Once upon a time, I worked with Dr. Joyce Dyer at Hiram College. We were just solidifying the writing program and making it more prominent within the curriculum. Joyce was a great choice to head those efforts, for she is a stellar colleague and widely admired teacher. But that’s not why I am writing about her today.
Joyce Dyer has a flair for drawing on her own life and making it bigger—relevant, compelling reading.
In a Tangled Wood: An Alzheimer’s Journey is a rare, powerful memoir of a mother and daughter in the world of Alzheimer’s. It is humorous, painful, and wise. Joyce doesn’t shy away from the struggle, but this book contains a surprising wealth of joy as well.
Sociology of time and place permeate two of her books. The titles say it all: Goosetown: Reconstructing an Akron Neighborhood and Gum-Dipped: A Daughter Remembers Rubber Town. The former, in particular, is a case study in writing memoir based on the earliest years of one’s life. How can those memories be recovered? Those times revisited? Anyone interested in writing—or simply reading—memoir should check out these books.
The keen eye and talent for the telling detail that characterize her own work enabled her to edit two volumes of essays that are prime reading for anyone interested in writing, women’s writing, women’s history, or life in general!
Bloodroot: Reflections on Place by Appalachian Women Writers is particularly poignant for me. Being firmly rooted in the hills of eastern Kentucky and southeastern Ohio, Appalachian voices and places permeate many of my short stories and one (as yet unpublished) novel.
And now I have the pleasure of starting From Curlers to Chainsaws: Women and Their Machines. Published just last year, this is a new acquisition, an anthology I expect to enjoy reading and to shelve for reference. Bill Roorbach’s cover comment says it beautifully: “From Curlers to Chainsaws makes stops along the way to visit prosthetics, lawnmowers, typewriters, vibrators, washing machines, and on and on, from traditional women’s gear to equipment we’re all using now, praise be… a book of women’s voices so clear and diverse and funny and heartbreakingly individual that you hurry from one to the next…” I can hardly wait!