What Writers Can Learn From Diana Gabaldon

Last Friday I posted “Loving Diana Gabaldon.”  It was general praise and admiration of the sort you might expect from that title. Today I want to cite some specific ways that writers would do well to follow her example. In particular, I will focus on vivid language. We have all heard or read that we should […]

Loving Diana Gabaldon

Yesterday I finished reading the fifth book in Diana Gabaldon’s Outlander series—The Fiery Cross—for the second time.   This is the one that begins in 1770, with Clare, Jamie, et al., in North Carolina—embroiled in the War of Regulation, early conflicts preceding the Revolutionary War. As with all the Gabaldon novels, it is an intriguing blend […]

Language Blogs Round-Up

Canadian science fiction reviewer James Nicoll said, “The problem with defending the purity of the English language is that English is about as pure as a cribhouse whore. We don’t just borrow words; on occasion, English has pursued other languages down alleyways to beat them unconscious and rifle their pockets for new vocabulary.” Among the […]

In Praise of Rereading

For decades my escapist reading—with few exceptions—was mysteries. Once you know who did it, what would be the point? The one exception for me was Dorothy L. Sayers.  My motivation for rereading the Lord Peter Wimsey/Harriet Vane mysteries was to discover the early clues and figure out how she built to the big reveal. But […]

The Gift of Rainy Days…

…is that they are the perfect excuse to read instead of weed!   The only question is, what shall I read? One favorite is a big, fat book to take me through the day and the rainy days to follow this week. According to the Guiness Book of World Records, Proust wrote the longest book […]

Besotted With Books

I did not grow up in a book house. In my earliest years, the only volumes we owned were a huge two-volume pictorial history of WWII and several Bibles. Dad subscribed to Field and Stream and Mom subscribed to True Confessions. So I wasn’t exposed to children’s books till I was in school and able to […]

Beware Head-Hopping

We all know about Point of View. It’s the narrator’s position in relation to the story being told.   With the objective POV, the writer tells the story entirely with action and dialogue. S/he never discloses anything about thoughts or feelings, leaving it for the reader to infer these from the dialogue and action. In […]