Creative Nonfiction = Literary Nonfiction = Narrative Nonfiction

naked drunk writing adair lara
I bought this book recently because I’ve enrolled in Creative Nonfiction, a class that begins later this month at the VMFA Studio School. I haven’t taken a writing class in years, but why not?

 

Once upon a time I took a class with a title something like “Writing Memoir Using Fiction Techniques.” It was a great class. And now there is a whole genre of writing that uses literary styles and techniques to create factually accurate narratives written to entertain. There’s quite a good Wikipedia essay about it, and/or you can check out www.creativenonfiction.org.

 

Once I started thinking about it, I realized how much of my pleasure reading is some version of creative nonfiction.

 

Dean King is a Richmond writer who is a master of the form. He brings history to life, whether he’s writing about a shipwreck off the coast of Africa in 1815 or the legendary American Hatfields and McCoys.

 

Three of my other favorites are Bill Bryson, Charles Panati, and Mary Roach.

 

Charles panati books
Each is an educator in his or her own fashion. Panati gathers fascinating bits and pieces, often organized around quirky themes.

 

mary roach books
Mary Roach researches current themes and issues, including their historical roots and cross-cultural connections. And she’s humorous!

 

bill bryson books
Bill Bryson varies between historical research (e.g., Mother Tongue) and personal experience (e.g., A Walk in the Woods).

 

And then there are the personal adventure stories. The first of these I read was Woodswoman by Anne LaBastille about living alone in the Adirondacks, isolated by winter.
woodswoman anne lebastille
The next creative nonfiction book on my agenda will probably be Wild (2013) by Cheryl Strayed. Obviously, I don’t jump on the lists of just published books! But I expect a thrilling read.
wild cheryl strayed
Bottom line: Creative nonfiction can be as varied as fiction. And why not try writing a genre I so enjoy reading? I’ll keep you posted.

A Creative Nonfiction Writer You Should Know

creative nonfiction writer know linda bourassa
Once upon a time, I worked with Dr. Joyce Dyer at Hiram College. We were just solidifying the writing program and making it more prominent within the curriculum. Joyce was a great choice to head those efforts, for she is a stellar colleague and widely admired teacher. But that’s not why I am writing about her today.

 

Joyce Dyer has a flair for drawing on her own life and making it bigger—relevant, compelling reading.
tangled wood alzheimers journey joyce dyer
In a Tangled Wood: An Alzheimer’s Journey is a rare, powerful memoir of a mother and daughter in the world of Alzheimer’s. It is humorous, painful, and wise. Joyce doesn’t shy away from the struggle, but this book contains a surprising wealth of joy as well.
Sociology of time and place permeate two of her books. The titles say it all: Goosetown: Reconstructing an Akron Neighborhood and Gum-Dipped: A Daughter Remembers Rubber Town. The former, in particular, is a case study in writing memoir based on the earliest years of one’s life. How can those memories be recovered? Those times revisited? Anyone interested in writing—or simply reading—memoir should check out these books.

 

The keen eye and talent for the telling detail that characterize her own work enabled her to edit two volumes of essays that are prime reading for anyone interested in writing, women’s writing, women’s history, or life in general!

 

bloodroot joyce dyer
Bloodroot: Reflections on Place by Appalachian Women Writers is particularly poignant for me. Being firmly rooted in the hills of eastern Kentucky and southeastern Ohio, Appalachian voices and places permeate many of my short stories and one (as yet unpublished) novel.
curlers chainsaws women their machines
And now I have the pleasure of starting From Curlers to Chainsaws: Women and Their Machines. Published just last year, this is a new acquisition, an anthology I expect to enjoy reading and to shelve for reference. Bill Roorbach’s cover comment says it beautifully: “From Curlers to Chainsaws makes stops along the way to visit prosthetics, lawnmowers, typewriters, vibrators, washing machines, and on and on, from traditional women’s gear to equipment we’re all using now, praise be… a book of women’s voices so clear and diverse and funny and heartbreakingly individual that you hurry from one to the next…” I can hardly wait!