Discovering dZi Beads

As you may know from previous FB posts and my weekend blog, I recently visited the VMFA during the creation of the Tibetan mandala. As with many special exhibits, the VMFA shop offered many items related to mandalas and Tibetan culture—and thus I became aware of dZi (pronounced Zee) beads for the first time. The Tibetan word “dZi” translates as “shine, brightness, clearness, splendor.” The name in Mandarin Chinese translates as “heaven’s bead” or “heaven’s pearl.” FYI, I’ve seen it written Dzi as well.

 

The dZi are stone beads worn as part of a necklace or bracelet. Many Asian cultures around Tibet also prize dZi as protective amulets and for positive spiritual benefits. As with many things thought to have good vibes, dZi have and have had multiple uses: ground into powder, they are sometimes used as an ingredient in traditional medicine, and sometimes used as a tool to burnish the gilt on paintings or statuary.

 

The most highly prized dZi beads are ancient, and made of smooth, natural agate. Those being hard to come by, modern-made dZi are even making inroads in Tibet. The designs can be almost anything: circles, ovals, squares, waves, zig zags, stripes, lines, diamonds, dots, etc. The colors are mainly brown to black with a design in off-white. The number of “eyes” in a design is significant, as is their arrangement.

 

DZi stones appeared between 2000 and 1000 BCE. Although the geographic origin is unknown, they are now generally known as Tibetan beads. In Tibetan culture these beads are believed to attract protectors, maybe beneficial ghosts or ancestors. Thus the beads are always treated with respect.

 

As long ago as the early 19th century, “modern era” beads in this style were made in Germany. New dZi have been produced in Asia. The most convincing replicas of ancient beads came from Taiwan during the 1990s, and  good-quality ones from mainland China over the last three year.
New beads are less likely to appeal to purists. However, attitudes toward new beads vary widely: some believe the new stones function as well as the old ones; some believe the protective energies are missing but can move into a new dZi under certain circumstances; at the same time, the ancient beads have absorbed energy—both good and bad—from all the previous owners whereas these new beads have no need to be cleansed in the same way. In any case, one should purify one’s beads and ask them to bond with you. There is an interesting and informative article online titled the Myth and Mystery of Tibetan Dzi Stone Beads that tells how to do this, and how to care for your beads in general. It also identifies the meaning attached to the number of eyes on the bead, from one to twenty-one.

 

Imitation dZi are made from materials other than agate or calcedony—virtually any other material. Some of these imitations were created a couple of hundred years ago. Some of the older mock dZi are valued in their own right. The dZi beads available in the VMFA shop are made of traditional materials (agate) and designs, but they are obviously mass-prodced and thus some would consider them to be imitations.

 

If one believes in the power of stones, these would still have the positive properties of these varieties of quartz. Agate and chalcedony are two commonly-encountered varieties of quartz.

 

Agate: all about harmony and balance. Although different varieties/colors of agate have their own properties, all types of agate stones have these agate properties at the heart of their meaning. All agate mineral rocks vibrate or resonate at a slower, less intense rate than some of their more high-frequency quartz relatives. These less intense vibrations impart strength and stability. Agate meaning includes yin and yang energy, providing a balance between the positive and negative.

 

Carnelian is known as a stone of motivation and endurance, leadership and courage. Carnelians have protected and inspired throughout history. A glassy, translucent stone, Carnelian is an orange-colored variety of Chalcedony, a mineral of the Quartz family.

 

Chalcedony is a nurturing stone that promotes brotherhood and good will. It absorbs negative energy. It brings the mind, body, emotions and spirit into harmony. Chalcedony instills feelings of benevolence and generosity. It alleviates hostility and transforms melancholy into joy.

 

Black Onyx is another variety of Chalcedony, which ranges from white-colored stones to black. It is one of the many gemstones believed to have amazing healing and spiritual properties. The story of the origin of this stone varies from culture to culture, but it does go back a very long way in time. Today it is available in pure black, as it is heated and polished.

 

BOTTOM LINE: Get thee to the VMFA, enjoy the exhibit, and learn a bit about Tibetan culture. You never know what information a writer can use down the line!

Body Awareness

 
When writers write human sensations, they typically rely on the basic five: sight (vision), hearing (audition), taste (gustation), smell (olfaction), and touch (somatosensation). Everyone since Aristotle has recognized these. But relying on these is over-simplification.

 

In fact, humans have a multitude of sensors. The ability to detect other stimuli beyond those governed by these most broadly recognized senses also exists, and these sensory modalities include temperature (thermoception), kinesthetic sense (proprioception), pain (nociception), balance (equilibrioception), vibration (mechanoreception), and various internal stimuli (e.g. the different chemoreceptors for detecting salt and carbon dioxideconcentrations in the blood, or sense of hunger and sense of thirst).
What constitutes a sense is a matter of debate, leading to difficulties in defining what exactly a distinct sense is, and where the borders lie between responses to related stimuli. Today, a conservative list of senses numbers 10 and the generally accepted list includes 21. The radical list identifies at least 33.
 
But as writers, we don’t have to worry about exact numbers and labels. We just need to develop a keener body awareness for our characters.
 
 
One of my personal favorites is proprioception, the sense that gives you the ability to tell where your body parts are in relation to other body parts and the environment. Being able to close your eyes and touch your nose is one example—a skill that is impaired when drunk, BTW.
 
I first really though about this sense when I read what John McPhee said about Bill Bradley, back in the day when Bill Bradley was a basketball superstar. McPhee was particularly impressed that Bradley, back to the basket, could look him in the eye, hold a conversation, and toss a basketball over his shoulder and make the shot.
 
 
Bradley: “When you have played basketball for a while, you don’t need to look at the basket when you are in close like this….You develop a sense of where you are.”
 
Any character who is athletic would have a highly developed sense of body awareness. The opposite of Bill Bradley is the character who is forever bumping her/his head, tripping, knocking into things, etc.
 
Choose any sense and have a character who is characterized by an extreme of that sense. For example, tea, wine, or coffee tasters; acrobats; inability to feel pain or temperature; etc.
 
Numerous studies have shown that people do have the ability to detect accurately the passage of time, without counting or anything like that: on average, 18 to 24 year olds could tell when 3 minutes were up within a 3 second margin. And perhaps more interesting, our sense of time slows down with age, so that 60-80 year olds, on average, thought that 3 minutes had passed at around 3 minutes and 40 seconds! Again, this might be more useful for people on either extreme from the average. FYI, people with Parkinson’s or ADD have very poor sense of time passage compared to “normal” people.
numbers in color
Synesthesia is, essentially, when our sensory wires get crossed. Such people hear or taste color, for example. Although some people experience this naturally, it is more common under the influence of hallucinogens.

 

BOTTOM LINE: Do a little reading online about human senses to develop awareness of how these can enhance your writing!