancient Rome, only people of certain ranks could wear rings.

But I started by saying jewelry can be more than beautification.  In earlier times, jewelry served to pin clothes together, to restrain hair, to hide weapons, and as a method of storing wealth.

Identification

The US military will now allow personnel to list The Church of the Flying Spaghetti Monster (FSM or Pastafarian) as a religious preference on dog tags.

Can we count dog tags as jewelry? Made specifically for the purpose of identifying military, they have a long and erratic history. In English, the term “dog tag” comes from the resemblance to animal registrations.

Signaulum

The earliest mention of an identification tag for soldiers comes in the writings of Polyaenus, who described how the Spartans wrote their names on sticks tied to their left wrists. A type of dog tag (“signaculum“) was given to Roman legionaries at the moment of enrollment: a lead disk on a leather string, worn around the neck, with the name of the recruit and the legion to which the recruit belonged. 

Dog tags were provided to Chinese soldiers as early as the mid-19th century. During the Taiping revolt (1851–66), both the Chinese Imperial Army regular servicemen and rebels wearing a uniform wore a wooden dog tag at the belt, bearing the soldier’s name, age, birthplace, unit, and date of enlistment. 

U.S. military personnel have worn dogtags since 1918, primarily for the purpose of handling casualties and deaths. (FYI: There were no official dog tags during the American Civil War. Some soldiers pinned pieces of paper with identifying information to their clothes. A few enterprising jewelry makers started making custom-ordered identification pins for soldiers to buy.)

French or Danish signet ring, unknown owner

Consider other types of ID jewelry: ID bracelets, pendants that spell out a name (usually only a first name). In some places, slaves were made to wear permanent bracelets or necklaces identifying their position and owner. In the days before photographic IDs, people used signet rings to prove their identity when giving orders or sending letters.

Information

Fancy medical alert bracelets

Dog tags show more than just identification; they now include basic medical details like blood type and inoculations as well as religious affiliation.

Staff Sgt. Ivor Griffin with the Congressional Gold Medal of Honor he earned for his service in World War II, finally presented to him at 92 years old

The military is big on jewelry to convey information: number of stripes, number of stars, Purple Hearts, and other medals proclaiming one’s expert standing or honors.

Medical alert jewelry (typically bracelets) to proclaim diabetes, a heart condition, serious allergies, etc., in case medical treatment is needed for someone who cannot talk.

In past years, “mourning jewelry” made of jet or the woven hair of the deceased proclaimed one’s grief—often for a specified period of time, depending on relationship. Malaysian, Aztec, Chinese, Indian, Zulu, Egyptian, and Celtic funeral traditions all include specific jewelry for the corpse or the bereaved. The Victorians (of course) had incredibly detailed and strict rules about what type of mourning jewelry was to be worn, by whom, for which occasion, and for how long after a loved one died.

Traditionally, Japanese women’s hair and hair accessories were practically a résumé in code. The type and placements of a woman’s kanzashi (簪) hairpieces signified marital status, age, profession, social class, training level, etc. The most elaborate hairstyles and kanzashi were worn by geisha, courtesans, and women studying arts such as flower arrangements and tea ceremonies. Kanzashi were originally worn to ward off evil spirits, and they often doubled as weapons.

Maasai women communicate similar status messages in traditional bead-work. Traditionally, every woman learns how to weave together the intricate bead patterns and designs. The jewelry design and color indicates the family a person is from and how wealthy the family is. It also indicates the status of a Maasai woman, whether she is single, engaged or married.

Claddagh rings are common in Irish weddings, signifying love, loyalty, and friendship

And, of course, wedding rings signaling that (presumably) one is not available for romantic or sexual relationships. (FYI, wedding rings for men are relatively recent: by the mid-1940s, 85% of weddings included rings for both bride and groom.) Throughout most of Europe and America, wedding rings are worn on the left hand. In some countries, particular in Eastern Europe and Central Asia, wedding rings are worn on the right hand.

Affiliation

This may be the most common use of jewelry of all (except as pure adornment). On college campuses, Greek fraternities and sororities each have their unique “pins,” worn by members. Consider the jewelry Masons wear, and the rings worn by “Eastern Star” members, the group for women affiliated with a Mason. Other fraternal organization that have nothing to do with college campuses abound, along with their identifying jewelry.

Girl Scouts and Boy Scouts have pins declaring their rank and troop number, but other pins and badges are earned through service and awarded like military honors. Nurses, doctors, firefighters, paramedics, dentists, and many other professionals are presented with pins when they graduate. The pin is a sign of certification and of membership in the group.

The United States Congress has an entire system of jewelry for members. Lapel pins, ribbons, and necklaces show which party a Senator, Representative, spouse, or page belongs to and which Congress they are a member of. Each Congress designs a new design and color scheme.

Mayan nobility may have worn as much as 20 pounds of jewelry while dancing

Jewelry made of precious metals and precious gems, especially designer jewelry, clearly proclaim wealth, and sometimes status.  Societies that are very conscious of class divisions are more likely to place importance on specific types of jewelry worn in public.

Ancient Egyptians used symbols on their jewelry to show territorial pride. The white vulture represented Nekhbet, patron of the Upper Egypt, and the red cobra stood for Wadjet and Lower Egypt.  When the kingdoms were combined, the Pharaoh signified leadership of Upper and Lower Egypt by wearing a crown with a both the cobra and the vulture.

During the Medieval period in Europe, royalty and nobility considered the wearing of fashionable clothing and jewelry a special privilege reserved for themselves. To enforce this idea, sumptuary laws were initiated, primarily in the 14th century. Such laws were meant to curb opulence and promote thrift by regulating what people were allowed to wear. The English sumptuary laws forbade clothing and jewelry of certain materials, above certain price levels, of certain sizes, etc.

Ring with vodun veve sign

Religious affiliation can be signaled by jewelry, usually with symbols of the faith itself, though sometimes with the presence or absence of the jewelry or by what is covered by the jewels. The Star of David for Jews, a crucifix or a stylized fish for Christians. Buddhists may wear a lotus blossom or an image of Buddha. People who fervently believe in the power of Hogwarts may wear the Sign of the Hallows or a symbol of their House mascot.

Communication

Madame Secretary says, “I think this room is bugged.”

All of the above involve communication of some sort. The Smithsonian has a traveling exhibit on jewelry as a form of language and expression, particularly the pins of Madeleine Albright. The former Secretary of State loaned her extensive collection of brooches, many of which had specific messages for those in the know. Queen Elizabeth Tudor is rumored to have had a similar system of jewelry signals for her vast network of spies, but nothing has ever been proven (probably because historians are not spies).

From the Smithsonian National Museum of American History exhibit: Illegal To Be You

Secret messages can be communicated through jewelry even if the wearer is not a politician. In communities where homosexuality is illegal, LGBTQ people will often develop among themselves a discreet code of earrings or particularly colored necklaces. In America before the 1970s, this often took the form of a ring on the pinkie finger or a single earring in the left earlobe. During the American Civil War, abolitionists in Confederate States wore a red ribbon or string to signal that they would help escaping slaves move to safety.

Small squares of colorful beads known as Zulu Love Letters are gaining popularity in South Africa again. Like Maasai necklaces, each bead’s color and its placement in relation to others has a meaning. Together, the beaded designs send a message of love or affection.

Protea, shown here in a corsage, worn for compassion, integrity, or peace (depending on the location)

Perhaps the most ephemeral jewelry of all—flowers—have a very long history of communicating when worn as adornments. Flowers and greens mean different things in different cultures, but they nearly always mean something pleasant when worn on the body. Hawaiian orchids woven in a lei with jasmine blossoms, carnations, or kika blooms are given as a sign of welcome or farewell. The Victorians had such a specific flower code that people could have entire conversations without saying a word, just by wearing combinations of blooms at various times.

Protection

Sign against the Evil Eye

In addition to wearing a religious symbol as a way of declaring one’s membership in a group, many people wear religious amulets or reliquaries for protection from evil influences. In the Middle Ages in Europe, ecclesiastical rings worn by clergy and laymen as sacred emblems, were one of the few exceptions to the nobility’s limits on jewelry.

Curative rings, meant to cure ailments and diseases, were another exception to Medieval sumptuary laws. Necklaces with pouches of herbs, hair ornaments made of holy or lucky materials, and bracelets blessed by clergy are just a few of the ways people have used jewelry in an attempt to guard their health.

Many cultures allow women ownership only of her jewelry, given to her as bride gifts or a dowry. This can give women some degree of financial freedom. She will have ready access to cash if there is an emergency or if she needs to leave her home.

Jewelry can also double as weapons! Roman women wore hairpins that were long enough to be used in self-defense. Rings can double as a variation of brass knuckles or contain poison. Necklaces and very long bracelets can be turned into garrotes or used to tie up an enemy. An enterprising magic user can attach hex bags or cursed amulets to necklaces given as gifts. All sorts of useful methods of assassination can be hidden in lockets, brooches, arm cuffs, or anklets.

Domination

Jewelry that contains part of your soul may seem extra intimidating, but it will likely to be an eventual liability.

One of the first requirements of becoming an Evil Overlord is to acquire some piece of jewelry (usually a ring) that provide power or subdue the will of enemies. Otherwise, all the other Evil Overlords will laugh.

Three Rings for the Elven-kings under the sky,

Seven for the Dwarf-lords in their halls of stone,

Nine for Mortal Men, doomed to die,

One for the Dark Lord on his dark throne

In the Land of Mordor where the Shadows lie.

One Ring to rule them all, One Ring to find them,

One Ring to bring them all and in the darkness bind them.

In the Land of Mordor where the Shadows lie.

Bottom Line for Writers: As with everything about your characters, consider their jewelry choices and the whys therefore!

WHEN YOU AND/OR YOUR CHARACTERS ARE NOT WHITE: INFO FOR WRITERS

As everyone should know by now, given recent events and news coverage, who you are and how you look makes a difference across the spectrum of American life. Writing (and publishing your writing) is no exception. I want to thank Kathleen Corcoran—friend, colleague, and occasional guest blogger—for suggesting this topic. In case you missed the photos on the header of my blog, I should clarify that I am a white woman and thus am relying on outside resources.

Surprise, surprise! (Hear the sarcasm dripping.) 

Black Authors Get Fewer and Smaller Advances Than Their White Counterparts

L.L. McKinney

Take a look at the author photos on the shelves of just about any bookstore, and you’re likely to be confronted by an overwhelmingly pale gallery. The science fiction and fantasy shelves tend to be even more monochromatic.

The disparity in pay is one reason Black authors are less likely to be full-time authors. Through the magic of Twitter, people were shown just how wide that disparity is. Here are a few instances from #publishingpaidme, started by Black fantasy author LL McKinney.

  • White American sci-fi author John Scalzi wrote that to the best of his recollection: he received $6,500 for his first two books in 2005 and 2006, then several five-and six-figure advances before a $3.4m deal for 13 books in 2015.
N. K. Jemisin accepting the Hugo Award
  • In comparison, Hugo-winning Black sci-fi novelist NK Jemisin said that she received $40,000 for each book of the Inheritance trilogy, $25,000 for each book of the Dreamblood duology, and $25,000 for each book of the Broken Earth trilogy, each of which won a Hugo award.

.

  • Black American literary novelist Jesmyn Ward said that she wrote her second novel, Salvage the Bones, before securing an advance. “Even after it won the [National Book Award], my publishing company did not want to give me 100K for my next novel.”

Black American author Roxane Gay’s opinion: “The discrepancy along racial lines is very real. Keep your day job.”

Possible explanation: according to a survey earlier this year by Lee & Low Books (publishers of children’s books), 76% of workers in U.S. publishing identified as white. 

Romance writer Jasmine Guillory said, “Publishing is still a business owned by white men,” and “And, you know, the people at the top are all white men.” She made these comments in a Washington Post podcast titled Black Women on Race and Genre, in which Martine Powers talked with N.K. Jemisin, Jasmine Guillory, and Lauren Wilkinson about these issues. 

Lauren Wilkinson

In that podcast Wilkinson noted that in spy novels, from James Bond and John le Carré on, the super spies look very male and very white. So she wrote American Spy featuring a Black woman, Marie Mitchell.

Japanese American author and literary critic David Mura has written extensively about the race, gender, and identity the world of publishing. In his article about changes in the traditional path to publication, Mura identifies another challenge facing Black science fiction and fantasy authors.

The divide between the way whites and people of color see the social reality around them is always there in our society…. 
Creative writing involves the very description of that reality, and so the gulf between the vision of whites and people of color is very present right there on the page. And so, conflict ensues.

David Mura
“The Student of Color in the Typical MFA Program”
Gulf Coast

Science Fiction Definitely Has Problems of Inequality  

Octavia Butler

As far back as 1980, Octavia Butler (afrofuturist writer, “The Grand Dame of Science Fiction”) was asking why science fiction is so white. Transmission Magazine published her essay, “The Lost Races of Science Fiction.” It has been reprinted in GARAGE Magazine, Issue 15, September 4, 2018.

Traditional wisdom held that making a main character a person of color will change the focus of the story. The advice was to substitute some sort of alien for the minority human. These things were actually taught in creative writing classes! Butler maintained that if a writer can see minorities for all their humanity—faults, skills, problems, aspirations—writing minority protagonists won’t derail the plot.  Butler’s essay still seems spot-on to me, and I recommend reading it!

[R]emember when men represented all of humanity? Women didn’t care much for it. Still don’t. No great mental leap is required to understand why blacks, why any minority, might not care much for it either. And apart from all that, of course, it doesn’t work. 

“The Lost Races of Science Fiction”
© 1980 Octavia E. Butler
Wild Seed by Octavia Butler

An Evolution May Be in Progress 

The Racial Imaginary: Writers on Race in the Life of the Mind was published in March, 2015. Edited by Claudia Rankine, Beth Loffreda, and Max King Cap. I just came across this title and haven’t read it, but it seems to be on point.

Ramón Saldívar received a National Humanities Medal from President Obama in 2011

Ramón Saldívar is a professor of English and comparative literature at Stanford University whose scholarly work is with ethnic literature.  Stanford NewsJanuary 17, 2017 profiled Saldívar prior to the publication of his book The Racial Imaginary: Speculative Realism and Historical Fantasy in Contemporary Ethnic Fiction.

Nichelle Nichols – Lieutenant Uhura
Not a well-known writer, but she broke many science fiction b
arriers

He studied works by African, Asian, Mexican, Dominican, and Native Americans. All were born after the civil rights movement of the 1960s. His overall conclusion is that these writers find new ways to imagine and talk about race through fiction.  “They are combining representations of race and racial identity with the wildest literary experimentations one could imagine.” And this is across all genres.

If you want to read what he’s talking about, here are examples of authors he studied, including several prize winners.

  • African Americans: Colson Whitehead, Perciival Everett, Touré Neblett, Darieck Scott
  • Asian Americans: Sesshu Foster, Karen Tei Yamashita
  • Native Americans: Sherman Alexie
  • Latinos/Latinas: Marta Acosta, Michele Serros, Yxta Maya Murray, Salvador Plascencia
  • Dominican American: Junot Diaz 

April 17, 2018 The New York Times Match Book replied to the following query: “I’m hoping you can save me from the literary doldrums. I’m looking for black authors who can both get me excited about reading again and inspire my own writing.” The writer then gave examples of writing she likes, following with, “I need to know that there is an audience out there for mystery, suspense and science fiction written about black characters by black authors, so I don’t feel like I’m writing in vain.” Here are The New York Times recommendations. If you want descriptions of each, check out the post online.

Bottom Line for Writers: the time is long overdue to break the molds and end systemic bias in publishing.

Why Do So Few Blacks Study Creative Writing?

Always the same, sweet hurt,
The understanding that settles in the eyes
Sooner or later, at the end of class,
In the silence cooling in the room.
Sooner or later it comes to this,

And she has to know, if all music
Begins equal, why this poem of hers
Needed a passport, a glossary…

Cornelius Eady  
The Gathering of My Name (CMU press, 1991)