DUOMAIEUSIOPHOBIA – DOUBLE TROUBLE

A suspected publicity stunt for Miss Peregrine’s Home for Peculiar Children terrified London commuters.

Today’s blog entry was written by Kathleen Corcoran, a local harpist, teacher, writer, editor, favorite auntie, and reluctant sister, niece, and granddaughter of twins.

Even they cannot tell who is who in this photo.

Duomaieusiophobia (literally the fear of double childbirth) is the scientific name for the fear of twins, though it can refer to the fear of any multiple birth.  Twins are a very common element in movies and TV, whether identical, fraternal, or imaginary.

I bet they share absolutely everything!

In the horror genre, twins often serve to add an extra element of creepiness even if their relationship is not the primary driver of the plot.  Consider the twin girls in The Shining or the Merovingian’s twin assasins in The Matrix: Reloaded.  Though they are minor characters, their appearance on screen is chilling.

And this is before they turned into glowing electric ghosts

A big factor for this (beyond saving money by only paying one actor for two roles) comes down to our own subconscious: twins pose a threat to our understanding of self-identity and to the way the world works.  In some cultures, twins are seen as lucky or even venerated as having a direct link to the divine.

The Yoruba people have one of the highest concentrations of twins in the world, and they celebrate all of them.

In other cultures, twins are seen as the result of or the bringers of evil and are ritually killed.  At either end, twins are outside of the norm.

The Twins Days Twins Festival in Twinsburg, Ohio. Just being there was very unsettling.

The Evil Twin

Anthropologists have theorized that twins were originally seen as personifying the duality of nature – day and night, summer and winter, birth and death, etc.  This carried over into mythology, in which twins often played opposite roles, such as Apollo and Artemis controlling the sun and the moon.  Opposite moralities are also a common element in mythology; one twin is good and the other is evil: Cain and Abel, Romulus and Remus, etc.

Jonah and Seth Trimble in Seconds Apart. Can you spot the evil twin?

Many horror movies play on this trope.  Twins are identical in every way except for the body count.  This idea is so common that an entire page of TVTropes is dedicated to good and evil twins or clones.  My sisters like to claim that they are both the evil twin.

Bette Davis played both good and evil twins in Dead Ringer.
Margot Kidder played a twin who was so possessive of her sister that she murdered any potential rivals in Sisters.
Twins of Evil starred actual twin sisters Mary and Madeleine Collinson, one of whom is turned into a vampire.

Closely linked to the idea of one twin being good and the other evil, there is a common theme of one twin taking the other’s place.  In comedies, this generally results in zany hijinks, as when the Marx brothers all put on Groucho Marx’s iconic mustache and glasses and caused mayhem all over the mansion in Duck Soup.

They weren’t actually twins, but Groucho, Chico, and Harpo could certainly pass!

In horror movies, the evil twin generally steps into the life of the good twin for personal gain or allows the good twin to take the fall for nefarious deeds.

Good twin Holland is punished for evil twin Niles… or so it would seem in the 1972 film The Other.
Blood Rage features a psychotically evil twin who frames his brother for several murders.

The Devil’s Double (2011) features both the good/ evil twin trope and the impostor/ scapegoat trope as well as being based on a true story.  Dominic Cooper plays Saddam Hussein’s son Uday as well as the soldier called up to be Uday’s fedai (a political decoy and body double).

Letif Yahia is rumored to be living in Ireland or Germany now.

Both Twins Are Evil

In many areas of the world, particularly West Africa, twins (or triplets or quadruplets) are viewed as harbingers of doom or even inherently evil.  Chinua Achebe’s novel Things Fall Apart mentions the village custom of abandoning twins in the forest to die.  Some even blame the devastating 2016 earthquake in Tanzania as the work of angry twins.

June and Jennifer Gibbons are a real-life pair of twins, born in 1963, who spoke only to each other and committed several acts of theft and violence.

Despite a concerted effort by government and foreign aid groups, twins in Nigeria and Madagascar are frequently buried alive with their mother or sealed in a room to starve to death.  Though for different reasons, Hollywood shares many of these ideas of twins being unnaturally synchronized, lacking empathy for all others, possessing some form of supernatural ability, or even providing a gateway for evil spirits or ghosts.

The twin boys in American Horror Story: Murder House are condemned to spend eternity trapped in the house where they tormented others.
Jeremy Irons played both psychotic doctors in the film Dead Ringers, horrifyingly based on a true story.
Legend was also based on a true story, of the London gangster twins Ronnie and Reggie Kray, though Ronnie was arguably a little more evil.
The German film Goodnigt Mommy features a pair of twin boys who torture and kill their mother when they think she is an impostor.

Twins Separated or Left Alone

Because twins are so close, strange things tend to happen when they are raised separately or when one dies.  This is often called the Twinless Twin effect, and it touches the parents of twins and other siblings as well as the twins themselves.  Both Elvis Presley and Liberace lost a twin very early in life, and they both cited their missing twin as having a major influence on their creative work.

Both performers felt that they were living for their twin as well as themselves.

This particular grief felt by twinless twins, coupled with the assumption of twins’ psychic link, creates perfect fodder for horror movies.  Several of the films listed above have a surprise ending in which it is revealed that one twin has already died and is a hallucination or delusion of the remaining twin.  No spoilers!

A stillborn twin comes back to haunt his sister and serve as a bridge for the ghosts of other twinless twins in The Unborn.
Alone is a Thai horror movie about a conjoined twin who dies during separation surgery and comes back to possess her sister. It also features the trope of the good/evil twin pair.
Calling upon her supposed twin bond, the heroine of The Forest enters Aokigahara (the “Suicide Forest”) in Japan to search for her sister, whom she believes is planning to commit suicide.
The film Jonathon is an interesting twist on the idea of the twinless twin: both brothers inhabit one body, switching off every twelve hours, so they can never meet or interact.

Every year, at the Twins Days Twins Festival in Twinsburg, Ohio, an entire section of the festival grounds is set aside for researchers looking for volunteers.  Twins throw balls into cups, test their memories, fill out questionnaires about mental health, and let themselves be weighed, measured, observed, and questioned to shed light on all those pesky questions people can’t answer by experimenting on babies.

Most researchers offer gifts or money in exchange for participation. My sisters won so much cash in prizes that I made them pay for the hotel.

Scientists are fascinated by twins because of what they can reveal about genetics and the role of environment in supposedly hereditary traits.  Anthropologists are fascinated by twins because of what they can illustrate about a culture’s understanding of self-identity.  Doctors are fascinated by twins because of what they can demonstrate about the contraction or treatment of illness.

Is the ability to play the harp standing up and backwards hereditary? You’d have to ask Camille and Kennerly Kitt, the Harp Twins.

Artists, filmmakers, writers of any sort are fascinated by twins because of what they can show us about human nature, because of the opportunity for wacky confusion, because they have a bond that is very rarely found in any other grouping of characters.  Twins are a source of comedy, drama, terror, tenderness, and every other aspect of writing… doubled!

This is by far the most terrifying image I found online. Can you tell which one is Bruce Willis?

OCTOBER IS FOR HORROR: VAMPIRES

Drawn by shamad
A friend recently told me that the horror villains we fear are subconscious stand-ins for things we’re afraid of in real life.  Vampires stand for a fear of change; zombies for a fear of crowds or strangers.  Fear of clowns is a sign you’re a normal, well-adjusted, perfectly rational person.

 

The anthropomorphic personification of EVIL!

Inquiring minds want to know!  I started with vampires—and I never got past vampires!

 

When I went online to learn what it means if we fear vampires, what popped up was an article by Ralph Blumenthal, “A Fear of Vampires Can Mask a Fear of Something Much Worse.”  He was writing in 2002 about villagers in Malawi believing that the government was colluding with vampires to collect human blood in exchange for food.

 

Mobs of vampire hunters killed dozens in Malawi

At the time, Malawi was in the grip of starvation, a severe AIDS epidemic, and political upheaval.  He cited Nina Auerbach, author of Our Vampires, Ourselves, to the effect that stories of the undead embody power ”and our fears of power.”

David J. Skal, author of The Monster Show: A Cultural History of Horror claims that a fixation on demons often accompanies periods of national stress.  “In times of social upheaval, the vampire asserts itself.”

 

 

In nearly every culture in the world, there is a legend of some variation of vampire-like creatures—the dead who reanimate and come back to feed on the living.  And there is general agreement that the roots of vampire legends are in the misunderstanding of how bodies decompose and of how certain diseases spread.

 

The Chinese Jiangshi hunts by “hopping” because of rigor mortis.

In an October 26, 2016 article in National Geographic titled The Bloody Truth About Vampires, Becky Little wrote, “As a corpse’s skin shrinks, its teeth and fingernails can appear to have grown longer.  And as internal organs break down, a dark ‘purge fluid’ can leak out of the nose and mouth.  People unfamiliar with this process would interpret this fluid to be blood and suspect that the corpse had been drinking it from the living.”

Paul Barber, author of Vampires, Burial, and Death: Folklore and Reality, made several telling points in the introduction to his book.  One is that there is little similarity between the vampires of folklore and the vampires of fiction.
Modern images of vampires are pretty stereotyped: fangs that bite the necks of victims; drinking human blood; can’t see themselves in mirrors; can be warded off with garlic, killed with a stake (or silver nail) through the heart; are aristocrats who live in castles and may be sexy.  This image was popularized by Bela Lugosi’s portrayal of Count Dracula in the 1931 film adaptation of the Broadway show of the same name.  Unlike Bram Stoker’s description of the monster in the 1897 novel Dracula as a repulsive old man with huge eyebrows and bat-like ears, Lugosi showed audiences a mysteriously elegant gentleman in evening dress.

 

 

The 1922 film Nosferatu (on left), though an unlicensed adaptation, portrayed the vampire as described in Stoker’s novel.

 

In European folklore, vampires typically wore shrouds, and were often described as bloated, with a ruddy or dark countenance.  Specific descriptions varied among regions: sometimes male, sometimes female, might have long fingernails, a stubby beard, the mouth and left eye open, a permanently hateful stare, red eyes, no eyes, etc.  Fangs were not always a prominent feature, and blood was generally sucked from bites on the chest near the heart rather than the throat.
Polish strzyga
But perhaps the most important theme of Barber’s book is that, lacking a scientific background in physiology, pathology, or immunization, the common response of ancient societies was to blame death and disease on the dead.  To that end, the interpretations they came up with—while wrong from today’s perspective—nevertheless were usually coherent, covered all the data, and provided the rationale for some common practices that seemed to be otherwise inexplicable.

 

A manananggal from the Philippines will send its detached head and torso to hunt.
Should you ever be pursued by a vampire, fling a handful of rice, millet, or other small grain in its path.  The vampire will be compelled to stop to count every grain, giving you time to escape.  I found no information on how vampires came to be associated with arithmomania, but it endures: remember The Count von Count on Sesame Street?

 

He’s the color of a rotting corpse, but cloth fangs are pretty harmless.
At this point, I realize that getting into methods of identifying vampires, protecting against vampires, ways to destroy vampires, and cross-cultural variations on vampirism is way beyond the scope of this blog.  Instead, I refer you to books such as this:

 

 

And should vampires show up in your dreams, according to DreamBible: the answers to all your dreams, pay attention.  Their appearance could mean many things.
  • Seeing a vampire in your dream symbolizes an aspect of your personality that is parasitic or selfishly feeds off others.
  • Alternatively, a vampire may reflect feelings about people you believe want to pull you down to their level or convert you to thinking negatively in a way similar to theirs.
  • To dream of being a vampire represents a selfish need to feed off others.
  • To dream of being bitten by a vampire represents feelings about other people using you or feeding off you and being unable to stop it.
  • Vampires may be a sign of dependence, problems with addiction, social pressure, or ambivalence.
  • A dream vampire might be telling you that you need to start being more independent and relying less on others resources or accomplishments.
  • To dream of killing vampires represents overcoming dependence on others.
  • Repeated dreams of vampires hovering over your shoulder and correcting your spelling or suggesting topics for research and expansion is almost certainly a sign that you are writing a blog entry about vampires.
The yara-ma-yha-who in Australia drains a victim of almost all blood before swallowing and regurgitating the body, which then becomes a copy of its killer.
Bottom line for writers: consider whether a vampire is a fit metaphor for your character.
 
The soucouyant appears in the Caribbean by day as a harmless old woman, but she sheds her skin at night to hunt as a ball of fire.

Horror Week is Here

horror week here
Celebrate it on Goodreads! Here you will find their list of the 50 most popular horror books on Goodreads, “From Mary Shelley to Stephen King.”  You can also read the Ghastly Horror Subgenres (sic), Book-to-Scream Adaptations, 13 True Tales of Terror, and—just for fun—The Nightmare Generator. My worst nightmare is supposed to be an incompetent vampire in the nursery. For my husband, it’s supposed to be a paranoid cannibal in the attic. FIND YOUR WORST NIGHTMARE!
complete works edgar allan poe
Edgar Allan Poe is only one proof that well-written horror is well-written literature. It’s timeless. And every set of tips on how to write horror includes the observation that good writing, and all the elements thereof, are the foundation with horror being an add-on. “Horror” means an intense feeling of fear, shock, or disgust.

 

horror week here
Now Novel is a good place to start if you are thinking of dipping your toe into this genre. According to this blog, the 5 common elements of the best horror stories are these:

 

  • They explore malevolent or wicked characters, deeds, or phenomena.
  • They arouse feelings of fear, shock, or disgust as well as the sense of the uncanny.
  • They are intense.
  • They contain scary and/or shocking and scintillating plot twists and story reveals.
  • They immerse readers in the macabre.

 

The blog then goes on to discuss six tips:
  1. How to write horror using a strong, pervasive tone.
  2. The importance of reading widely in your genre.
  3. Giving wicked characters credible motives
  4. Using the core elements of tragedy
  5. Writing scary novels by tapping into common human fears.
  6. The difference between terror and horror.

 

horror week here
If you want even more advice, you can find it at The Ramble. According to Chuck Wendig, horror is best when it’s about tragedy. It contains subversion, admonition, and fear of the unknown. Horror works on our minds, our hearts, and our gut. It can be gross, but that isn’t necessary. What is necessary is for characters you love to make choices you hate. “SEX AND DEATH ALSO PLAY WELL TOGETHER.” You should never tell readers they should be scared. He writes much more than this, of course.

 

horror week here
In my opinion, one of the best sites is Bustle. It includes comments from ten authors, including Stephen King, who discusses gross-out, horror, and terror.

 

horror week here
Advice from others includes:

 

  • Shirley Jackson: Use your own fear.
  • R.I. Stine: Get inside your narrator’s head.
  • Tananarive Due: Don’t worry about being “legitimate.”
  • Ray Bradbury: Take your nonsense seriously.
  • Anne Rice: Go where the pain is.
  • Clive Barker: The scariest thing is feeling out of control.
  • Linda Addison: Just start writing and fix it later.
  • Neil Gaiman: Tell your own story.
  • Helen Oyeyemi: Keep it real (kind of).
horror week here
And the advice goes on. Bottom line: This is the week to read and/or write a little horror!
 
horror week here
goodreads horror week